Style and "Substance"Main MenuPhilosophy and the ArtsWhat can philosophy do for the arts?Ontological FractalOntological MappingArt CommentaryStudent ObservationsArchaic Eternal ReturnPresocratic ClassicalSocratic Late ClassicalPlatonicNominalist RenaissanceAneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72eaJmedina29ac3fc10003fb639ac412984b59b01a5b826e161Ian Lehineb028c384a69e4b92166e7791b002fa3f2cee5818Published by Aneesah Ettress
Aphrodite of Milos
12017-03-08T15:01:46-08:00Aneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72ea148583Alexandros of Antioch, 130 BCE, Marble, 203 cm, Louvre, Parisplain2017-03-27T14:15:15-07:00Wikimedia Commons130-100 BCE36.691446, 24.393566MarbleMilos, GreeceAlexandros of AntiochAneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72ea
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1media/irascible-2006.jpg2017-03-27T13:50:30-07:00Aneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72eaSocratic: Late ClassicalAneesah Ettress10Platonictimeline2017-07-20T11:11:51-07:00Aneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72ea