#100hardtruthsMain MenuPledges and lists written over the first 100 daysA path through the primer focusing on the several pledges and lists of hardtruths I wrote during the first 100 days of the Trump administration24 #100hardtruths authored by invited contributorsA path through the primer focusing on hardtruths written by scholars, artists, activists, and friendsArt Answers to Phony QuestionsA path through the primer focusing on speaking hardtruths about and through poetic, abstract, formally reflexive, non-indexical Art FormsVirality is VirilityA path through the primer focusing on hardtruths that connect a macho growing of digital stature to real world violenceFake News R UsA path through the primer focusing on hardtruths that reveal our complicitySome #100hardtruths on Digital Media LiteracyA path through the primer focusing on hardtruths about reading, writing, participating and understanding Digital Media LiteracySome #100hardtruths on RacismA path through the primer focusing on hardtruths about ethnicity, nationality, zenophobia, immigration and racismSome #100hardtruths on SexismA path through the primer focusing on hardtruths about gender, sexuality, sexism, and misogynySome #100hardtruths on ImagesA path through the primer focusing on hardtruths about photography, visibiity, and the power of imagesSome #100hardtruths on the LawA path through the primer focusing on hardtruths about legislation, (il)legality, public institutions, and the power of the LawSome #100hardtruths on AdvertisingA path through the primer focusing on hardtruths about corporate greed, getting eyeballs to content, the monetization of the Internet and AdsSome #100hardtruths of the InternetA path through the primer focusing on hardtruths that attempt to reveal the structure, logic, uses and power of the InternetSome #100hardtruths on Freedom of ExpressionA path through the primer focusing on hardtruths about journalism, freedom of speech, and the power of ExpressionSome #100hardtruths on and through Film and VideoA path through the primer focusing on hardtruths about or spoken through film and video35 #100hardtruths highlighting the work of othersA path through the primer focusing on hardtruths produced by journalists, scholars, artists, activists found onlineCreditsAbout the makers of this Scalar book.Old home page that links to WordpressSome #100hardtruths in poetryPoems that were produced as a result of radical digital media literacy workshopsSome hardtruth poem responses and readingsAlexandra Juhaszf60e7beb550e75bc077d6722b27684bbbb62d0deXiomara Liana Rodrigueze692622823dfcb5652df57e66962e293d1913569Craig Dietrich2d66800a3e5a1eaee3a9ca2f91f391c8a6893490
12019-07-23T20:48:13-07:00Essay6Sussexplain2020-02-17T01:01:15-08:00‘Essay’ : that which is in medias res is always already all-known – a narrator gives it to you now, i.e.: “Concept” . ‘Blimey! That was brilliant!’ you say, ‘As palatable as an apple on a summer’s day!’
12017-11-06T18:46:03-08:00#5: #fakenews is logical outgrowth of web’s infrastructure4February 19, 2017plain2019-07-23T21:03:51-07:00One post-election 2016viral-wonder—the crisis of “fake news” in the wake of the 2016 presidential election—was a logical and necessary outgrowth of the web’s sordid infrastructure, prurient daily pleasures, and neoliberal political economy. Fake things abound on the internet—as do true ones, to be sure—because its current infrastructure is based upon amoral principles that do not measure, value, or correct for candor or integrity. Rather, popularity, volume, consumption, sales, and entertainment rule the day and the form. As I argued in my 2011 on-line video-book Learning from YouTube, while there’s nothing wrong with any of these qualities per se, they are not the best forums to sustain and promote education, and they may be even less well equipped to support news, elections, democracies, or civil societies. Read More:
After Politics/After Television: Veep, Digimodernism, and the Running Gag of Government, by Joe Conway. “Joe Conway makes reference to Alan Kirby and his dystopian concept of “digimodernism”, where the “apparently real” is the dominant aesthetic, “one where the knowing pastiches and parodies of postmodernism cease to register because they require a broad foundation of past cultural knowledge that has been leveled into non-meaning.” Some of his descriptions of digimodernism are helpful to think about fake news and how fake have lost its subversive potential.” Recommended by Emilia Yang, Ph.D. Student in Media Arts and Practice.