The Challenges of Born-Digital Fiction: Editions, Translations, and Emulations: The Multimedia Accompaniment to the Print EditionMain MenuTitle PageThe Title Page of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsMedia Assets in "Introduction: Welcome to the Funhouse!"All media assets referenced in the Introduction of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsMedia Assets in "Chapter 1: Emulation"All media assets referenced in Chapter 1 of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsMedia Assets in "Chapter 2: Migration & Translation"All media assets referenced in Chapter 2 of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsMedia Assets in "Chapter 3: Versions & Editions"All media assets referenced in Chapter 3 of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsMedia Assets in Chapter 4: Restoration & Reconstruction: Final ThoughtsAll media assets referenced in Chapter 4 of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsBack MatterThe Back Matter of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsDene Grigarae403ae38ea2a2cccdec0313e11579da14c92f28
Landing Page of the 2022 Web Edition of King of Space
1media/ch4-figure-king-of-space-web-landing_thumb.jpg2022-11-25T11:47:11-08:00Dene Grigarae403ae38ea2a2cccdec0313e11579da14c92f28411975A figure featuring the landing page for the 2022 Web Edition of Sarah Smith's King of Spaceplain2022-12-07T12:34:25-08:00Kathleen Zollerd12f5a19398157747ffcda98170a372b72a1ea00
This page is referenced by:
12022-11-20T16:57:16-08:00Landing Page of the 2022 Web Edition of King of Space14A figure featuring the landing page for the 2022 Web Edition of Sarah Smith's King of Spaceplain2023-05-27T13:17:43-07:00 The designers on the Reconstruction Team studied the original edition of King of Space and the manuscripts Smith provided to update the characters from a contemporary perspective. Lady Nii, portrayed in the original as a witch, is now a spectral entity with a non-human face, while King Brady remains corrupt and decrepit. Tam is no longer an escaped criminal but instead a rebel who must save the universe from King Brady and the plague. Princess Aster is re-envisioned as an alien humanoid who, like the original character, holds the power of creation in her hands.
