Agency through Otherness: Portraits of Performers in Circus Route Books, 1875-1925Main MenuIntroductionIntroduction to the book and information about ways to navigate the content.The American Experiment: Circus in ContextCircus performers and American history timelineRouting the Circus: The Things They CarriedCircus Routes Map, 1875-1925Ethnological Congresses and the Spectacleby Rebecca FitzsimmonsOutsiders in Demand: Chinese and Japanese Immigrant Performersby Angela Yon and Mariah WahlShattering Gender Roles: Women in the Circusby Elizabeth HarmanSide Show Sounds: Black Bandleaders Respond to ExoticismAnnexed Circus Musicians by Elizabeth C. HartmanNative Performance and Identity in The Wild West Showby Mariah WahlShowmen's Rests: The Final CurtainCircus Cemetery Plots by Elizabeth C. HartmanList of PerformersPerformers covered in this exhibitBibliography & Further ReadingsBibliography and readings for each chapterAcknowledgementsAngela Yon72f2fd7a28c88ceeba2adcf2c04fee469904c6f1
Life Beyond the Big Top: African American and Female Circusfolk, 1860–1920.
12021-03-31T14:44:21-07:00Angela Yon72f2fd7a28c88ceeba2adcf2c04fee469904c6f1382944Citation Pageplain2021-04-15T12:43:50-07:00Angela Yon72f2fd7a28c88ceeba2adcf2c04fee469904c6f1Childress, Micah. “Life Beyond the Big Top: African American and Female Circusfolk, 1860–1920.” The Journal of the Gilded Age and Progressive Era 15, no. 2 (2015): 176–196. doi:10.1017/s1537781415000250
As circus goers watched the array of performers, they witnessed various powerful renditions of female beauty, strength, vulnerability, humor, sexuality, and ugliness; each type of performance conveyed its own meaning and offered its own vision of what women were capable of achieving. 1
The Gilded Age brought forth many changes in American society, from the expansion of the railroad system and rapid growth in the west to political issues like the temperance movement and prohibition, immigration laws, and the suffrage movement. Exploration of the world was ever increasing and there were great advances in science, medicine, technology, and media. However, while some areas of American society were taking great steps forward, others were facing great resistance, including how women should be present and involved in society. 2
Courageous, daring, strong, and capable. These are words that would not typically be used to describe women in the late nineteenth and early twentieth centuries. On the contrary, societal standards trended towards the exact opposite regarding the view of the ‘ideal woman’. Dress was always supposed to be formal, polite, and conservative, with long skirts and dresses being the standard. Women were not encouraged to join the workforce (with exceptions made for ‘acceptable work’), society believing that their place was within the domestic home.3 Their demeanor should be polite, feminine, and quiet, not showing too much emotion or sharing too many opinions.
Circus women were in direct contrast to this narrative. Despite the barriers placed on them, as the new era was ushered in women began advocating for their right to work. “The expansion in female employment in the circus reflected a national trend as the number of women in the workplace more than doubled from 1870 to 1910.” 4 Women had existed in the circus prior to this time, but they were much less prevalent and much less accepted by the general public. Certain states even prevented circus women from performing due to state laws. In the face of these laws, the advice of the media, and what society deemed as ‘appropriate work’, the women of the circus were a visible representation and celebration of female power, making their voices heard and their contributions to society known.
This chapter will focus on the women who made their own seat at the table; women who faced exploitation and social rejection daily yet were some of the most celebrated of their time. By making a living for themselves and choosing to be visible, they became advocates for working, successful women and a force for change.
Author’s Statement: Much of the language used in the Circus Route Books collection and other primary sources is outdated, sexist, racist, and offensive to many people groups. The use of these terms within this chapter is in no way meant to harm others, and appropriate terminology is used whenever possible.
12021-03-14T18:03:59-07:00Daring Women13plain10399142021-04-15T13:50:53-07:00As women advocated for themselves and found a place within the circus, many unique acts arose. Women were found in almost every sector of the circus by the mid 1920’s. From aerialists and highflyers to musicians and contortion, women were a part of it all. How they arrived at these positions often involved family. Whether they were born into the circus or married into it, more often than not they were legally a part of the circus family. This familial aspect was used often by the circuses to promote their shows, proving to the laypeople that they were living in an upstanding community, using ‘stories of marriage and children as a positive avenue to present their female employees in a favorable light to the American public.” 24 To an extent, this was true as life within the circus was highly structured and proper. There were also strict rules on behavior and appearance, especially for the women, to make sure that they remained in a good light and stayed safe while on the road.
Though women were less prevalent in the circus, the women that did make it into the show were typically the highlight of the performance, especially within family troupes. Marriages and family connections were constantly made and intertwined in the circus with hopes for a better job placement. The means by which women found work within the circus were varied, but they used these to their advantage to promote themselves and be the biggest success stories under the big top.