This page is referenced by:

• 1 2019-08-18T12:40:29-07:00 The 39 Works 48 plain 2019-09-02T15:21:38-07:00
  
  As aforementioned, The Progressive Dinner Party contains 39 digital works by female artists, which were chosen from Carolyn Guertin's site Assemblage: The Women's Hypertext Gallery. These works can be accessed through their place settings, and are listed  below in alphabetical order by title. Also included here are tags describing the work, which include descriptions in the previous page. These tags serve to provide a brief overview regarding the nature of each piece for the reader's convenience.
  
  The majority of the works have been run through the Webrecorder for preservation purposes. Many can still be found in their original states on the web, though the updated version of The Progressive Dinner Party uses the URLS generated by the Webrecorder whenever possible.
  
  Tags
  Frames, Tables, Image Rich, Area Maps, GIFs, High Interactivity, JavaScript, Hypertext, Macro Hypertext, Micro Hypertext, Slideshows, Video, Audio, Page Refresh, Linear, Proprietary Software, Collaboration, Flash, Shockwave, Broken and Missing
   

  Agatha Appears

  by Olia Lialina
  Frames, High Interactivity, Image Rich
  

  Being Human

  by Annie Abrahams
  Tags: Macro Hypertext
  

  Believe

  by Diane Caney
  Tags: Macro Hypertext, JavaScript
  

  Blood Puppets: A Premillennium Manifesto

  by Mez Breeze
  Tags: Tables, Slideshows
  

  Bound and Gagged

  by Di Ball
  Tags: Page Refresh, GIFs, Video, Audio
  

  Brain Dress B

  by Lori Weidenhammer
  Tags: JavaScript, Tables, Image Rich, Missing
  

  Charmed Horizon

  by Kim Stringfellow
  Tags: Tables, JavaScript, Image Rich, Missing
  

  Cutting Edges or A Web of Women

  by Ruth Nestvold
  Tags: Hypertext
  

  Dark Lethe

  by Leonie Winson
  Tags: Macro Hypertext, Tables, Collaboration
  

  Distance

  by Tina la Porta
  Tags: Linear
  

  Empty Velocity

  by Angie Eng
  Tags: Hypertext, Proprietary Software (Macromedia, QuickTime), Audio, JavaScript
  

  Endless Suburbs

  by M. D. Coverley
  Tags: Hypertext, Frames, Java Applets
  

  Girl/Birth/Water/Death

  by Martha Conway
  Tags: Hypertext
  

  Glass Houses

  by Jacalyn Lopez Garcia
  Tags: Hypertext, Proprietary Software (Adobe PageMill)
  

  Glide

  by Diana Slattery
  Tags: Shockwave, Flash, Audio, Broken
  

  holes-linings-threads

  by Alicia Felberbaum
  Tags: Hypertext, Shockwave, JavaScript, Tables
  

  Illusions, Philosophical Toy World

  by Zoe Beloff
  Tags: Proprietary Software (Adobe GoLive 4), Frames

  Kokura

  by Mary-Kim Arnold
  Tags: Hypertext, Frames, Page Refresh, Collaboration
  

  Light is Silent

  by Jennifer Ley
  Tags: Micro Hypertext, Frames, Tables
  

  Light/Water

  by Christy Sanford
  Tags: Hypertext, JavaScript
  

  LiLy Pond: a poststructural gardening thriller

  by Jyanni Steffenson
  Tags: Micro Hypertext, Page Refresh, Video
  

  Los Dias y Los Noches de las Muertas

  by Francesca da Rimini
  Tags: Frames, Image Rich, Audio
  

  Mother Millennia

  by Carolyn Guyer
  Tags: Hypertext, Collaboration
  

  Mountain Rumbles

  by Deena Larsen
  Tags: Micro Hypertext, Frames
  

  my body: A Wunderkammer

  by Shelley Jackson
  Tags: Hypertext, Area Maps, Tables
  

  Noon Quilt

  by Sue Thomas and Teri Hoskin
  Tags: Hypertext, Collaboration, Tables, JavaScript
  

