Understory 2022Main MenuMastheadAbout the Cover ArtFrom the Student Project InternsFrom the Faculty Advisors and Project LiaisonsCreative Works: Poetry, Prose, DramaSTONE HEART by Robert GantTHE MAN by Nari AndoLATE NIGHT by Larry MariscalBUMP IN THE NIGHT by Andrew ShepherdSAUDADE by Moriah ParkerESCAPISM by Moriah ParkerTHE BROWN ROCKING CHAIR by Elsa SnodderlyHOME by Nari AndoJUNO by Jay JunoAFTERLIFE by Moriah ParkerREST by Jay JunoI AM HERE BECAUSE OF THEM by Steph CragoTHE COST OF DOING BUSINESS by Andrew ShepherdMY FRIENDS by Sara RollinsA PRECIOUS THING by Pa Ying XiongMINE by Donalen Bowers (Trigger Warning: Sexual Assault)TRUST by Megan Moore (Trigger Warning: Suicide Ideation)Scholarship in English Studies: Language and Linguistics, Literary Studies, Rhetoric and CompositionRHETORIC IN RESPONSIBILITY: AN ANALYSIS OF INTRODUCTORY LINGUISTICS SYLLABI by Breanna ErwinA MONSTER OF ISOLATION: CONSTRUCTING THE ISOLATED MONSTER IN FRANKENSTEIN THROUGH APPEARANCE AND IDENTITY by Elsa SnodderlyLATTER-DAY SAINTS: LANGUAGE USE, ATTITUDE, AND LINGUISTIC PRACTICE by Mackenzie LindemanINDIGENOUS ALASKAN LANGUAGES by Lydia Alvert"WHEN IS A HAT NOT A HAT?" EXPLORING THE SYMBOLISM OF FLANNERY O'CONNOR by Moriah ParkerHOW LIFE HAS MADE ME WHO I AM by Peter BarelaFREEDOM THROUGH MADNESS by Staci GillilanNORTHERN CITIES VOWEL SHIFT: LANGUAGE VARIATION AND ACTUATION by Dorina PellumbiFINAL by Jasmine AllevaEquity and Support ResourcesUniversity of Alaska Anchorage Department of Englishdfa0ec4bec9eb2e87270c48641b61a5da7951c18
Mine, Digital Art
1media/Mine_thumb.jpg2022-03-29T02:36:15-07:00University of Alaska Anchorage Department of Englishdfa0ec4bec9eb2e87270c48641b61a5da7951c18399691plain2022-03-29T02:36:15-07:00University of Alaska Anchorage Department of Englishdfa0ec4bec9eb2e87270c48641b61a5da7951c18
This page is referenced by:
12022-03-29T02:25:35-07:00MINE by Donalen Bowers (Trigger Warning: Sexual Assault)10plain2022-04-07T23:55:46-07:00 To survive rape is to survive an act of violence that is sexual in nature. Dismissing the sexual nature of rape is to dismiss how heinous it really is, and in my experience, takes away from the real effects that rape has besides the physical act itself. Some have come to describe rape as “sex-without-consent,” a concept meant to describe the sexual nature of rape (Maung, 2021). Sex, however, is not something that should be equated with rape. Sex, as it should be, is a consensual act. Rape is sexual in nature and has sexual consequences, but is not sex itself. Rape can change how someone views intimacy, their own autonomy, and love/trust as a whole. It is something so deeply traumatizing that it often causes other mental health issues as a result. Survivors are left with guilt and shame. Rape affects a person’s body and mind.
I made the piece, “Mine,” as a way of reclaiming myself. When a person is raped, their autonomy, body, and mind are being violated. For me, separating sex and rape is extremely difficult. Everything about sex reminds me of the scariest times of my life. I was treated like a doll, to use and set aside. I was held in another’s hands with the worst of intentions. This piece is a tribute to becoming human again; a tribute to finally beginning to feel autonomous. I used my own hands to symbolize the hands of others as well as my own. Both malicious and gentle, they serve as a reminder of the violence I have been through—sexual or otherwise—and as a reminder that my body is only mine.
Something I was groomed with as a teenager is the idea that you are theirs. Your body is theirs, your mind is theirs, everything is theirs. You are simply an object to own and play with. This should never be true. A partner, friend, parent, doctor, relative, stranger, or otherwise does not have a right to any of us. The only person who should be calling a body “mine” is the person inhabiting it.
Reference
Maung, Hane Htut. 2021. “A Dilemma in Rape Crisis and a Contribution from Philosophy.” Humanities and Social Sciences Communications 8(93), https://doi.org/10.1057/ s41599-021-00769-y
Donalan Rojas Bowers is a senior pursuing a Baccalaureate in Art with a focus on Watercolors, with a minor in English. She is a first generation Filipina-American. She works primarily in watercolor, graphite, and digital mediums, with much of her work being about her life in its joyous moments as well as in the darkest.