The Challenges of Born-Digital Fiction: Editions, Translations, and Emulations: The Multimedia Accompaniment to the Print EditionMain MenuTitle PageThe Title Page of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsMedia Assets in "Introduction: Welcome to the Funhouse!"All media assets referenced in the Introduction of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsMedia Assets in "Chapter 1: Emulation"All media assets referenced in Chapter 1 of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsMedia Assets in "Chapter 2: Migration & Translation"All media assets referenced in Chapter 2 of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsMedia Assets in "Chapter 3: Versions & Editions"All media assets referenced in Chapter 3 of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsMedia Assets in Chapter 4: Restoration & Reconstruction: Final ThoughtsAll media assets referenced in Chapter 4 of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsBack MatterThe Back Matter of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsDene Grigarae403ae38ea2a2cccdec0313e11579da14c92f28
Front Cover of Postmodern American Fiction
1media/ch3-photo-postmodern-american-fiction-cover_thumb.png2022-11-24T15:13:19-08:00Dene Grigarae403ae38ea2a2cccdec0313e11579da14c92f28411974A photograph of the front cover of Postmodern American Fiction: A Norton Anthologyplain2022-12-09T11:19:03-08:00Kathleen Zollerd12f5a19398157747ffcda98170a372b72a1ea00
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12022-11-20T16:32:08-08:00Front Cover of Postmodern American Fiction15A photograph of the front cover of Postmodern American Fictionplain2023-05-27T13:00:50-07:00 Many hypertext scholars were surprised to see Joyce's afternoon, a story, along with J Yellowlees Douglas' "I Have Said Nothing," published by W.W. Norton & Co. in its Postmodern American Fiction: A Norton Anthology. Joyce himself called it "ironic" (Grigar 4 May 2016). Kirschenbaum emphasizes this oddity by italicizing the word "print" when talking about this edition ("Editing the Interface" 28). Almost as odd is an excerpt of this hypertext novel for the Web that offered a mere 25 of the original 528 nodes, an approach that Joyce resisted (Joyce 2022).
In any case, W. W. Norton & Co. published both a Web in 1997 and print edition of the novel in 1998, constituting the 10th and 11th Editions of the work, respectively.