Compared to Piranesi’s all-consuming and three-dimensional landscape, the images of the Pantheon’s portico by Palladio and Desgodetz above seem flat and inaccessible. In Piranesi’s image, viewers participate, almost corporeally, in the architect’s precise and on-site observations. Through the combination of the more direct experience of architecture in the veduta genre with the factual information in the abundant textual annotations, Piranesi sought to convince audiences of his argument. In the following view, he takes viewers further into the interior of the Pantheon to expand upon his revisions of previous sources. (ZL)
1. Index number 79 in the "Pianta di Roma," volume 1 of the Antichità Romane.
2. John Pinto, Speaking Ruins: Piranesi, Architects and Antiquity in Eighteenth-Century Rome, (Ann Arbor: University of Michigan Press, 2012), 3.
To see this image in the Vedute di Roma, volume 17 of Piranesi’s Opere, click here.