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A Genealogy of Refusal : Walking away from crisis and scarcity narratives Main Menu Crisis narratives frame our response Bartleby at the Wall How can fiction and popular culture inform the way we promulgate or refuse crisis & scarcity narratives in librarianship? Proud Descendants who "Prefer not to" Some recent gems from Bartleby's lineage A Kinship Diagram of Workplace Refusal Satire is rich Comedic instances of workplace refusal are especially powerful Dark side of parody More Satire When Expectations Cross the line Why don't librarians "Just say No"? Do we prefer to suffer in silence because its a vocation and not "just a job" Feminized Labour Saying Yes all the Time Superhero Librarians It’s a bird, it’s a plane, it’s a librarian! I am not your hero Murderbot: the alternate patron saint for librarians The invocation of crisis narratives is relentless No individual solution to our problems Debunking myths that hold us back to enable collective ways of moving forward What refusal can we take up? A Cosmic Gift Manifest NO Becoming fluent in hearing and saying No Asset Framing Bibliography Works cited, featured, mentioned and consulted for Genealogy of Refusal project Glossary of Key Concepts Multiple Paths A compendium of paths through the Genealogy of Refusal content: a choose-your-own-adventure approach to this companion piece. Genealogy of Refusal Timeline We welcome contributions Learn how to contribute to this project About the Authors Multimedia project for the The Canadian Journal of Academic Librarianship Special Issue on Refusing Crisis Narratives

Fictional Labor Unions in Science Fiction

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Genealogy of Refusal Timeline Natalie K Meyers
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1. Bartleby, the Scrivener: A Story of Wall-Street Melville, Herman. 1853. Bartleby, the Scrivener: A Story of Wall-Street. https://www.gutenberg.org/ebooks/11231 "Bartleby, the Scrivener: A Story of Wall Street" is a short story by the American writer Herman Melville, first serialized anonymously in two parts in the November and December 1853 issues of Putnam's Magazine. In the story, a Wall Street lawyer hires a new clerk who, after an initial bout of hard work, refuses to make copies or do any other task required of him, with the words "I would prefer not to".
2. The League [Kyle Higgins Short film].
3. Clerks film clip
4. Beyond books: Librarians on front line of opioid crisis
5. 1974 Equal Pay PSA with Batgirl
6. COWL Illustration
7. Librarian Action Figure with cape
8. The Starless Sea: A Novel
9. Becoming Librarians, Becoming Teachers: Kairos and Professional Identity
10. Walkaway
11. Office Space Bare Minimum Meme
12. A Paradise Built in Hell : The Extraordinary Communities That Arise in Disaster The most startling thing about disasters, according to award-winning author Rebecca Solnit, is not merely that so many people rise to the occasion, but that they do so with joy. That joy reveals an ordinarily unmet yearning for community, purposefulness, and meaningful work that disaster often provides. A Paradise Built in Hell is an investigation of the moments of altruism, resourcefulness, and generosity that arise amid disaster’s grief and disruption and considers their implications for everyday life. It points to a new vision of what society could become-one that is less authoritarian and fearful, more collaborative and local.
13. Failure is an Option
14. Black Study, Black Struggle
15. YES MANIFESTO
16. Johnny Paycheck - Take This Job And Shove It (Audio)
17. All Systems Red
18. Library workers fight for safer working conditions amid coronavirus pandemic
19. Feminist Data Manifest-No
20. First Lady Nancy Reagan speaking at a "Just Say No" rally in Los Angeles, 1987
21. Last Library Ward Shelley, Brooklyn NY The Last Library August 21 - October 16, 2015 The Last Library is 2 rooms full of about 4,000 (fake) books, books that have not been written. The rooms and the fake books are just supports for the text, but they are not neutral carriers. Apart from what they may individually be about, books and libraries are loaded with meaning in our culture just as symbols, and they represent many things to many people. As such, they add a certain kind of spin to the words we have written on them. You can say a lot with a few words. Where did the titles come from? There was a web page where people could submit titles; from there they were printed out on a book spine and put into the library. Like most creative projects, most of the titles came from a group of interested persons, the artist did a lot of them himself, but was not the most prolific.
