Rebooting Electronic Literature: Documenting Pre-Web Born Digital Media Main Menu Introduction to Rebooting Electronic Literature Documentation of pre-web works of electronic literature from the library of the Electronic Literature Lab Sarah Smith's "King of Space" Documentation of Sarah Smith's hypertext novel, "King of Space" David Kolb's "Socrates in the Labyrinth" Documentation of David Kolb's hypertext essay "Socrates in the Labyrinth" J. Yellowlees Douglas' "I Have Said Nothing" Documentation of J. Yellowlees Douglas' hypertext novel, "I Have Said Nothing" Thomas M. Disch’s "AMNESIA" Documentation of Thomas M. Disch's interactive fiction "AMNESIA" Rob Kendall’s "A Life Set for Two" Documentation of Rob Kendall's hypertext "Life Set for Two" Judy Malloy's "its name was Penelope" The chapter on Judy Malloy's "its name was Penelope" Mary-Kim Arnold's "Lust" Documentation of Mary-Kim Arnold's hypertext fiction work, "Lust" Authors' and Contributors' Bios The bios of those who authored and produced Rebooting Electronic Literature Nouspace Publications | Washington State University Vancouver

Resources for J. Yellowlees Douglas' "I Have Said Nothing"

26861 Thomas M. Disch’s "AMNESIA" Documentation of Thomas M. Disch's interactive fiction "AMNESIA"
Hypertexts

Douglas, J. Yellowlees. "I Have Said Nothing." Eastgate Quarterly Review of Hypertext (1993) : 1.2. Removable Disk.

–––. "I Have Said Nothing." Postmodern American Fiction. Ed. Paula Geyh, Fred G. Leeborn, and Andrew Levy. NY, NY: W.W. Norton, 1997. http://www.wwnorton.com/college/english/pmaf/hypertext/ihsn/i_have_said_nothing.html. 


Critical Works

Douglas, J. Yellowlees. “'But When Do I Stop?'" Closure and Indeterminacy in Interactive Narratives.” Hyper/Text/Theory. Ed. George Landow. Baltimore: Johns Hopkins University Press, 1994:159-188.

–––.  The End of Books or Books Without End. Ann Arbor, MI: University of Michigan Press, 2000. https://www.press.umich.edu/pdf/0472111140.pdf.

–––. "Playing the Numbers: M. D. Coverley's Fibonacci's Daughter." ACM SIGWEB Newsletter 9 (1) 38-41. February 2000. Republished at Word Circuits, 2000. http://www.wordcircuits.com/comment/htlit_9.htm.

​Douglas, J. Yellowlees and Andrew Hargadon. "The Pleasure Principle: Immersion, Engagement, Flow." ACM Hypertext 2000. 153-160. ftp://ftp.cse.buffalo.edu/users/azhang/disc/disc01/cd1/out/papers/hypertext/p153-douglas.pdf.

---. "The Pleasures of Immersion and Engagement: Schemas, Scripts, and the Fifth Business.” First Person: New Media as Story, Performance, and Game. Ed. Noah Wardrip-Fruin and Pat Harrigan. Cambridge, MA: MIT Press, 2004. 

Douglas, J. Yellowlees. The Readers Brain. How Neuroscience Can Make You a Better Writer. Cambridge, MA: Cambridge University Press, 2015.

–––.  “The Three Paradoxes of Hypertext: How Theories of Textuality Shape Interface Design.” The Emerging CyberCulture: Literacy, Paradigm, and Paradox. Ed. Stephanie B. Gibson and Ollie Oviedo, eds. Cresskill, NJ: Hampton Press, 2000.

–––. "Understanding the Act of Reading: The WOE Beginners' Guide to Dissection." Writing on the Edge (1991) : 2.2. 112-125.


Critical Works about Douglas' "I Have Said Nothing"

Ensslin, Astrid. Canonizing Hypertext: Explorations and Constructions. NY, NY, Continuum Press, 2007.

Grassian, Daniel. Hybrid Fictions: American Literature and Generation X. Jefferson, NC: McFarland Press, 2003.

Miranda, Juan. “Death, and Again: A Critical Analysis of J. Yellowlees Douglas’ 'I Have Said Nothing.'" 24 Feb. 2015. Blog Post.

Moulthrop, Stuart. “Traveling in the Breakdown Lane: A Principle of Resistance for Hypertext.” Mosaic 28, 4 (1995): 55–77. To read the article for free a JSTOR go here.
 

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