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Spectacles of Agency and Desire: Dance Histories and the Burlesque StageMain MenuKatherine Greerfc295a655478c83ef28fbc5d88f44e832ee8ba0bLilianna Kanec453f3fcecc1717732f04f989f34f22e5a4d4903Maddie Leonard-Rose7795fc6919b777a978ec7bda4587e47146d4272eMargaret Morrison70f833738ab191151c82af514f5ee008e3ec05e1Claire Staveskifd4448269ba1d9180643996c497c3b954e2e9635Rachel Sigrid Freeburg19a18a24de8629654b230af3d38b9d4e018fd92aNena Couch011ed4d85d026b7c015f3ceb81e22a57b29b69c6Harmony Bench0272c6dce71da71c341d0dca5e4d21947d1ad231
Lilianna Kane
12015-12-07T12:30:02-08:00Harmony Bench0272c6dce71da71c341d0dca5e4d21947d1ad23159774author biographyplain2015-12-07T13:56:30-08:00Lilianna Kanec453f3fcecc1717732f04f989f34f22e5a4d4903Lilianna Tobey Kane is a dance artist from Brooklyn, New York. She is currently in her 3rd year at The Ohio State University, working towards her BFA in dance. Prior to OSU, Lilianna trained at Dancewave Brooklyn and was a member of the Dancewave Company, where she learned and performed the works of Andrea Miller, Kyle Abraham, David Dorfman, Nathan Trice, Ronald K. Brown, and Twyla Tharp. Through OSU, Lilianna has had the pleasure to work with Bebe Miller, Ann Sofie Clemmensen, Rachel Sigrid Freeburg, Megan Davis, Serena Chang and Noelle Bohaty, among others. Her own choreography has been produced in OSU’s student concerts as well. Lilianna also has a strong interest in how gender studies and dance studies interact.
Contents of this tag:
12015-11-23T02:26:22-08:00Lilianna Kanec453f3fcecc1717732f04f989f34f22e5a4d4903Pleasure in Burlesque: Power in the Erotic and Presence43plain2033272015-12-08T19:12:30-08:00Harmony Bench0272c6dce71da71c341d0dca5e4d21947d1ad231
1media/lydia and her girls_OR.jpg2015-10-19T03:52:25-07:00Claire Staveskifd4448269ba1d9180643996c497c3b954e2e9635Shaping Persona: The British Blondes and The Media39plain2015-12-08T19:59:06-08:00Harmony Bench0272c6dce71da71c341d0dca5e4d21947d1ad231
12015-11-29T22:05:27-08:00Lilianna Kanec453f3fcecc1717732f04f989f34f22e5a4d4903The Stripped Body: Flesh and Social Significance28plain2015-12-08T18:11:39-08:00Lilianna Kanec453f3fcecc1717732f04f989f34f22e5a4d4903
12015-11-23T02:27:00-08:00Lilianna Kanec453f3fcecc1717732f04f989f34f22e5a4d4903Felt Pleasure or Performed Pleasure?26plain2015-12-08T18:36:53-08:00Lilianna Kanec453f3fcecc1717732f04f989f34f22e5a4d4903
12015-11-23T02:24:21-08:00Lilianna Kanec453f3fcecc1717732f04f989f34f22e5a4d4903Neo-Burlesque Stars: A Challenge to Hegemonic Beauty21plain2015-12-12T08:26:03-08:00Harmony Bench0272c6dce71da71c341d0dca5e4d21947d1ad231
12015-11-23T02:30:48-08:00Lilianna Kanec453f3fcecc1717732f04f989f34f22e5a4d4903Presence: Commanding a Gaze12plain2015-12-08T19:22:36-08:00Lilianna Kanec453f3fcecc1717732f04f989f34f22e5a4d4903
1media/55269886_150befb590_m.jpgmedia/55269886_150befb590_m.jpg2015-12-03T18:32:44-08:00Maddie Leonard-Rose7795fc6919b777a978ec7bda4587e47146d4272eModes of Challenging Social Systems: Humor and Non-Normative Bodies11plain2058882015-12-09T06:51:51-08:00Harmony Bench0272c6dce71da71c341d0dca5e4d21947d1ad231