22. Ssssshh Librarian
23. Big U First Edition Cover
24. Cory Doctorow on technological immortality, the transporter problem, and fast-moving futures
25. Confronting the democratic discourse of librarianship : a Marxist approach
26. 'Punk Ass Book Jockeys’: Library Anxiety in Community and Parks & Recreation
27. Company to Supply Free Narcan to Libraries
28. Nice White Lady
29. 'All Watched over by Machines of Loving Grace': Care and the Cybernetic University We can trace the histories of our schools, our beliefs and practices about teaching and learning, our disinvestment in public institutions, our investments in technological solutions to discover how and why we got here — to this moment where everything is falling apart and the solution (from certain quarters) is software that sounds like "panopticon." It's that last bit — the histories of our investment in technological solutions (and our faith in technological solutions even when they are obviously so utterly dystopian) — that is really the focus of my work.
30. The No Manifesto, Rainer's declaration in opposition to the dominant forms of dance
31. Party Girl
32. Cover of This Book is Overdue: How Librarians and Cybrarians Can Save us All
33. Gendered Expectations for Leadership in Libraries Despite significant gains in representation at the administration level, there is still a disparity between the percentage of women in our profession and women as library leaders. Additionally, even when women attain leadership roles, even top positions in libraries, there are still hurdles in the shape of gendered expectations. This article examines the history of gender representation in the field, discusses some recent trends, and then makes some recommendations for creating an environment in which women can succeed and how, more specifically, the profession could become more supportive of women in leadership roles.
34. Listening to Refusal: Opening Keynote
35. No more heroes : grassroots challenges to the savior mentality
36. Fictional Labor Unions in Science Fiction
37. Living a feminist life
38. Libraries find themselves on the front lines of Michigan’s opioid crisis
39. Common Ground
40. Libraries are an essential service. Give librarians the vaccine now | Opinion
41. Hocus Pocus cover art
42. Librarians advocate closing campus libraries during coronavirus pandemic
43. Librarians of the World Unite!
44. Most Libraries Are Closed. Some Librarians Still Have to Go In.
45. A Quirky, Funny and Inspirational Game - SAY NO! MORE Review
46. Librarian Action Figure from Archie McPhee
47. Canada Reads 2021: Hench by Natalie Zina Walschots
48. The Shock Doctrine : The Rise of Disaster Capitalism.
49. Wellspring
50. Dismantling the public sphere : situating and sustaining librarianship in the age of the new public philosophy This work presents a thorough examination of librarianship and the social and economic contexts in which the profession and its institutions operate. As a basis of analysis, Buschman employs critical education scholarship and the research of German philosopher Jurgen Habermas, whose seminal work on the public sphere—the arena in which the public organizes itself and formulates public opinion—serves as a meta-framework for Buschman's study of librarianship. Buschman asserts that a significant shift has occurred from the library as a contributor to the public good to a model where economic rationality directs policy. He challenges much of the current thinking and assumptions guiding libraries, exploring the circumstances in which librarians and libraries operate and linking the profession back to democratic and public purposes as the core essence of the field. Chapters include: • Crisis Culture and the Need for a Defense of Librarianship in the Public Sphere • The New Public Philosophy and Critical Educational Analysis • The Public Sphere: Rounding Out the Context of Librarianship • Studies in Librarianship and the Dismantling of the Public Sphere • Follow the Money: Library Funding and Information Capitalism • Follow-the-Leader Library Management and the New Public Philosophy • On Customer Driven Librarianship • Drifting Toward the Corporate Model: ALA • Notes on Postmodern Technology, Technocracy, and Libraries • The Public Sphere and Democratic Possibility Highly recommended for courses in policy and librarianship, as well as for academic and public library directors, this work will also be of interest to theorists in the social sciences.
51. An ode to campus libraries
52. I'm Not Your Hero - The Murderbot Diaries Animatic
53. Libraries, Librarians, and the Discourse of Fear This article presents examples of representations of libraries and librarians taken from modern popular culture, including popular film, television, and novels. Using Michel Foucault's approach to discourse, we assert that such representations are made possible by, and decoded within, the structures of a discourse of fear, a practice of speech and symbols that equates the control and fear of discourse in fundamental ways. The library as an institution falls squarely into the lived tensions of this discourse, and these tensions are made apparent in the themes of the threshold: the librarian as formidable gatekeeper between order and chaos, the other-worldliness of the library, the library as cathedral, the humiliation of the user, the power of surveillance, and the consequences of disrupting the sacred order of texts. The discourse of fear is a language and a vocabulary. It is a way of speaking about the library and the librarian that transcends any specific image or portrayal. Outside of the discourse of fear, such representations would not be recognizable as libraries or librarians at all.
54. Todd Rundgren Play Like A Champion Concert: Bang The Drum All Day
55. Disasters Don’t Have to End in Dystopias: The difference between utopia and dystopia isn't how well everything runs. It's about what happens when everything fails.