  Pronunciation: 'fut' or: A Tool and its Means

  by Claire Dinsmore
  Tags: Flash, JavaScript, Area Maps
  

  Rice

  by Geniwate
  Tags: Hypertext, Shockwave, Tables
  

  Salome went to Soho to See Her Poster in a Show

  by JeanNet and Raquel Rivera
  Tags: Tables, Image Rich, Missing
  

  Silicon Valley Journal

  by Cathy Marshall
  Tags: Micro Hypertext
  

  skeleton sky: a millennium poem

  by Carolyn Guertin
  Tags: Hypertext, Tables
  

  The Ballad of Sand and Harry Soot

  by Stephanie Strickland
  Tags: Hypertext, Frames
  

  The Book after the Book

  by Giselle Beiguelman
  Tags: Hypertext, Tables, JavaScript, Page Refresh
  

  The Electronic Chronicles

  by Adrianne Wortzel
  Tags: Hypertext
  

  The Flight of A821: Dearchiving the Proceedings of a Birdsong.

  by Marta Werner
  Tags: Frames, Missing
  

  The Intruder

  by Natalie Bookchin
  Tags: Shockwave, Audio, High Interactivity
  

  The Roar of Destiny Emanated from the Refrigerator. I got up to get a beer.

  by Judy Malloy
  Tags: Hypertext, Page Refresh, Audio
  

  *water always writes in *plural

  by Linda Carroli and Josephine Wilson
  Tags: Hypertext, Shockwave, Audio
  

  Zones of Recognition

  by Lehan Ramsay
  Tags: Flash, Missing
  
   

  39 Works Key | Contributors

• 1 2019-08-28T13:39:07-07:00 39 Works Key 12 gallery 2019-09-02T15:12:41-07:00 To present the 39 restored works, a system was devised involving tags and organizing them alphabetically by title. The works themselves can be viewed in alphabetical order in the next page, and the tag descriptions can be found here. These tags serve to provide a brief overview regarding the key features of each piece for the reader's convenience.
   

  Tag Summaries

  
  Area Maps
  Area maps are used to create images with clickable areas. They are usually presented as a <map> tag towards the end of an <img> tag, followed by a list of screen coordinates. Though rarer, area maps is included as a tag because of the unique functionality it introduces, allowing users to hover over various spots on an image to access different hyperlinks.
  
  Audio
  This is for works that include auditory components.
  
  Broken or Missing works
  Unfortunately, not all of the local files for the works within The Progressive Dinner Party could be obtained. This was either because the work no longer existed (such as Slattery’s Glide) or because contact could not be made with the author for missing files. When possible, an external link to the most complete version of the work was provided in the website.
  
  Collaboration
  This tag is applied to works that were produced by multiple artists.
  
  Flash
  Works that used Adobe Flash to produce animations or sounds were given this tag. Unfortunately, all support for Adobe Flash in modern web browsers will be dropped in December 2020; thus it was imperative that these works were restored within the Webrecorder to ensure their survival.
  
  Frames
  Frame sets are used in HTML to divide the screen into sections, or "frames", that coexist while simultaneously remaining separate from each other. These are works that use frames as main components for separating menus, images, buttons, and more.
  
  GIFs
  GIFs (Graphic Interchange Format) are still or animated images used by works to introduce animations with technology other than software such as Adobe Flash or Shockwave.
  
  High Level Interactivity
  On occasion, a work will demand greater participation on the users part than average to experience the work.
  
  Hypertext
  This tag specifies works that focus on hyperlinking text as a way of communicating messages.
  
  Image-rich 
  Though many of the works featured in The Progressive Dinner Party include images, some of them cannot be easily navigated without them. Such works may be using images as the main way of presenting the piece. Others may include images to provide critical visual cues, such as written cues (like Home, Back and Next), or non-written cues (like arrows and other icons.)
  
  JavaScript
  Along with using the web coding languages HTML and CSS, JavaScript was oftentimes used to add more interesting functionality to a work.
  
  Linear
  For works that are presented in a linear fashion.
  
  Macro Hypertext
  This includes hypertexts that are unusually large, usually as a result of collaboration from one or more artists.
  
  Page Refresh
  Refreshing the page to redirect users to another is a fairly common practice among these web artists.
  
  Proprietary Software
  Many of the works relied on software produced by companies. Though Adobe Flash and Shockwave are considered proprietary, they were unique and used often enough to justify separate tags.
  
