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• 1 2019-08-18T12:40:29-07:00 The 39 Works 48 plain 2019-09-02T15:21:38-07:00
  
  As aforementioned, The Progressive Dinner Party contains 39 digital works by female artists, which were chosen from Carolyn Guertin's site Assemblage: The Women's Hypertext Gallery. These works can be accessed through their place settings, and are listed  below in alphabetical order by title. Also included here are tags describing the work, which include descriptions in the previous page. These tags serve to provide a brief overview regarding the nature of each piece for the reader's convenience.
  
  The majority of the works have been run through the Webrecorder for preservation purposes. Many can still be found in their original states on the web, though the updated version of The Progressive Dinner Party uses the URLS generated by the Webrecorder whenever possible.
  
  Tags
  Frames, Tables, Image Rich, Area Maps, GIFs, High Interactivity, JavaScript, Hypertext, Macro Hypertext, Micro Hypertext, Slideshows, Video, Audio, Page Refresh, Linear, Proprietary Software, Collaboration, Flash, Shockwave, Broken and Missing
   

  Agatha Appears

  by Olia Lialina
  Frames, High Interactivity, Image Rich
  

  Being Human

  by Annie Abrahams
  Tags: Macro Hypertext
  

  Believe

  by Diane Caney
  Tags: Macro Hypertext, JavaScript
  

  Blood Puppets: A Premillennium Manifesto

  by Mez Breeze
  Tags: Tables, Slideshows
  

  Bound and Gagged

  by Di Ball
  Tags: Page Refresh, GIFs, Video, Audio
  

  Brain Dress B

  by Lori Weidenhammer
  Tags: JavaScript, Tables, Image Rich, Missing
  

  Charmed Horizon

  by Kim Stringfellow
  Tags: Tables, JavaScript, Image Rich, Missing
  

  Cutting Edges or A Web of Women

  by Ruth Nestvold
  Tags: Hypertext
  

  Dark Lethe

  by Leonie Winson
  Tags: Macro Hypertext, Tables, Collaboration
  

  Distance

  by Tina la Porta
  Tags: Linear
  

  Empty Velocity

  by Angie Eng
  Tags: Hypertext, Proprietary Software (Macromedia, QuickTime), Audio, JavaScript
  

  Endless Suburbs

  by M. D. Coverley
  Tags: Hypertext, Frames, Java Applets
  

  Girl/Birth/Water/Death

  by Martha Conway
  Tags: Hypertext
  

  Glass Houses

  by Jacalyn Lopez Garcia
  Tags: Hypertext, Proprietary Software (Adobe PageMill)
  

  Glide

  by Diana Slattery
  Tags: Shockwave, Flash, Audio, Broken
  

  holes-linings-threads

  by Alicia Felberbaum
  Tags: Hypertext, Shockwave, JavaScript, Tables
  

  Illusions, Philosophical Toy World

  by Zoe Beloff
  Tags: Proprietary Software (Adobe GoLive 4), Frames

  Kokura

  by Mary-Kim Arnold
  Tags: Hypertext, Frames, Page Refresh, Collaboration
  

  Light is Silent

  by Jennifer Ley
  Tags: Micro Hypertext, Frames, Tables
  

  Light/Water

  by Christy Sanford
  Tags: Hypertext, JavaScript
  

  LiLy Pond: a poststructural gardening thriller

  by Jyanni Steffenson
  Tags: Micro Hypertext, Page Refresh, Video
  

  Los Dias y Los Noches de las Muertas

  by Francesca da Rimini
  Tags: Frames, Image Rich, Audio
  

  Mother Millennia

  by Carolyn Guyer
  Tags: Hypertext, Collaboration
  

  Mountain Rumbles

  by Deena Larsen
  Tags: Micro Hypertext, Frames
  

  my body: A Wunderkammer

  by Shelley Jackson
  Tags: Hypertext, Area Maps, Tables
  

  Noon Quilt

  by Sue Thomas and Teri Hoskin
  Tags: Hypertext, Collaboration, Tables, JavaScript
  

  Pronunciation: 'fut' or: A Tool and its Means

  by Claire Dinsmore
  Tags: Flash, JavaScript, Area Maps
  

  Rice

  by Geniwate
  Tags: Hypertext, Shockwave, Tables
  

  Salome went to Soho to See Her Poster in a Show

  by JeanNet and Raquel Rivera
  Tags: Tables, Image Rich, Missing
  

  Silicon Valley Journal

  by Cathy Marshall
  Tags: Micro Hypertext
  

  skeleton sky: a millennium poem

  by Carolyn Guertin
  Tags: Hypertext, Tables
  

  The Ballad of Sand and Harry Soot

  by Stephanie Strickland
  Tags: Hypertext, Frames
  

  The Book after the Book

  by Giselle Beiguelman
  Tags: Hypertext, Tables, JavaScript, Page Refresh
  

  The Electronic Chronicles

  by Adrianne Wortzel
  Tags: Hypertext
  

  The Flight of A821: Dearchiving the Proceedings of a Birdsong.

  by Marta Werner
  Tags: Frames, Missing
  

  The Intruder

  by Natalie Bookchin
  Tags: Shockwave, Audio, High Interactivity
  

  The Roar of Destiny Emanated from the Refrigerator. I got up to get a beer.

  by Judy Malloy
  Tags: Hypertext, Page Refresh, Audio
  

  *water always writes in *plural

  by Linda Carroli and Josephine Wilson
  Tags: Hypertext, Shockwave, Audio
  

  Zones of Recognition

  by Lehan Ramsay
  Tags: Flash, Missing
  
   

  39 Works Key | Contributors

• 1 2019-08-20T11:37:34-07:00 Collaborative Projects 5 plain 2019-08-20T12:00:01-07:00 As the name implies, collaborative projects are built by more than one creator. There are two types of collaborative works within The Progressive Dinner Party that can be identified: collaborations involving only two people or collaborations built in an open environment that allows anyone to submit their own contributions from around the world. 
  The first of these works tend to be smaller and more condensed, and are the most consistent of the collaborations. This is likely due to there being fewer people to deliberate with about the work’s presentation, making decisions easier to come to. For instance, The Ballad of Sand and Harry Soot carries the same presentation throughout the work, in everything from the color scheme to the structure of the poems to the user navigation.
  Surprisingly, the public collaborations keep fairly good consistency due to submission guidelines and rules. They are also the most immense in size and complexity, with many hyperlinks branching out from one or more central areas. However, there is rarely a set time or goal regarding the end of the work (if there is one), and the direction the work takes can be unpredictable and difficult to coordinate. Dark Lethe is a good example of this, which has yet to present a conclusion to the main narrative despite its enormous size. Noon Quilt is also unpredictable in that not all of the patches within the quilt are occupied, though the style is very consistent throughout. Like these two works, Mother Millennia maintains a central theme and presentation, but is different since it does not having a specific ending point or space to fill.
  Below is a list of collaborative works from within The Progressive Dinner Party. It should be noted that there may be other collaborative works not listed here that fit better in other categories (such as in the Flash and Shockwave category.)

  Kokura by Mary-Kim Arnold
  
  Mother Millennia by Carolyn Guyer
  
  
  Noon Quilt by Sue Thomas and Teri Hoskin
  
  Dark Lethe by Leonie Winson
  
  The Ballad of Sand and Harry Soot by Stephanie Strickland and Janet Holmes

• 1 2019-05-21T22:49:47-07:00 "Dark Lethe" by Leonie Winson 3 plain 2019-06-22T21:26:41-07:00
  https://webrecorder.io/KZoller/dark-lethe/20010212124758/http://www.innotts.co.uk/~leo/index.html