Lounging in the 60sMain MenuIntroductionHow to use our websiteObjectsMission 66 OverviewRevitalizing the ParksTaliesin Associated ArchitectsBeaver Meadows Visitor CenterConclusion
1960s Smoking Culture (3)
12017-12-03T11:56:02-08:00Carly Boerrigterbecbe4e9b2682603b83278eafeb0fe1daeb2928b240152Kent Cigarettes Published in Ebony, September 1965 (Vol. 20, No. 11). Photo courtesy of Creative Commons.plain2017-12-17T19:25:46-08:00Jordan EK5ee5cb1f8ac73cc6263a0885cedd14b212f95885
Standing almost two feet high, this brass floor ashtray would have been placed alongside chairs and benches throughout Beaver Meadows, allowing seated visitors to enjoy a cigarette or two. Taliesin's inclusion of ashtrays in various heights and designs directly contributed to visitor enjoyment and comfort at Beaver Meadows. In the present, interior designers wouldn't give a second thought to portable ashtrays when designing a building. However, in the 1960s, ashtray considerations were a top priority. A total of ten of these cigarette stands were ordered for Beaver Meadows Visitor Center. In 1966, they were purchased for twenty dollars.
Ashtrays are artifacts of mid-century smoking culture commonly found in 1960s homes, offices, public buildings, and even airplanes and hospitals. These utilitarian items assumed a remarkable suite of forms and materials, from ornate glass-blown sculptures to more vernacular containers (such as a coffee can) and everything in between. Because the public had yet to adopt or become aware of public health warnings regarding the dangers of smoking, accommodations for smokers were expected in the 1960s. Ashtrays and their changing forms can be interpreted as representative of those accommodations, as they have become increasingly obscured from sight over time.