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At the Crossroads of the Senses
Main Menu
At the Crossroads of the Senses – Digital Companion
Visualizing the Table of Contents
Visualizing Synaeshesia as Constellation
Synaesthesia Timeline
Synaesthesia Science and Art: Introduction and Chapters 1–2
Vision: Chapter 3 - Salome
Music: Chapter 4 - Scriabin
Color-Sounds & Visual Music: Chapter 5 - Kandinsky
Color-Forms, Sounds & Motion: Chapters 6–7 - Kupka and Bely
Touch: Chapters 8–9 - Rilke
The Lower Senses: Scent, Taste & Touch
Epilogue: The Afterlife of Synaesthesia – Neurodiversity, Visualizations, Constellations
Polina Dimova
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Alfred Schnittke: Yellow Sound (1974) 1/3
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Polina Dimova
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Alfred Schnittke (1934-1998): Yellow Sound, stage composition for pantomime, instrumental ensemble, soprano and mixed chorus, after Vassily Kandinsky ...
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Polina Dimova
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Polina Dimova
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Music: Chapter 4 - Scriabin
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DH 4.1. Aleksandr Scriabin's Color-Organ
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Designed by Aleksandr Mozer, Museum of A. N. Scriabin
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DH 4.3. Oskar Gofman and Iulii Klever, "Moscow. Kremlin. Festive Illumination," 1883
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Oil on canvas, 135x178 cm, Museum of Vasilii Andreevich Tropinin
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DH 4.4. Albert Benois, Moscow Illumination in Honor of the Coronation of Nicholas II, 1896
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Watercolor, public domain
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DH 4.5. Jean Delville, "Prometheus," 1911
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Cover design for Aleksandr Scriabin's symphony "Prometheus: The Poem of Fire"
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DH 4.6-9. Scriabin Music Examples: The Mystic Chord and Prometheus
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DH 5.14. Wassily Kandinsky, “Composition VIII,” 1923
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Mussorgsky Kandinsky
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Video-Remake der Bühneninszenierung von "Bilder einer Ausstellung", die Kandinsky 1928 in Dessau realisierte. Die originalen Entwürfe für die ...
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Alfred Schnittke: Yellow Sound (1974) 1/3
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Alfred Schnittke (1934-1998): Yellow Sound, stage composition for pantomime, instrumental ensemble, soprano and mixed chorus, after Vassily Kandinsky ...
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"Желтый звук". Альфред Шнитке
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ШНИТКЕ, Альфред (1934-1998) Желтый звук («…der gelbe Klang»), сценическая композиция по В.Кандинскому для пантомимы,...
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Music
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Polina Dimova
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Color Sounds & Visual Music: Chapter 5 - Kandinsky
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DH 5.1. “Radiating Affection,” Thought-Forms, 1905
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DH 5.2. “Explosive Anger,” Thought-Forms, 1905
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DH 5.3. “The Music of Charles Gounod,” Thought-Forms, 1905
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DH 5.3a. “The Music of Richard Wagner,” Thought-Forms, 1905
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DH 5.5. Wassily Kandinsky, “Singer,” 1903
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Color woodcut, Allen Memorial Art Museum, Oberlin, Ohio
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DH 5.6. Wassily Kandinsky, “Impression III (Concert),” 1911
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Oil on canvas, 30.5 × 39.4" (77.5 × 100.0 cm), Städtische Galerie im Lenbachhaus, Munich. Photo by the author
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DH 5.7k. Wassily Kandinsky, “Klänge (Sounds),” 1913
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Museum of Modern Art, New York, Thumbnail Gallery of Kandinsky’s art book
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DH 5.7. Wassily Kandinsky, vignette next to “Hills,” 1911
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Woodcut from Wassily Kandinsky, “Klänge,” 1913, composition (irreg.): 3 7/8 x 1 5/8" (9.9 x 4.1 cm); page: 11 1/16 x 10 7/8" (28.1 x 27.7 cm), Museum of Modern Art, New York
