Seis o más ejemplares de las Advertencias he visto, y casi todos presentan diferencias entre si. (353)
This inconsistency begins, as García Icazbalceta says, with the title page: he identifies at least three different title pages, including special pages for volumes
one and
two, as well as
an additional version featuring an entirely different image.
This material inconsistency is compounded by inconsistency during the binding process. During this period books were frequently acquired unbound, and binding was done at the expense of the purchaser. This makes it difficult to trace the source of various copies. For example, in several cases volume one of the Advertencias was bound together with an earlier volume by Juan Bautista, the Confesionario en lengua mexicana y castellana. This is the case, for example, of the exemplar of volume one held in the archive at the Museo Nacional de Antropología in Mexico City. Other exemplars contain varying front matter and back matter.
In her
seminal work on the history of printing, Elizabeth Eisenstein writes that printed books and hand-copied manuscripts in the first century of European printing look surprisingly similar. Behind the surface similarity, however, are obscured more significant changes in the processes of production. A careful examination of the material variation of the
Advertencias allows us access to how these processes may have operated in the case of the press at Tlatelolco. Though the title pages consistently inform readers that the books were printed "En Mexico, En el Conuento de Sanctiago Tlatilulco, Por M. Ocharte. año 1600," a careful examination of the different versions of the volume reveals a more complex story. Though Melchor Ocharte's name is listed on the title page, it is unlikely that he was actually the printer of the
Advertencias. It is equally unlikely that the book was printed in 1600.
Melchor Ocharte was the third generation in a family of printers that could trace its history back to Juan Pablos, arguably America's first printer. Pablos was sent to Mexico to establish a printing press by the Cromberger family, an important printing house in Seville, Spain. The first positive proof of his press is a Manual de Adultos printed in 1540. Pedro Ocharte, Pablos' son in law, took over the press after his death in 1560. (When he was arrested by the inquisition for Lutheran sentiment, his second wife, Maria de Sansoric, ran the operation). Melchor Ocharte, whose name appears on the title page of the Advertencias, was their son.
Printing operations, however, were complex and multifaceted. Though Melchor Ocharte may have run the operation that produced the book, it's unlikely that he was directly involved in the printing process itself. This is corroborated by
the colophon of the second volume of the book, which states: