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The Program as Advertisement: Art and Propaganda in Concert and Theater Programs, Exhibition Catalogues, and Brochures in Germany 1913-1961 Main Menu Art and the Program Documenting Cultural Events in Germany Before, During, and After the Nazi Era Germany Before World War I: The Munich Folk Theater and its History Germany Before World War I: The Munich Folk Theater and its History World War I and the Weimar Republic Concerts, Opera, and Music Theater Programs in Germany Between 1933 and 1945 Song and Choir Sheet Music of the New Community Song and Choir Sheet Music of the New Community, content Culture League of German Jews 1933/4 Culture League of German Jews 1933/4 Invitations, Posters, and Advertisements Cabaret under Nazi Regime Cabaret under Nazi Regime The "Great German Art Exhibition" and the "Degenerate Art" Exhibition The "Great German Art Exhibition" and the "Degenerate Art" Exhibition Old Household Goods - Old Folk Art Old Household Goods - Old Folk Art A Glimpse from the Outside: German Publications Reviewed by the "Friends of Europe" Periodical A Glimpse from the Outside: German Publications Reviewed by the "Friends of Europe" Periodical Post-war Germany, 1945-1949 Post-war Germany, 1945-1949 Wagner Performances in Post-war Germany Wagner Performances in Post-war Germany Exiles Return: Brecht and Weill's Threepenny Opera in Post-war Germany Exiles Return: Brecht and Weill's Threepenny Opera in Post-war Germany Conclusion

Song and Choir Sheet Music of the New Community, content

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"In the German Land We March" Adi Nester
Contents of this annotation:
1. Song and Choir Sheet Music of the New Community, content
"We Carry the Fatherland" Adi Nester
Contents of this annotation:
1. Song and Choir Sheet Music of the New Community, content
"Nothing Can Rob Us" Adi Nester
Contents of this annotation:
1. Song and Choir Sheet Music of the New Community, content

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Song and Choir Sheet Music of the New Community
Lied- und Chorblatt der neuen Gemeinschaft (Song and Choir Sheet Music of the New Community). With an understanding of music's great potential to unite people behind an ideology, these booklets were distributed as “Pflichtlieder” (mandatory songs) for the years 1942-44. Some were provided with additional parts for the choir. Although it was assumed that the population was already familiar with many of the songs in the booklet, the aim was to provide a “verbindliche Fassung”, an authoritative, canonical edition of these songs that would eliminate variations in performance.