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Es Geht Wohl Anders (Things Turn Out Differently): The Unexpected Life of Walter Arlen

Diamandstein Sketch 1934

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2. Tante Henshi c. 1920s The Dichter family at their home in Burgenland in the 1920s. Seated in the center is Leopold Dichter and to his right, his sister Hannah (Henshi), who moved to Chicago in the late 19th century. Tante Henshi, as Walter knew her, provided crucial assistance, including visas, to Walter and other family members that allowed them to escape Austria when the Nazis came to power. Image from the Dichter Collection, courtesy of Schüetz Design.
7. In Burgenland, 1929 Walter's family at their home in Burgenland in November, 1929. Standing left to right are Dr. Blick, Berthold Silberstein, Toddy Kolb, Michael Aptowitzer (Walter's father), and Rosl Dichter. Seated left to right are Mrs. Blick, Esther Dichter, Edith Aptowitzer, Shirley Wahl, Rose Wahl, Gretl Dichter, Isidor Dichter, and cousin Joyce Wahl. Walter sits on the ground in the front. Image from the Dichter Collection, courtesy of Schüetz Design.
9. Dichter Department Store c. 1910 The signage in this 1910 photo of the store indicates the items that the Dichters offered: "HAUS KUCHENGERATE," which means "cooking utensils," a message reinforced by the pots and pans prominently displayed. Other signs on the left side of the photo advertise rubber goods, toys and leather goods. The number "40" indicates the store's location at Brunnengasse 40. Image from the Dichter Collection, courtesy of Schüetz Design.
11. Hiking in Sauerbrunn, 1935
20. At the Beverly Hills Hotel, 1957
22. Outside the Dichter Department Store, 1928
25. With Consul General Thomas Klestil, c. 1970s Walter (far left) stands next to Austrian Consul General Thomas Klestil and members of a German theater group during their visit to Los Angeles in the early 1970s. Klestil, who opened Austria's consulate in Los Angeles in 1969, went on to serve as Austria's ambassador to the UN and was elected President of Austria in the 1990s. Also pictured are the German Consul General Constantin von Dziembowski (far right) and German cultural attaché Ingeborg Kurtz (center). Image from the Arlen (Dichter) Collection, courtesy of Schuetz Design.
26. At the home of Minna Coe, 1957 Walter (top left) and guests at a dinner party hosted by Minna Coe (seated, center) in honor of Heitor Villa Lobos (seated, center) during the filming of "Green Mansions" in 1957. Standing next to Walter are choral conductor Roger Wagner, Viennese conductor Ernst Kanitz, and John Vincent, chair of the UCLA Music Department. Seated on left is renowned film composer Milkos Rosza. Image from the Dichter Collection, courtesy of Schüetz Design.
29. With Copland and Mills, 1965
30. With Eugene Ormandy c. 1970s Walter with famed conductor Eugene Ormandy and his wife Margaret at their home in Palm Springs. Ormandy was born to Jewish parents in Hungary and came to the United States in 1921. He began his tenure as the conductor of the Philadelphia Orchestra in 1936 and served for in the post for over 44 years. Ormandy would often consult with Walter about his work during visits to his family's vacation home in Palm Springs, as pictured here c. 1970s. Image from the Arlen (Dichter) Collection, courtesy of Schuetz Design.
31. Hannah and Wolf Aptowitzer

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Family Lifestyle Enabled by the Success of the Dichter Store Raised in the Dichter Department Store
Walter (Aptowitzer) Arlen was the son of Leopold’s daughter Mina and Michael Aptowitzer. The store provided livelihoods for nearly every member of the Dichter clan and also enabled several of the extended family members to take up residence in the apartments on the third floor of the building.

While Walter’s parents worked in the store, he frequently travelled with his grandparents, Leopold and Regine. Summers were spent at the family vacation home in Bad Sauerbrunn, a resort town about fifty miles south of Vienna known for its mineral spas. Leopold purchased the villa in Sauerbrunn in 1911 and it provided a space for many multigenerational gatherings full of swimming, hiking and playing tennis. Grandfather Leopold practically adopted his grandson, making decisions in lieu of his parents. Walter was being groomed to run the store. As a result, many of Walter’s happiest memories are his summers spent at Sauerbrunn.

Walter’s time in the store also inspired his musical career. In 1923, Leopold installed loudspeakers in the store, playing the hits of the day on a phonograph. Department store employees would lift the three-year old Walter onto the counters and ask him to sing along with the records. Grandfather Leopold was so amazed by his musically talented grandson that he took Walter to the Schubert expert, Otto Erich Deutsch. At age eleven, Walter began composing his own music, expressing his feelings though the music of the Romantic tradition and in the model of the great composers of Vienna who came before him. Yearning to develop his talents, he asked his mother for permission to receive harmony lessons from Alfred Uhl. But since his parents expected him to assume the responsibilities of the Dichter Department Store, they postponed further discussion of his request until after he graduated from high school. Walter instead spent his summers at Sauerbrunn writing music, composing a cradlesong for his cousin Michael, “Es Geht Wohl Anders” (Things Turn out Differently), first performed as part of the 2008 anniversary of the Anschluss of Austria.

