Bringing the Holy Land Home: The Crusades, Chertsey Abbey, and the Reconstruction of a Medieval Masterpiece

Sources and Further Reading

Ball, Jennifer L. “A Double-Headed Eagle Embroidery: From Battlefield to Altar.” Metropolitan Museum Journal 41 (2006): 59–10. http://www.jstor.org/stable/20320660.

Bock, Franz. Geschichte der liturgischen Gewänder des Mittelalters: oder Entstehung und Entwicklung der kirchlichen Ornate und Paramente in Rücksicht auf Stoff, Gewebe, Farbe, Zeichnung, Schnitt und rituelle Bedeutung (Band 2) — Bonn, 1866

Harbison, Peter. “The Society's Watercolours of Limerick's Mitre and Crozier.” The Antiquaries Journal 87 (2007): 387–99. doi:10.1017/S0003581500000974.

Harris, Karen. n.d. “Embroiderers in the Middle Ages and Renaissance.” Www.larsdatter.com. Accessed November 22, 2022. http://www.larsdatter.com/embroiderers.htm.

Heath, Anne. 2018. “Making New Impressions: The ‘Episcopal’ Seals of Benedictine Abbots in the 13Th and 14Th Centuries.” Quaestiones Medii Aevi Novae 23 (January): 247–68. https://search.ebscohost.com/login.aspx?direct=true&db=30h&AN=140141033&site=eds-live&scope=site.

Jacoby, David. “Silk Economics and Cross-Cultural Artistic Interaction: Byzantium, the Muslim World, and the Christian West.” Dumbarton Oaks Papers 58 (2004): 197–240. https://doi.org/10.2307/3591386.

Khan, Louis Isidore. 1957. “First Unitarian Church,” January. https://search.ebscohost.com/login.aspx?direct=true&db=edsara&AN=edsara.AWSS35953.35953.34638697&site=eds-live&scope=site.

Lerber, Karin von. “A Medieval Bell-Shaped Chasuble from St. Peter in Salzburg.” Journal of the Museum of Fine Arts, Boston 4 (1992): 27–51. http://www.jstor.org/stable/20519746.

Lester, Anne Elisabeth. “Intimacy and Abundance: Textile Relics, the Veronica and Christian Devotion in the Aftermath of the Fourth Crusade.” Material Religion 14, no. 4 (2018): 533–44. doi:10.1080/17432200.2018.1539577.

Townsend, Gertrude. “A Thirteenth Century Mitre from the Benedictine Monastery of St. Peter, Salzburg.” Bulletin of the Museum of Fine Arts 36, no. 218 (1938): 83–85. http://www.jstor.org/stable/4170693.

Europe in the High Middle Ages Was Fascinated by Byzantium and the Orient.” n.d. Abegg-Stiftung. Accessed October 26, 2022. https://abegg-stiftung.ch/en/collection/high-middle-ages/.

“Needlework by Nuns: A Medieval Religious Embroidery - Medievalists.net.” 2011. Medievalists.net. April 7, 2011. https://www.medievalists.net/2011/04/needlework-by-nuns-a-medieval-religious-embroidery/.

1700s. Embroidered Miter. Embroidery. Place: <A HREF=http://www.clevelandart.org/>The Cleveland Museum of Art</A>, Cleveland, Ohio, USA, Collection: T - Ecclesiastical, Department: Textiles, Bequest of John L. Severance. https://library.artstor.org/asset/24591815.

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