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F20 Black Atlantic: Resources, Pedagogy, and Scholarship on the 18th Century Black AtlanticMain MenuAuthor IndexFAQWeek 01: August 28: PedagogiesWeek 02: Friday, September 4: Thinking about Projects and Digital MethodsWeek 03: Friday, September 11: Black Atlantic Classics Week 04: Reccomended: Thursday September 17: 4pm: Indigenous Studies and British LiteraturesThe Center for Literary + Comparative Studies @UMDWeek 04: Required: Friday, September 18: Reading: Indigenous Studies in the Eighteenth CenturyWeek 04: Required: Friday, September 18: Book LaunchRemaking the Republic: Black Politics and the Creation of American CitizenshipWeek 05: Friday, September 25: Digital Humanities, Caribbean Stuides, and FashionGuest: Siobhan MeiWeek 06: Friday, October 2: OBIWeek 07: October 9: Black LondonSancho's Social NetworksWeek 08: Friday, October 16:Muslim Slave Narratives, Hans Sloane, the British Museum, Colonialism as CurationWeek 09: Friday, October 23: Reflection and Tools DayWeek 10: Friday, October 30: Myths of a White Atlantic (and Project Proposal)Week 11: Friday, November 6: Black New EnglandWeek 12: Friday, November 13: Woman of Colour and Mary PrinceWeek 13: Friday, November 20: Peer Review Workshop and Draft with Action PlanKierra M. Porter6b7d2e75a0006cdf2df0ac2471be73ef9c88c9e3Brandice Walker579eedcc76564f61b1ba7f36082d05bdf4fc3435Alexis Harper52f175308474d58b269191120b6cda0582dcde71Catherine C. Saunders80964fcb3df3a95f164eca6637e796a22deb5f63Joseph Heidenescher83b7b4309ef73ce872fc35c61eb8ed716cce705fJoshua Lawson8aecdcf9d2db74d75fb55413d44f3c2dfc3828bdKymberli M Corprue7f6419242e66e656367985fbc1cfa10a933ce71dJimisha Relerford1903b0530d962a83c3a72bad80c867df4f5c027fEmily MN Kugler98290aa17be4166538e04751b7eb57a9fe5c26a2Reed Caswell Aikendbd321f67398d85b0079cc751762466dfe764f88Brenton Brock619582e4449ba6f0c631f2ebb7d7313c0890fa00
Performance Theory, Christian Imperialism, and The Female American ----A Lesson Plan
12020-10-30T08:37:42-07:00Kierra M. Porter6b7d2e75a0006cdf2df0ac2471be73ef9c88c9e3377911Kierra Porterplain2020-10-30T08:37:42-07:00Kierra M. Porter6b7d2e75a0006cdf2df0ac2471be73ef9c88c9e3The Female American; Or, The Adventures of Unca Eliza Winkfield is a novel that portrays religious imperialism by a female heroine. It is interesting to see a woman of transnational heritage—Indigenous and English—carry on as an oppressor. Unca performs the expectations of a colonizer and missionary, a role that is often masculine. In further looking at performance theory, Unca’s uses a sun idol to symbolize authority through its appearance: “The image itself, of gold, greatly exceeded human size: it resembled a man clad in a long rob or vest” (Winkfield 86). Here, Unca sets herself as an authority figure over the indigenous people. Through this powerful image of the idol, Unca performs the masculine role of God. Specifically, she posits herself as an authority figure with sole knowledge of spiritual truths.
Moreover, Unca’s role as a religious leader helps her transition into a figure that commands the people to do as she wants. This is clear through Unca’s language as she centers her wants through their actions. She orders them to rise, retire, and sometimes “row me thither...I told the Indians they might return back, and come again in the evening” (128). Some scholars have seen this text as a feminist piece. They see this text as a feminist utopia that shows a woman who is a dominant figure in an 18th-century narrative. Unlike many texts during this era, she negates women's typical gender roles in the domestic sphere; she transgresses gender boundaries (Choudhary). I think one must question the ethics in Unca’s behavior. Specifically, one must examine her ethics as a Christian imperialist.
For a lesson plan, students will have an in-depth discussion on Unca’s role as an imperialist? Is she a feminist? These are questions that I would pose to students before discussing the historical context of this text. Before class and reading the text, students would be required to read the following articles:
Imperialism and Religion (All Open Access Sources)
I will discuss this novel for three days. I will lecture students over the historical context of this novel. Unca’s treatment of religion and the indigenous people lie in imperialistic indoctrination. Students will be required to make the connections between the novel and these resources. Next, we will examine paintings of indigenous people in the 17th century. What is going on in these paintings? What connections can you make between this images and the novel?
As a class, we will explore feminist theory. Can Female American be read through a feminist lens? How so? Next, we will explore the archives in groups to discover what connections can be made with this archive. Can Unca’s role be considered a true form of liberation? What is the hypocrisy in this?
Gender Performance Theory *Students will be given access to this article; not OAR After the discussion, we will discuss the term papers. Students will be able to explore the topics given or topics that they have come up with for their essays.
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12020-09-04T09:14:46-07:00Kierra M. Porter6b7d2e75a0006cdf2df0ac2471be73ef9c88c9e3Kierra M. PorterKierra M. Porter33Author's Pageimage_header2020-12-08T18:35:33-08:00Kierra M. Porter6b7d2e75a0006cdf2df0ac2471be73ef9c88c9e3