Agency through Otherness: Portraits of Performers in Circus Route Books, 1875-1925Main MenuIntroductionIntroduction to the book and information about ways to navigate the content.The American Experiment: Circus in ContextCircus performers and American history timelineRouting the Circus: The Things They CarriedCircus Routes Map, 1875-1925Ethnological Congresses and the Spectacleby Rebecca FitzsimmonsOutsiders in Demand: Chinese and Japanese Immigrant Performersby Angela Yon and Mariah WahlShattering Gender Roles: Women in the Circusby Elizabeth HarmanSide Show Sounds: Black Bandleaders Respond to ExoticismAnnexed Circus Musicians by Elizabeth C. HartmanNative Performance and Identity in The Wild West Showby Mariah WahlShowmen's Rests: The Final CurtainCircus Cemetery Plots by Elizabeth C. HartmanList of PerformersPerformers covered in this exhibitBibliography & Further ReadingsBibliography and readings for each chapterAcknowledgementsAngela Yon72f2fd7a28c88ceeba2adcf2c04fee469904c6f1
Charging Thunder (George Edward Williams)
12021-02-24T11:42:02-08:00Angela Yon72f2fd7a28c88ceeba2adcf2c04fee469904c6f1382941plain2021-02-24T11:42:02-08:00Angela Yon72f2fd7a28c88ceeba2adcf2c04fee469904c6f1Exploring the history of Charging Thunder, a native performer with the Buffalo Bill Wild West Show who emigrated to England and assumed the name George Edward Williams.
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12020-12-02T14:34:30-08:00Angela Yon72f2fd7a28c88ceeba2adcf2c04fee469904c6f1Performance and Identity in The Wild West ShowAngela Yon6plain2021-02-24T12:23:25-08:00Angela Yon72f2fd7a28c88ceeba2adcf2c04fee469904c6f1