USC Digital VoltaireMain MenuAbout the Book Cover IllustrationAbout the USC Voltaire Letters ProjectProject DevelopersShort Bios of Project DevelopersAbout the LettersNavigating the Letters in this CollectionVoltaire and Frederick the GreatAll Voltaire and Frederick the Great LettersVoltaire and his CommunityAll Voltaire and the Community LettersContact
1775
12016-12-16T17:16:51-08:00Curtis Fletcher3225f3b99ebb95ebd811595627293f68f680673e84763Pierre-Augustin Caron de Beaumarchais (1732-1799) stages his play Le Barbier de Séville at the Comédie-Française. Christoph Willibald Gluck (1714-1787) stages his opera Iphigénie en Aulide at the Salle du Palais-Royal in Paris The premiere sparks a huge controversy demonstrating the Enlightenment’s preference for classicism in music and the arts, with its emphasis on balance and clarity of form, over the ostentation and ornateness of baroque music and art. Jean-Jacques Rousseau and other writers associated with the Encyclopédie side with the aesthetic ideals of classicism.plain2017-04-10T08:52:05-07:001775Curtis Fletcher3225f3b99ebb95ebd811595627293f68f680673ePierre-Augustin Caron de Beaumarchais (1732-1799) stages his play Le Barbier de Séville at the Comédie-Française. Christoph Willibald Gluck (1714-1787) stages his opera Iphigénie en Aulide at the Salle du Palais-Royal in Paris The premiere sparks a huge controversy demonstrating the Enlightenment’s preference for classicism in music and the arts, with its emphasis on balance and clarity of form, over the ostentation and ornateness of baroque music and art. Jean-Jacques Rousseau and other writers associated with the Encyclopédie side with the aesthetic ideals of classicism.
This page has paths:
1media/voltaire_timeline_icon.png2016-12-10T13:38:50-08:00Curtis Fletcher3225f3b99ebb95ebd811595627293f68f680673eTimeline of Voltaire's CorrespondenceCurtis Fletcher50See an interactive timeline of all letters and events in this collection.plain2020-10-14T12:33:17-07:00Curtis Fletcher3225f3b99ebb95ebd811595627293f68f680673e