Works Cited
Diana Works Cited
Laiola, Sarah Whitcomb. “From Float to Flicker: Information Processing, Racial
“Cutting Out Fairy Tales.” The Missouri Review, vol. 43, no. 4, 2020, pp. 73-81.
Wickham, Kim. “‘I undo you, Master’: Uncomfortable Encounters in the Work of Kara
Walker.” Comparatist, vol.39, 2015, pp. 335-354.
Mark Works Cited
https://medium.com/processing-foundation/a-modern-prometheus-59aed94abe85.
Jessica Works Cited
Aarseth, Espen. Cybertext: Perspectives on Ergodic Literature (Baltimore: Johns Hopkins University Press, 1997)
Barad, Karen. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning (Duke UP, 2007)
Mentz,Steve, Ocean (Bloomsbury, 2020, Object Lessons),
Jue, Melody Wild Blue Media: Thinking through Seawater (Duke UP, 2020)
Manovich, Lev. The Language of New Media (MIT Press, 2001).
Anicca, Skype. "Cripping the Mermaid: A Borderlands Approach to Feminist Disability Studies in Valerie Martin’s ‘Sea Lovers,’” Journal of Narrative Theory (vol. 47, no. 3, Fall 2017): 379-402.
Lao, Meri. Sirens: Symbols of Seduction. Trans. From Italian by John Oliphant. (Rochester, Vermont: Park Street Press, 1998).
Hayward, Philip. ed. Scaled for Success: The Internalization of the Mermaid (Indiana University Press, 2018).