The Dichter Family and Jewish Identity
While many Viennese Jews attempted to avoid anti-Semitism by becoming indistinguishable from the surrounding Gentile neighbors, for Walter’s family, assimilation connoted the adoption of non-Jewish literature and music through the self-improvement lifestyle of education, known as “Bildung.” Bildung had a long history in among Central European Jews tracing back to the Haskalah (Jewish Enlightenment) in the Eighteenth Century. One of its earliest manifestations was the establishment of the Jewish Free School for poor children in Berlin by David Friedländer and Isaak Daniel Itzig in 1778. The pupils, called “apprentices” were taught German, French, Hebrew, geography, arithmetic, bookkeeping, and drawing. Lazarus Bendavid, who became the Director in 1806, held that the institution had to dispense with instruction in the Jewish religion in order to accelerate Jewish integration into Christian society. By 1809, the Jewish school began accepting Gentiles and less than a decade later, sixteen of the 80 pupils were non-Jews.[1]

Although the Jewish Free School was disbanded in 1825, Bildung continued in new forms. Inspired by Goethe's concept of the cult of personal friendship, Jewish intellectuals advocated for a continuous process of self-cultivation and the pursuit of a Jewish identity separate from rabbinic Orthodoxy. In contrast with the Gentile population of Prussia and Austria, the German-speaking Jewish emphasis on a university education was profound. In Prussia of 1906-1907, only 8% of all children went beyond elementary school. However for Jewish children, the figure rose to an average of 59%, although the numbers in major cities far exceeded the average which included towns and rural areas. Thus the total percentage of Jewish children pursing education beyond elementary school was 67% in Berlin, 86% in Frankfurt am Main and 96% in Hamburg. The statistics recount a similar narrative for Vienna, where in 1912 there were 5,605 Jewish students in college-bound high schools, comprising 47% of all attendees.[2]

For other Jews, pursuing integration and acculturation meant abandoning their Jewish identities entirely or converting to Catholicism and/or Protestantism. Jakob Thon reported in 1908 that, based on statistics compiled from the five censuses taken in Vienna during 1869-1910, there had been over nine thousand conversions of Jews in Vienna in the period from 1868 to 1903, mostly of Jews younger than thirty. It was commonly assumed that these were young Jewish men converted in order to satisfy their career ambitions, but love may also have been a factor as Austrian law required either conversion to Catholicism or Protestantism or for the partners to have legally left their religions as a pre-condition for intermarriage. Thon's study revealed that women often represented half or more of the annual totals, and that in working class districts like Ottakring, many of the conversions were of widowed Jewish men who pursued second marriages to their Gentile cooks or housekeepers out of loneliness. Regardless of the cause, the number of conversions alarmed many Viennese Jewish leaders, particularly local Zionists who demanded that the Viennese Jewish Community (Israelitische Kultusgemeinde) publish the names and addresses of those leaving Judaism in order to pressure those individuals as well as informing family members.[3]

None of the Dichter clan converted; rather the family pursued a modern, acculturated form of Jewish identity. Walter recalled observing Jewish holidays and maintaining kosher food laws by having one set of dishes for meat and another for milk products. In Bad Sauerbrunn, meals were taken in the Weiss Restaurant nearby, the sole kosher establishment in the area, rather than use the kitchen at the summer home. But his family also sported the latest Viennese fashion styles, listened to popular and classical Viennese music and attended local Austrian schools.
The photo above illustrates the generational differences in Walter’s family – great-grandfather Salomon Dichter maintained the Jewish traditions of wearing a head-covering and donning a long, full beard. His son Leopold had shaved off the religiously-required beard in favor of a more modern mustache. Leopold’s eldest son, Isidor, wore wire-rimmed glasses and no facial hair, and Walter, sat wearing a double-breasted outfit.

Walter remembers the family attending services in observance of Jewish holidays, at the synagogue at 8 Hubergasse in Ottakring. Another successful Jewish businessman, Moritz Kuffner, who owned a brewery in the area, donated the land in the 1880s. Architect Lugwig Tischler designed a two-story edifice with a Renaissance façade, capable of seating for 406 men in the three-aisled downstairs and 266 women in the upstairs gallery. Walter celebrated his Bar Mitzvah there in 1933, under the supervision of longtime Rabbi Julius Max Bach.[4]

And so Walter Arlen was raised in this modern, acculturated Viennese Jewish household, performing songs at the Department store and spending happy summers in Sauerbrunn. In 1934, the family celebrated the grand opening of their newly remodeled Dichter Department Store, designed by architect Philipp Diamantstein. The streamline moderne design gave the store a sleek new look that echoed the finest new buildings in Europe. The days of hanging pots and pans around the Dichter entryway were gone.

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[1] Julius H. Schoeps, “Chevrat Chinuch Nearim; Die jüdische Freischule in Berlin,” Zeitschrift für Religions- und Geistesgeschichte, Vol. 53 No. 3 (2001): 274-277.
[2] Monika Richarz, “Occupational Distribution and Social Structure,” in Michael A. Meyer (Ed.), German-Jewish History in Modern Times, Vol.3 (New York: Columbia University Press, 1997): 55.
[3] Ivar Oxaal and Walter R. Weitzmann, “The Jews of Pre-1914 Vienna; An Exploration of Basic Sociological Dimensions,” Leo Baeck Institute Yearbook. Vol. XXX (1985), pp.411-415.
[4] Pierre Genée, Wiener Synagogen 1825-1938 (Wien: Löcker, 1987): 76-77.