The Challenges of Born-Digital Fiction: Editions, Translations, and Emulations: The Multimedia Accompaniment to the Print EditionMain MenuTitle PageThe Title Page of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsMedia Assets in "Introduction: Welcome to the Funhouse!"All media assets referenced in the Introduction of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsMedia Assets in "Chapter 1: Emulation"All media assets referenced in Chapter 1 of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsMedia Assets in "Chapter 2: Migration & Translation"All media assets referenced in Chapter 2 of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsMedia Assets in "Chapter 3: Versions & Editions"All media assets referenced in Chapter 3 of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsMedia Assets in Chapter 4: Restoration & Reconstruction: Final ThoughtsAll media assets referenced in Chapter 4 of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsBack MatterThe Back Matter of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsDene Grigarae403ae38ea2a2cccdec0313e11579da14c92f28
Typefaces for the 2021 Web Edition of Figurski
1media/ch2-figure-figurski-typeface-translations_thumb.jpg2022-12-19T16:36:13-08:00Holly Slocum87a15d5be5d5713ba3f952eaf71119eff38132d4411972A figure featuring the typefaces used for the 2021 Web Edition of Richard Holeton's Figurski at Findhorn on Acidplain2022-12-21T16:00:42-08:00Holly Slocum87a15d5be5d5713ba3f952eaf71119eff38132d4
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12022-11-20T12:41:22-08:00Typefaces for the 2021 Web Edition of Figurski10A figure featuring the typefaces used for the 2021 Web Edition of Richard Holeton's Figurski at Findhorn on Acidplain2023-05-27T12:20:10-07:00
As the chart shows, ELL's reconstruction team's mindful approach to translating the work gave attention even to choices made about typefaces for both reading modes.
The team found that the Classic mode could retain the serif proportional font, New York, used in the 2001 Edition, and include Georgia, a serif font created in 1993 for the Microsoft Corporation, for computers running Windows. Likewise, the monospaced font, Monaco, could be retained for the lexias associated with the “Holodeck” as they were for that edition; Consolas, another monospaced font, was selected for Windows computers for those lexias. Additionally, the monospaced font Courier, which had originally been introduced in 1955 for IBM typewriters and has become a staple of computers, including Macintoshes, could be used for the “Terminal.” Several other san-serif fonts could be brought over for Figurski’s “Map” and “Notes.”
Designing the Contemporary mode was not as straightforward since it required fonts that fit the updated style. The decision to retain the funky feel of the original title led to the adoption of the Adobe font, Cotton, for the Contemporary mode. Fira Sans Condensed, clean and easy to read, has been used as Figurski’s primary font, while Exo 2 supplants Monaco/Consolas for the lexias associated with the Holodeck. Courier has been retained for the Terminal.