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DH 5.8. Wassily Kandinsky, “See,” 1913
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Woodcut, from Wassily Kandinsky, “Klänge,” 1913, composition (irreg.): 3 1/16 x 2 15/16" (7.8 x 7.4 cm); page: 11 1/16 x 10 7/8" (28.1 x 27.7 cm), Museum of Modern Art, New York
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DH 5.8a. Wassily Kandinsky, “See,” p. 2 and “Lyrical,” 1913
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Color woodcut, from Wassily Kandinsky, “Klänge,” 1913, Ryerson and Burnham Libraries, Art Institute of Chicago. Photo by the author
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DH 5.9. Wassily Kandinsky, “Lyrical,” 1911
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Color woodcut, from Wassily Kandinsky, “Klänge,” 1913, 5 13/16 x 8 9/16" (14.8 x 21.7 cm), Ryerson and Burnham Libraries, Art Institute of Chicago. Photo by the author
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DH 5.10. Wassily Kandinsky, “Two Women in Moonlit Landscape,” 1911
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Color woodcut from Wassily Kandinsky, “Klänge,” 1913, composition: 3 7/16 x 4 11/16" (8.8 x 11.9 cm); page: 11 1/16 x 10 7/8" (28.1 x 27.7 cm), Museum of Modern Art, New York
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DH 5.11. Wassily Kandinsky, “Light Picture,” 1913
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Oil on canvas, 30.6 × 39.4" (77.8 × 100.2 cm), Solomon R. Guggenheim Museum, New York
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DH 5.12. Wassily Kandinsky, Diagram 17 from “Point and Line to Plane,” 1926
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Woodcut, Wassily Kandinsky, “Point and Line to Plane,” diagram 17, 1926, Ryerson and Burnham Libraries, Art Institute of Chicago. Photo by the author
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DH 5.13. Wassily Kandinsky, Bauhaus Synaesthesia Survey, 1922-23(?)
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Bauhaus Archive, Berlin. Photo by the author
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DH 5.14. Wassily Kandinsky, “Composition VIII,” 1923
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DH 5.15.1. Wassily Kandinsky, “Beethoven’s Fifth Symphony (first measure),” 1926
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Wassily Kandinsky, music-to-point translation, “Point and Line to Plane,” ill. 11, 1928. Public domain
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DH 5.15.2. Wassily Kandinsky, “Beethoven’s Fifth Symphony,” 1926
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Wassily Kandinsky, music-to-point translation, “Point and Line to Plane,” ill. 11, 1928. Public domain
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DH 5.15.3. Wassily Kandinsky, “Beethoven’s Fifth Symphony (second theme),” 1926
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Wassily Kandinsky, music-to-point translation, “Point and Line to Plane,” ill. 11, 1928. Public domain
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DH 5.15a. H. S. Bormann, Bauhaus Visuliazation of Music, Kandinsky Course, 1930
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Bauhaus Archive, Berlin. Photo by the author
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DH 5.16. Wassily Kandinsky, “Quadrangle and Triangle in a Circle,” 1926
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Wassily Kandinsky, “Punkt und Linie zu Fläche,” ill. 102, 1928. Public domain
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Kandinsky Media Gallery
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Russian Synaesthetic Art
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Mussorgsky Kandinsky
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Video-Remake der Bühneninszenierung von "Bilder einer Ausstellung", die Kandinsky 1928 in Dessau realisierte. Die originalen Entwürfe für die ...
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Arnold Schoenberg (1874-1951): Die Gluckliche Hand (full)
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Robert Craft: Conductor. The Simon Joly Chorus. Philarmonia Orchestra. Koch International Classics. 2001.
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Alfred Schnittke: Yellow Sound (1974) 1/3
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Alfred Schnittke (1934-1998): Yellow Sound, stage composition for pantomime, instrumental ensemble, soprano and mixed chorus, after Vassily Kandinsky ...
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2018-10-04T03:43:21-07:00
Alfred Schnittke, “Yellow Sound,” 1974
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ШНИТКЕ, Альфред (1934-1998) Желтый звук («…der gelbe Klang»), сценическая композиция по В.Кандинскому для пантомимы,...
