Searching for a Black Pacific: An Alternative Archive Main Menu Introduction What is pampletry? What is the "Black Pacific?" What is pamphlet literature? A Brief Description/Discussion of Grey Literature What is an "alternative archive?" Building an Alternative Archive: Digitization Theories in Process A discussion of methodologies in the digitization of primary sources, their providences, and the people that produced them Digitization: Retaining Context Why Scalar & the Internet Archive? A note on platforms A Brief History of Black Art Production in Vancouver An essay timeline of black art production in Vancouver over the 20th century. The Archive Excerpts from the personal collection of david george morgan The Archive: List of Contents An exhaustive list of digitized sources for "Searching for a Black Pacific." All pamphlets are the fonds of david george morgan, pictured behind, save those published by the grunt gallery. Group One: Magazines From the fonds of david george morgan Group Two: B.B.U.N.O. Pamphlets for art collective "Building Bridges Untitled Number One" founded by david george morgan Group Four: Theatre & Touring Artists From the fonds of david george morgan. Pamphlets for the advertisement of theatre groups, tours, and workshops hosted by various groups in the Vancouver area. Group Five: Portraiture Self-protraits and more from the fonds of david george morgan Group Six: Miscellaneous, 1990-2014 Ungrouped documents from the fonds of david george morgan Alternative Archives in COVID-19 Reflections on the digitization process in a time of communal crisis Citations, citations! The hyperlink vis à vis traditional citation formats Bibliography Dedication

Group Three: Art/Activist Spaces

36202
Art/Activist Spaces: Helen Pitt Gallery, the grunt gallery, and others 
Click text linked below to view full pamphlet 

The Helen Pitt Gallery (now titled UNIT/PITT) 
Melinda Mollineaux, [T(here)], 1996. 

The grunt gallery (Personal fonds of Phoebe Colby) 
Self Portrait, Valerie Romain, 1991. 
Telling Relations: Sexuality and the Family, 1993. 

 These artist-run spaces coming out of the late 1970s and 1980s provided further networking for artists working in isolation, solidifying solidarity and access to community, space, and resources. Many artists who had been previously active (visual artist Melinda Mollineaux, playwright and performer Lorena Gale, to name two) in the area remained and began to build momentum around exhibitions that showcased discussion of marginalized identities through art.

Other spaces without pamphlets in this collection which were active during the same period: Western Front and Open Space 
 

This page has paths:

  1. Tracing Vancouver's Black Art Scene through Pamphlet Literature Phoebe Joan Colby

Contents of this path:

  1. [T(here)] Exhibition Pamphlet
  2. Self Portrait, Valerie Romain
  3. Telling Relations: Sexuality and the Family