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1. 1 2016-12-04T12:52:58-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0 "What I Saw In The Water or What The Water Gave Me, 1938, This Painting is a symbolic work illustrating various events from the artists life and incorporating numerous elements from other works. Angelia Muller 4 Frida Kahlo developed her own, highly personal pictorial language. Although many of her works contain surreal and fantastical elements, they cannot be called Surrealist, for in none of them does she entirely free herself from reality. Extract from Kettenman (1992). plain 2016-12-04T13:10:14-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0
2. 1 2016-12-04T12:56:41-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0 The Dream or Self-Portrait, Dreaming, 1932 Angelia Muller 3 plain 2016-12-04T13:10:17-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0
3. 1 2016-12-04T12:56:05-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0 Page from her diary Angelia Muller 2 plain 2016-12-04T13:03:08-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0
4. 1 2016-12-04T13:00:37-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0 Max Ernst, The Nymph Echo, 1936 Angelia Muller 2 plain 2016-12-04T13:03:11-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0
5. 1 2016-12-04T13:02:58-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0 Memory, 1937 Angelia Muller 2 plain 2016-12-04T13:03:14-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0
6. 1 2016-12-04T12:59:28-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0 Hieronymus Bosch, The Garden of Delights Angelia Muller 2 plain 2016-12-04T13:03:17-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0
7. 1 2016-12-04T12:54:58-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0 The Two Fridas, 1939 Angelia Muller 2 plain 2016-12-04T13:03:19-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0
8. 1 2016-12-04T12:59:59-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0 Four Inhabitants of Mexico City, 1938 Angelia Muller 1 plain 2016-12-04T12:59:59-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0
9. 1 2016-12-04T17:34:07-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0 What The Water Gave Me or What I Saw In The Water, 1938 Angelia Muller 1 plain 2016-12-04T17:34:07-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0
10. 1 2016-12-04T13:01:47-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0 Two Nudes In The Forest, 1939 Angelia Muller 1 plain 2016-12-04T13:01:47-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0
11. 1 2016-12-04T13:02:20-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0 My Grandparents, My Parents, And I, 1936 Angelia Muller 1 plain 2016-12-04T13:02:20-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0
12. 1 2016-12-04T12:58:00-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0 Self-Portrait on the Borderline Between Mexico and the USA, 1932 Angelia Muller 1 plain 2016-12-04T12:58:00-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0
13. 1 2016-12-04T13:02:42-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0 Henry Ford Hospital, 1932 Angelia Muller 1 plain 2016-12-04T13:02:42-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0
14. 1 2016-12-04T12:58:58-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0 Diego and Frida, 1929-1944, 1944 Angelia Muller 1 plain 2016-12-04T12:58:58-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0

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1. 1 media/SlideE.JPG 2016-09-15T05:41:42-07:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0 IMAGES Angelia Muller 10 gallery 2017-01-07T07:39:43-08:00 Angelia Muller ed5cb113d48ec91158427c2bf225a8cba4decfe0

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• 1 media/2ad4b2c438ce05176266b4a4e3545768.jpg media/what-i-saw-in-the-water.jpg 2016-09-15T03:42:46-07:00 Artworks: What the Water Gave Me 12 image_header 2017-01-13T06:14:42-08:00 In Frida Kahlo: Pain and Passion, Kettenman describes What the Water Gave Me (1938) as a symbolic artwork that depicts Kahlo’s life as well as a work that integrates small details from her previous works. This work could then be considered a collage of all that she has done and what has inspired her. It is a reminder of time and of childhood games in the bathtub, but at the same time, it is reminiscent of sadness in her life. Kettenman also suggests that even though her images include surreal and fantastical elements, she cannot be considered as a Surrealist because she does not detach completely from reality: “They thought I was a Surrealist, but I wasn’t. I never painted dreams. I painted my own reality – Frida Kahlo”. Included in the artwork are at least twelve elements from her other artworks:
  As I look at the painting, I can feel her, Kahlo. Surely a lot of people can identify with What the Water Gave Me. To expose your entire life in a painting, for the world to see proves to be courageous and I admire her for that. What makes it such a painfully beautiful painting is the sincerity in revealing her life to an audience, some of whom could relate and others that look on dismally. I feel that Kahlo started to discover herself in this painting, and, while a close examination of the components has caused me a certain discomfort, the blatant honesty retorts in a fantastical way. In which case, euphoria overwhelms my senses more than the disgust at the crack of blood, or the musty, sour smell that consumes me at the sight of death and the fear at the volcanic explosion and eerie facial expressions. I feel in awe of the artist, her brave efforts to put herself on trial and, to some extent, extort herself to tell her story invigorate me. Even though I have never experienced anything close to what Kahlo has, her aggressive visual imagery makes me feel her pain, there is a sensation that I find difficult to describe, a sort of tingling feeling as if there were worms crawling beneath the surface of my skin along with heartbreak, fascination, remorse and… jouissance.