This path was created by Avery Freeman. The last update was by Jeanne Britton.
Roman Antiquities (1 of 4)
Piranesi’s first volume of Roman Antiquities is a hybrid work of archaeology, antiquarianism, cartography, and hydrology that expands the practices of encyclopedism developing in the eighteenth century and exploits the printed page and the bound book as vehicles for the visual display and organization of information. The volume’s images and organization stand to benefit from consideration through the lenses of information display, book history, visual analysis, and word-image relationships. Scholars working in the fields of archaeology, the history of art and architecture, classics, digital humanities, eighteenth-century studies, history, Italian studies, and print culture would be welcome.
This collaborative writing project is conceived as follows: participants will read selected scholarly works, participate in an in-person workshop, study this volume and others in detail, receive training in the open-source platform Scalar, and discuss plans for dividing the volume’s contents. Over the course of the next twelve months (through Summer 2024), participants will draft, circulate, revise, and edit brief essays about each image in the volume.
In seven monthly virtual meetings, participants will share ideas, plans, and drafts; project staff will offer feedback. Before the second workshop, participants and staff will circulate near-final drafts of their essays, which all contributors will read and comment on. This online workshop, which will be held near the end of the cycle, will be dedicated to collaborative discussion and revision of each brief essay. Final versions of essays will be uploaded to the project site within one month of the workshop’s conclusion. Project PI Jeanne Britton’s article on resonances between Piranesi’s maps (including the Plan of Rome from this volume) and Diderot and d’Alembert’s Encyclopédie suggests some possible approaches to the volume. (Email her if you don’t have access: jbritton@mailbox.sc.edu.)
Through first-hand experience with the project’s printed materials and digital elements, this collaboration is intended to serve as a laboratory for the development of new methods and forms of digital art historical scholarship.
Please direct questions to PI Jeanne Britton (jbritton@mailbox.sc.edu) or postdoctoral fellow Zoe Langer (zoe_langer@alumni.brown.edu).
To apply, please send a cv and one-page statement detailing qualifications, experience, and interest to the email addresses above by Jan. 13 2023.