The Program as Advertisement: Art and Propaganda in Concert and Theater Programs, Exhibition Catalogues, and Brochures in Germany 1913-1961Main MenuArt and the ProgramDocumenting Cultural Events in Germany Before, During, and After the Nazi EraWorld War I and the Weimar RepublicConcerts, Opera, and Music Theater Programs in Germany Between 1933 and 1945Song and Choir Sheet Music of the New CommunitySong and Choir Sheet Music of the New Community, contentCulture League of German Jews 1933/4Culture League of German Jews 1933/4Invitations, Posters, and AdvertisementsCabaret under Nazi RegimeCabaret under Nazi RegimeThe "Great German Art Exhibition" and the "Degenerate Art" ExhibitionThe "Great German Art Exhibition" and the "Degenerate Art" ExhibitionOld Household Goods - Old Folk ArtOld Household Goods - Old Folk ArtA Glimpse from the Outside: German Publications Reviewed by the "Friends of Europe" PeriodicalA Glimpse from the Outside: German Publications Reviewed by the "Friends of Europe" PeriodicalPost-war Germany, 1945-1949Post-war Germany, 1945-1949Wagner Performances in Post-war GermanyWagner Performances in Post-war GermanyExiles Return: Brecht and Weill's Threepenny Opera in Post-war GermanyExiles Return: Brecht and Weill's Threepenny Opera in Post-war GermanyConclusionAdi Nesterebef2239f18cd6ba5c09a0dfc25b13cff6ecbf4c
Germany Before World War I: The Munich Folk Theater and its History
12017-08-24T15:14:09-07:00Adi Nesterebef2239f18cd6ba5c09a0dfc25b13cff6ecbf4c196414Germany Before World War I: The Munich Folk Theater and its Historyplain2017-08-30T20:50:54-07:00Adi Nesterebef2239f18cd6ba5c09a0dfc25b13cff6ecbf4cThese booklets describe the history of the Münchner Volkstheater (The Munich Folk Theater) on the occasion of the ten-year anniversary of the theater's reopening in 1903. In addition to providing an overview of the performances scheduled for the season, the booklets relate the history of the theater, from its earliest beginnings in the 1580s. The theater started as a venue for traveling troupes who performed in tents and continued to serve as home of the famous Haupt- und Staataktionen (a mixture of drama—primarily tragedy—and improvisatory theater) in the beginning of the 18th century. At the turn of the twentieth century the theater was updated to comply with new safety regulations. Since 1903 it resumed its activity with performances of classical works like those of Goethe, Schiller, and Lessing, alongside contemporary works such as those of Heinrich Mann and Lion Feuchtwanger, who both emigrated to the United States after Hitler's ascension to power.
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1media/17 cut for title.jpeg2017-06-26T13:59:07-07:00Adi Nesterebef2239f18cd6ba5c09a0dfc25b13cff6ecbf4cThe Program as AdvertisementAdi Nester45image_header4726062017-09-13T16:31:55-07:00Adi Nesterebef2239f18cd6ba5c09a0dfc25b13cff6ecbf4c