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Polina Dimova
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Color Forms, Sounds & Motion: Chapters 6–7 - Kupka and Bely
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Polina Dimova
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Russian Synaesthetic Art
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Scriabin, “Prometheus: The Poem of Fire,” 1909-10. Click on the Annotation Button for Music Examples 7-9.
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In February 2010, Anna Gawboy, a doctoral candidate at the Yale School of Music and scholar of Russian composer Alexander Scriabin, attempted to realize Scriabin’s dreams in her production of “Prometheus” with colored lights.
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Alfred Schnittke, “Yellow Sound,” 1974/1984
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Alfred Schnittke (1934-1998), “Yellow Sound” (“Der gelbe Klang»), a stage composition for pantomime, instrumental ensemble, soprano and mixed chorus by Wassily Kandinsky. In the USSR, the first performance with Schnittke’s music took place Tchaikovsky Hall of the Moscow Conservatory on January 6, 1984.
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Alfred Schnittke: Yellow Sound (1974) 1/3
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Alfred Schnittke (1934-1998): Yellow Sound, stage composition for pantomime, instrumental ensemble, soprano and mixed chorus, after Vassily Kandinsky ...
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Wassily Kandinsky, Improvisation 27 ("Garden of Love II"), 1912
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Wassily Kandinsky, Improvisation 27 (Garden of Love II), oil on canvas, 1912
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Arnold Schoenberg (1874-1951): Die Gluckliche Hand (full)
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Robert Craft: Conductor. The Simon Joly Chorus. Philarmonia Orchestra. Koch International Classics. 2001.
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Video-Remake der Bühneninszenierung von "Bilder einer Ausstellung", die Kandinsky 1928 in Dessau realisierte. Die originalen Entwürfe für die ...
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Polina Dimova
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Music
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Polina Dimova
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Color-Forms, Sounds & Motion: Chapters 6–7 - Kupka and Bely
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Music: Chapter 4 - Scriabin
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Color-Sounds & Visual Music: Chapter 5 - Kandinsky
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Music Example 5. Salome intones, “Deine Stimme war ein Weihrauchgefäss, und wenn ich dich ansah, hörte ich geheimnissvolle Musik.” (Thy voice was an incense vessel, and when I looked on thee, I heard a strange music) followed by Jochanaan’s voice-music.
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DH 8.12. Auguste Rodin, "The Inner Voice," 1896
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Auguste Rodin, "Inner Voice" (La Voix intérieure), plaster, Musée Rodin, 1896
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DH 4.6-9. Scriabin Music Examples: The Mystic Chord and Prometheus
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DH 8.11. Auguste Rodin, “The Beauty” (La Beauté), 1890s
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Rodin's illustration for Charles Baudelaire's "The Beauty" is another adaptation of Rodin's "Inner Voice."
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Richard Strauss, Salome - Op. 54, 1905. Click the annotation below the full score for Music Examples 1–5.
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Click the annotation button under the full score for Music Examples 1–5. 0:00- Scene I; 5:21- Scene II; 14:24- Scene III; 40:24- Scene IV. Vienna Philharmonic Orchestra, conducted by Georg Solti, 1961. Birgit Nilsson – Salome; Gerhard Stolze – Herod; Grace Hoffman – Herodias; Wächter – Jokanaan
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Color-Sound Disks
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DH 3.13. Gustave Moreau, "Salomé Dancing before Herod," 1874-76
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The Armand Hammer Collection. Gift of the Armand Hammer Foundation. Hammer Museum, Los Angeles, California. Photo Credit: Robert Wedemeyer. Creative Commons Attribution-Share Alike 4.0 International License.
