Network EcologiesMain MenuCoordinatesNetwork Ecologies: Designing Scholarly Rigor in Innovative Digital Publication EnvironmentsNetwork Ecologies IntroductionArchive ArchitecturesTransmedial Publishing Interfaces for Open Learning SystemsDisplacement PathsOrganisms in ReticulaLetters From Distant Lands: Carolingian Intellectuals and Their Network(s)Living Network Ecologies: A Triptych on the Universe of Fernand DelignyA three-part introduction to Fernand Deligny from his English-language translatorThe Entity MapperAn Introduction to the Development and Application of the Open-source Software for Visual Data Analysis in Qualitative ResearchJourneying A Thousand MilesA Developmental Network Approach to MentorshipNetworks, Abstraction, and Artificially Intelligent Network(ed) SystemsA conversation with UNC RENCI's Dr. Reagan Moore and Dr. Arcot RajasekarArchitecture Networks: Interview with Turan Duda and Jeff PaineExhibition: Network Ecologies Arts in the EdgeDuke UniversityKarin Denson & Shane Denson: Sculpting DataKarin Denson & Shane Denson: Making Mining NetworkingRebecca Norton: The Edge LibraryNetwork Ecologies SymposiumContributorsAuthor and Editor BiographiesImprintAmanda Starling Gould88396408ea714268b8996a4bfc89e43ed955595eFlorian Wiencekce1ae876f963bfc3b5cf6c3bbd8f57daf911e67fFranklin Humanities Institute
The Network Ecologies Arts in the Edge exhibition brought to 'life' two art collections by artists who had submitted multimedia articles for publication in the Network Ecologies digital project. With the help of the Duke Franklin Humanities Institute, the Duke PhD Lab in Digital Knowledge, and Duke Libraries Digital Scholarship Services, editor Amanda Starling Gould moved the artworks from page to wall curating a public exhibition that lived at the Duke Edge Library from April to August 2015.
Combining machinic and human agencies in the form of generative sculpture, painting, and augmented reality (AR), the works by KarinandShane Denson probe the material and virtual value of today's networked ecology in "Making Mining Networking," a body of work meditating on the creation and exploitation of value in digital environments. Rebecca Norton uses affine geometry to explore actions and intuitions of intermediacy—what she describes as a feeling of being suspended in the middle stages of a process. Works chosen for exhibition included paintings and digital interactive artworks made in collaboration with Eddie Elliot, and image stills from her video project "Wandering Through Childhood."
More information about the work of the artists is available online: