Agency through Otherness: Portraits of Performers in Circus Route Books, 1875-1925Main MenuIntroductionIntroduction to the book and information about ways to navigate the content.The American Experiment: Circus in ContextCircus performers and American history timelineRouting the Circus: The Things They CarriedCircus Routes Map, 1875-1925Ethnological Congresses and the Spectacleby Rebecca FitzsimmonsOutsiders in Demand: Chinese and Japanese Immigrant Performersby Angela Yon and Mariah WahlShattering Gender Roles: Women in the Circusby Elizabeth HarmanSide Show Sounds: Black Bandleaders Respond to ExoticismAnnexed Circus Musicians by Elizabeth C. HartmanNative Performance and Identity in The Wild West Showby Mariah WahlShowmen's Rests: The Final CurtainCircus Cemetery Plots by Elizabeth C. HartmanList of PerformersPerformers covered in this exhibitBibliography & Further ReadingsBibliography and readings for each chapterAcknowledgementsAngela Yon72f2fd7a28c88ceeba2adcf2c04fee469904c6f1
Karl L.H. Müller’s ‘Walrus’ Beer Pitcher 1876
1media/jug_thumb.jpg2021-04-30T09:30:53-07:00Angela Yon72f2fd7a28c88ceeba2adcf2c04fee469904c6f13829431876 Karl L.H. Müller’s ‘Walrus’ Beer Pitcher based on the poem “The Heathen Chinee” or “Plain Language from Truthful James”plain2021-05-04T22:01:06-07:00Photography BMAMitro Hood Senior Staff PhotograBaltimoreThe Baltimore Museum of Art / 10MarylandUSAThis image is owned by The Baltimore Museum of Art; permission to reproduce this work of art must be granted in writing. Third pThis image is owned by The Baltimore Museum of Art; permission to reproduce this work of art must be granted in writing. Third party copyright may also be involved.20111227095903-0500Angela Yon72f2fd7a28c88ceeba2adcf2c04fee469904c6f1