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DH 6.3a. František Kupka, “Amorpha: Fugue in Two Colors,” 1912
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Oil in canvas, 211 x 220 cm, National Gallery Prague. Photo by the author, Kupka, Pioneer of Abstraction, Grand Palais, Paris 2018
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DH 6.3. František Kupka, “Amorpha: Fugue in Two Colors II," 1910-11
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Oil on Canvas, 129.5 × 84.8 cm, Cleveland Museum of Art. Photo by the author, Kupka, Pioneer of Abstraction, Grand Palais, Paris 2018
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DH 8.1. Rainer Maria Rilke. Drawing for “Primal Sound,” 1919
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Pencil drawing of the “world’s whole field of experience for “Primal Sound,” Rilke Archive, Bern, Switzerland., SLA-RMR-G_9, https://doi.org/10.7891/emanuscripta-52353.
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Scriabin, “Prometheus: The Poem of Fire,” 1909-10. Click on the Annotation Button for Music Examples 7-9.
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In February 2010, Anna Gawboy, a doctoral candidate at the Yale School of Music and scholar of Russian composer Alexander Scriabin, attempted to realize Scriabin’s dreams in her production of “Prometheus” with colored lights.
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DH 3.5. Domenico Ghirlandaio, "Herod's Banquet," 1486-90
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Alfred Schnittke, “Yellow Sound,” 1974/1984
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Alfred Schnittke (1934-1998), “Yellow Sound” (“Der gelbe Klang»), a stage composition for pantomime, instrumental ensemble, soprano and mixed chorus by Wassily Kandinsky. In the USSR, the first performance with Schnittke’s music took place Tchaikovsky Hall of the Moscow Conservatory on January 6, 1984.
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Alfred Schnittke: Yellow Sound (1974) 1/3
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Alfred Schnittke (1934-1998): Yellow Sound, stage composition for pantomime, instrumental ensemble, soprano and mixed chorus, after Vassily Kandinsky ...
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DH 3.3a. "Dance of Salome," Rouen Cathedral Notre-Dame, ca. 1240-1250
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Rouen, Cathedral Notre-Dame, left portal of the west facade, tympanum, lower register. CC license. Photo by Markus Schlicht
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Wassily Kandinsky, Improvisation 27 ("Garden of Love II"), 1912
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Wassily Kandinsky, Improvisation 27 (Garden of Love II), oil on canvas, 1912
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media/Screenshot 2024-12-03 at 5.02.52 PM_red_thumb.jpg
2024-12-03T16:53:03-08:00
DH 3.2a. Alice Guszalewicz as Salome
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Published in Horst Schroeder, "Alice in Wildeland" (Braunschweig, 1994), p. 33. Originally published in "Bühne und Welt" 9 (1907), p. 444.
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2024-12-03T17:18:21-08:00
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media/oscar-wilde-in-salome-costume-f84c14_thumb.jpg
2024-12-03T01:03:52-08:00
DH 3.1. Alice Guszalewicz as Salome, or Wilde as Salome?
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Alice Guszalewicz as Salome in the Richard Strauss opera, c. 1910. Richard Ellmann misidentified this photograph in his 1987 biography as "Wilde in costume as Salome." The error was corrected in 2000. Public domain/Wikimedia Commons
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2024-12-03T01:04:17-08:00
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2018-10-04T03:39:54-07:00
Arnold Schoenberg (1874-1951): Die Gluckliche Hand (full)
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Robert Craft: Conductor. The Simon Joly Chorus. Philarmonia Orchestra. Koch International Classics. 2001.
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2018-10-04T03:39:54-07:00
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2024-12-02T20:18:25-08:00
DH 3.4. Benozzo Gozzoli, "The Feast of Herod and the Beheading of Saint John the Baptist," 1461-62
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2024-12-02T20:18:25-08:00
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2018-10-04T03:43:19-07:00
Mussorgsky Kandinsky
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Video-Remake der Bühneninszenierung von "Bilder einer Ausstellung", die Kandinsky 1928 in Dessau realisierte. Die originalen Entwürfe für die ...
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2018-10-04T03:43:19-07:00
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media/Screenshot 2024-12-03 at 5.02.14 PM_thumb.png
2024-12-03T16:56:03-08:00
DH 3.2b. Alice Guszalewicz as Salome
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Published in Horst Schroeder, "Alice in Wildeland" (Braunschweig, 1994), p. 29.
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2024-12-03T16:56:03-08:00