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The Program as Advertisement: Art and Propaganda in Concert and Theater Programs, Exhibition Catalogues, and Brochures in Germany 1913-1961 Main Menu Art and the Program Documenting Cultural Events in Germany Before, During, and After the Nazi Era Germany Before World War I: The Munich Folk Theater and its History Germany Before World War I: The Munich Folk Theater and its History World War I and the Weimar Republic Concerts, Opera, and Music Theater Programs in Germany Between 1933 and 1945 Song and Choir Sheet Music of the New Community Song and Choir Sheet Music of the New Community, content Culture League of German Jews 1933/4 Culture League of German Jews 1933/4 Invitations, Posters, and Advertisements Cabaret under Nazi Regime Cabaret under Nazi Regime The "Great German Art Exhibition" and the "Degenerate Art" Exhibition The "Great German Art Exhibition" and the "Degenerate Art" Exhibition Old Household Goods - Old Folk Art Old Household Goods - Old Folk Art A Glimpse from the Outside: German Publications Reviewed by the "Friends of Europe" Periodical A Glimpse from the Outside: German Publications Reviewed by the "Friends of Europe" Periodical Post-war Germany, 1945-1949 Post-war Germany, 1945-1949 Wagner Performances in Post-war Germany Wagner Performances in Post-war Germany Exiles Return: Brecht and Weill's Threepenny Opera in Post-war Germany Exiles Return: Brecht and Weill's Threepenny Opera in Post-war Germany Conclusion

Questionnaires - Gesetz zur Wiederherstellung des Berufsbeamtentums

19641

This page has annotations:

Questionnaire for theater employees Adi Nester
Contents of this annotation:
1. Questionnaires - Gesetz zur Wiederherstellung des Berufsbeamtentums
Questionnaire for employees of the municipal opera Adi Nester
Contents of this annotation:
1. Questionnaires - Gesetz zur Wiederherstellung des Berufsbeamtentums

This page is referenced by:

Culture League of German Jews 1933/4
Application for membership in the Kulturbund deutscher Juden (Culture league of German Jews, later known as the Jüdischer Kulturbund, Jewish Culture League) for the year 1933/1934. The pamphlet includes a call “to the German Jews" stressing the need for an organization that will continue to provide German Jews access to cultural works as a response to the Law for the Reconstitution of the Civil Service (Gesetz zur Wiederherstellung des Berufsbeamtentums), which deprived many Jews of their occupation in various artistic fields such as theater, orchestras, operas, etc. It conveys the distressing realization that “countless German Jews today find the paths to the sites of spiritual and artistic elevation and cultivation either directly or indirectly closed to them.” The call continues to emphasize that the “spiritual world of human values that the German classicists have bred” is the object that is being preserved by the Kulturbund deutscher Juden. With performances such as Lessing's Nathan der Weise and Mozart's Cosi fan tutte, which are included in the program for the year 1933/1934, the Kulturbund places the same cultural repertoire that the Nazi regime prided itself with in a different context.

Correspondence pertaining to an appeal of dismissal from a position in the Städtische Oper Berlin (Berlin municipal opera) as part of the Law for the Restoration of the Professional Civil Service. For appeals the addressee is instructed to fill in an attached questionnaire where they are asked to provide information on their place of birth, religious affiliation (current and former), professional and political affiliations, etc.