  Slideshows
  Artists on the web have many different methods of presentation at their disposal, which includes featuring their work as a slideshow.
  
  Tables
  This tag is given to works that utilize tables in an important way, such as for images or overlaying content.
  
  Video
  This is for works that include video components.
  
  Shockwave
  This tag is applied to works utilizing Adobe Shockwave. Though support for Shockwave was dropped in April 2019, Shockwave plugins are still available for certain browsers. Thus, it was imperative that these works were restored with the Webrecorder to ensure their survival.

  The Website | The 39 Works

• 1 2019-05-21T21:06:59-07:00 "Believe" by Diane Caney 12 plain 2019-08-20T15:06:47-07:00
  
   

  “What did it feel like to be a female academic writer trying to write a thesis while almost every aspect of her life was falling apart ...? And how could she ever have come to believe in God?” -Believe

  
  About the Work
  Diane created Believe to function both as a website and a novel. Diane stated that the work was meant to circulate ideas regarding isolation and despair, while also attempting to achieve peace or bliss in some form. She wanted to weave together fifteen short stories and poems that would create a non-linear narrative, which she achieved by using writing and website construction techniques. And though these stories are being written by her fictional character Theodora Free, some aspects of Diane’s life can be found within it. She wished to invite the reader to "Write yourself, backwards and forwards, until it makes sense." (Believe)
  
  The work is structured in a way that allows exploration in any direction. When entering the site, the user is presented with a cluster of text and images, each object containing a link to a different page. As they explore the work, they learn who Theodora is and how various events shaped her life.
  
  Diane began the project during a trAce writer’s workshop in 1999 run by Christy Sheffield Sanford. But in 2011-2012, she revised several of the poems while being the resident poet at CHADO. As she wrote in the website’s description, the novel is still evolving, and as time passes new perspectives are gained.
  
  About the Author
  Diane has a PhD in English and has published in journals such as Riding the Meridian, trAce, and Resoundings. Most of her creative works involve various forms of hypertext, ranging from simple texts and links to combining animation and imagery. Despite these differences, most of her works focus on pushing the boundaries of poetry, exploring theories, and experimenting with storytelling. Over time, she has gained experience with writing and information design.
  
  Screenshots
  This is the first page visitors are taken to. In the center is an image of a swing, which is surrounded by text. Each of these objects can be clicked on, which will link the user to another page.
  This is a screenshot of one chapter within the work. Despite being a website, the work resembles a novel.
  Diane Caney blended short poems and stories together to create a non-linear autobiography. This is one of the poems within her work.
  Occasionally, users are taken to an image placed on a black screen. Though Diane Caney wanted to explore peace and hope, she also wanted to blend it with themes of isolation and despair.
  Links to the work
  "Believe" has been recorded in Rhizome's webrecorder. Additionally, it has been crawled by the Wayback Machine. A link to Caney's plate in The Progressive Dinner Party is also provided below.
  
  View "Believe" in the Webrecorder
  View the web archive link
  View Plate
  
   

  ---

  Caney, Diane. “About.” Believe. 1999, https://web.archive.org/web/19991201001553/http://www.overthere.com.au/believe/about.html. Accessed 6 July 2019.
  Caney, Diane. “About.” overthere.com/au. 1998, http://www.overthere.com.au/about/about.html. Accessed 6 July 2019.
  Caney, Diane. “Begin.” Believe. 1999, https://webrecorder.io/KZoller/believe/20190524184646/http://www.overthere.com.au/believe/begin.html. Accessed 6 July 2019.
  Caney, Diane. “Believing.” Believe. 1999, https://webrecorder.io/KZoller/believe/20190524184646/http://www.overthere.com.au/believe/believing.html. Accessed 6 July 2019.
  Caney, Diane. “Curriculum Vitae.” overthere.com/au. 1998, http://www.overthere.com.au/about/cv.html. Accessed 6 July 2019.
  Caney, Diane. “Publications.” overthere.com/au. 1998, http://www.overthere.com.au/about/publications.html. Accessed 6 July 2019.
  “trAce Workshop Members, Spring, 1999.” dtc-wsuv.org. http://dtc-wsuv.org/elit/trace/writers/sanford/members.html. Accessed 6 July 2019.