Performing ArchiveMain MenuVisualizing the “Vanishing Race”: the photogravures of Edward S. CurtisFront Page for Visualizing the "Vanishing Race" pathCurtis' Image and Life: The Network of The North American Indian, Inc.An experiment with data visualization approach to understand and contextualize Curtis' images and his lifeMedia, Technology and MediationsCurtis's Technology, Relationships to Media and StyleContextualizing Curtis, The North American Indian, and Racethe collection of essays from the contributorsConsulting with Tribes as Part of Archive DevelopmentIntroduction to Consulting with Tribes by Ulia GosartContributing ArchivesInformation on how to participate in Performing ArchiveBrowsing the MediaA path of paths that allow users to cut through the collection in a variety of ways.Acknowledgements and Project InformationProject NetworkJacqueline Wernimontbce78f60db1628727fc0b905ad2512506798cac8David J. Kim18723eee6e5a79c8d8823c02b7b02cb2319ee0f1Stephan Schonberg23744229577bdc62e9a8c09d3492541be754e1efAmy Borsukc533a79d33d48cbf428e1160c2edc0b38c50db19Beatrice Schustera02047525b31e94c1336b01e99d7f4f758870500Heather Blackmored0a2bf9f2053b3c0505d20108092251fc75010bfUlia Gosart (Popova)67c984897e6357dbeeac6a13141c0defe5ef3403
Edward Curtis and Wagon
12018-03-16T21:12:52-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637294821Photographer Edward Curtis navigates frontier terrain with his outfit as it typically travelled, by horse and wagon.plain2018-03-16T21:12:52-07:00Critical Commons20002013-09-03T06:13:30ZImageFrontier Photographer: Edward S. CurtisErik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
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12018-03-16T21:12:52-07:00Working in the Field1Using Documentary Technology on the Road and in the Fieldplain2018-03-16T21:12:52-07:00Curtis's photo developing in the field was often done in a tent, and another tent frequently served as his mobile portrait studio.
In his book, Edward S. Curtis and The North American Indian, Incorporated, Mick Gidley quotes a 1907 speech in which Curtis describes his outfit:
Our camp equipment weighing from a thousand pounds to a ton, depending upon distance from a source of supplies; in photographic and other equipment there were several 61/2 X 81/2 cameras, a motion-picture machine, phonograph for recording songs, a typewriter, a trunk of reference books, correspondence in connection with the work, its publication and the lectures all from the field. Tents, bedding, our foods, saddles, cooking outfit, four to eight horses - such was the outfit. Someone has to boss the job; usually that falls to me. Everything must be kept on the move that no time is lost. Teams have to be bought, supplies secured, both commissary and photographic, arrangements made for getting and sending mail. On long stretches the whole outfit has to be shipped... and, withal, the one thing that must never be lost sight of, the purpose of the work; a picture and word history of the Indian and his life. But at times the handling of the material side of the work almost causes one to lose sight of art and literature....1
The text for the twenty volumes was often written in a cabin over the winter by Curtis, William Myers and other assistants.