Spectacles of Agency and Desire: Dance Histories and the Burlesque Stage Main Menu

Katie Greer

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Katie Greer is a senior at the Ohio State University receiving her BFA in Dance and a minor in Arts Entrepreneurship. While at OSU, she has trained in ballet and contemporary as well as taken courses in Dance History, Dance Film, and Dance Education to name a few. Last summer she worked at Dance Place, a non profit dance theater and school in Washington DC, as the Assistant Camp Director. She is currently doing historical research with Dr. Harmony Bench on her Anna Pavlova and the Ballet Russes Touring Mapping Project and will be graduating in Spring of 2016. 
 

Contents of this tag:

  1. The Birth of Burlesque
  2. The Burlesque Voice Offstage: Power and Manipulation
  3. The Burlesque Companion: Families to Exotic Pets
  4. The Burlesque Individual: Why Burlesque?
  5. Anonymous Voice vs Public Image
  6. Violet Lydia Thompson Baptism Records
  7. Burlesque Dancers in the 60s: Individual Lives and Details
  8. Burlesque Images and Magazines
  9. How Rose La Rose Influenced Her Own Image
  10. Exotic Dancing in 2003: Identity and Compromise
  11. Josephine Baker
  12. Neo-Burlesque: Transitioning into Burlesque
  13. The Burlesque Family: Beware of Misidentification and Misrepresentation
  14. The Burlesque Family: Husbands and Children

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