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The Latin American Bolero: A Transnational Popular MusicMain MenuThe BoleroFrom Santiago to Mexico City and the World"Tristezas" (1883)The Bolero is born in Santiago de Cuba"Boda Negra" (1919)The Bolero Arrives in MexicoBolero Yucateco"Presentimiento" (1924)Bolero Yucateco"Nunca" (1927)Bolero YucatecoAgustin Lara's Boleros"Imposible" (1928)"Solamente Una Vez" (1942)Jeannelle Ramirezf99d03e974d64e83c5102706e4795f57957920cf
Los Cuatro Grandes
12016-10-24T12:01:26-07:00Jeannelle Ramirezf99d03e974d64e83c5102706e4795f57957920cf1120012image_header2016-12-12T16:59:27-08:00Jeannelle Ramirezf99d03e974d64e83c5102706e4795f57957920cfLos Cuatro Grandes
Pepe Sánchez gave rise to "Los Cuatro Grandes," four songwriters based in Santiago who were associated with early bolero and trova styles and brought the bolero to Havana after the country gained independence. They are: Sindo Garay (1866-1968); Alberto Villalón (1882 - 1955); Manuel Corona (1880 - 1950); and Rosendo Ruiz (1885 - 1983).[1] Of these, the works of Garay are the best documented. However, Villalón is of particular importance to the development of bolero in that he was the person who brought it to the Yucatan in Mexico.[2] We will look at one of his compositions.
[1] Orovio, Helio. 300 Boleros de Oro. Union de Escritores y Artistas de Cuba. 1991
[2] Dueñas, Pablo. Historia Documental del Bolero Mexicano. Associación Mexicana de Estudios Fonograficos. 1993. Mexico, D.F. Cover Photo Source: EnCaribe.org
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1media/treebranches.jpgmedia/PepeSanchez.jpg2016-10-03T12:23:54-07:00Jeannelle Ramirezf99d03e974d64e83c5102706e4795f57957920cf"Tristezas" (1883)Jeannelle Ramirez27The Bolero is born in Santiago de Cubaimage_header3347602016-12-12T16:49:26-08:00Jeannelle Ramirezf99d03e974d64e83c5102706e4795f57957920cf