33 tweet1 2017-12-14T20:20:24-08:00 Xiomara Liana Rodriguez e692622823dfcb5652df57e66962e293d1913569 159 1 plain 2017-12-14T20:20:24-08:00 Xiomara Liana Rodriguez e692622823dfcb5652df57e66962e293d1913569
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#33: speed matters; there is safety in the slow
March 6, 2017
Today’s internet seeks, supports, and succeeds via virality. The pursuit of virality for media content on the web is understood as a truism and a good, as self-evidently powerful, as the natural pursuit of the habitat.
Of course, virality is also a pre-condition for fake news. When ideas move fast—in their production, reception, or pass-along—we give up the time necessary for research, verification, contemplation, and action.
“Viral marketing depends on a high pass-along rate from person to person. If a large percentage of recipients forward something to a large number of friends, the overall growth snowballs very quickly. If the pass-along numbers get too low, the overall growth quickly fizzles.” marketingterms.com
Given the internet’s fundamentally unhealthy imbrication of views, brand, market and celebrity, we must demand and produce sustaining environments that counter acceleration.
- The Slow Writing Manifesto, Mark Sample
- Slow Food International
- The Art(s) of Slow Cinema, Nadine Mai
- Learning from YouTube, Alexandra Juhasz. In my many years of thinking about and spending time in YouTube, I found myself immersed in the same contradiction of the fast/slow rendered here: i.e. I demand the slow in a fast form of and format for writing (in the video-book I call this “a plea for long-form in short-form”). In the example from the book that I link to here, “Hildebrand on Joanie 4 Jackie (March 31, 2009),” I discuss the early VHS video-sharing project (by mail) of Miranda July, Joanie 4 Jackie (itself just recently moved to the internet, but with great depth and context, thanks to the work of Astria Suparak and others, allowing it to be one of those rare internet places that I’ve been referring to in this projectthat uses the space to construct depth through material). I wrote in 2009, when things were much less fast then they are today: “While at first look these VHS chain letters seem to be a dead or dying form ‘given the ease, access, and cost of sharing video on the Internet,’ I realized that what they will always have over YouTube is the actual, small community that can only be created by the painstaking and careful act of choosing to attach your work to an object that already has a community built onto and within it. The VHS chain letter permits the safety of the slow through the space of the movable box.”
- Joanie 4 Jackie, Miranda July
To see a poetic response to this hardtruth:for we understood their suffering, didn’t we?
for we understood their suffering, didn’t we?
We were the ones who took it upon ourselves to make it new The time of modernism (vintage new) vs. the time of the event (actually new?) vs. the time of suffering (keep it underspecified). A new poem has the most current timestamp, though these can be forged, and the time bars scrubbed. A new poetry is exciting (desublimation) and can be explained quickly in an elevator.
by Kyle Booten
This poem is a response to hardtruth #33:#33: speed matters; there is safety in the slow