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Eames House (1958)

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This page has paths:

Photographs Phil Ethington
Contents of this path:
1. Eames House (1958)
2. Plutarch's Lives of the Noble Grecians and Romans
3. Shulman, Academy Theater (1940)
4. Shulman, Duffield Lincoln-Mercury Showroom
5. Shulman, Kaufmann House (1947)
6. Shulman, Lovell House (1950)
7. Shulman, Malin (Chemosphere) House 1961
8. Shulman, Spencer House (1955)
9. Shulman, View of Pasadena Freeway, 1949
10. Stahl House, Case Study #22, Daylight Exterior. Julius Shulman (1960)
11. Walter Gordon Collection # 06 Photo, Walter Gordon Collction, USC Department of Special Collections. CAPTION by WALTER GORDON: "A festive time at the Jockey Club on Central Avenue finds a group sampling the work of chef/owner Ralph Gibbs. From left to right, actress Dorothy Dandridge; pianist Hattie Hopgood; Earl “Red” Griffith; entertainer/reporter Maggie Hathaway; an unidentified woman; Gibbs; and newspaper reporter Paul McGee."
12. Walter Gordon Collection # 07 Photo, Walter Gordon Collction, USC Department of Special Collections. Caption by Walter Gordon: "Some “power ladies” in the local African-American community gather for a meeting in the 1940s. Seated at left is Betty Hill, a social activist and founder of the Women’s Political Study club. Next to her is Dr. Vada Sommerville, the first Black female graduate of USC’s School of Dentistry and a founding member of the Los Angeles chapter of the NAACP. Standing in the back, third from left, is the social and labor activist Jessie Lee Terry. Next to her is Martha Jefferson, the first Black female attorney to practice law here."
13. Eastside Real Estate Office, 1923
14. Walter Gordon Collection # 10 Photo, Walter Gordon Collection, USC Department of Special Collections. CAPTION by WALTER GORDON: "Ivan Johnson, the first Black member of the U.S. Attorney’s office in Los Angeles, stands in support of Goodwin Knight (seated at center), governor of California from 1953–1959. To the left of Knight is accountant B. B. Bratton. At far right is Vincent Monroe Townsend, an attorney and veteran actor who played the judge on Amos and Andy."
15. Walter Gordon Collection # 11
16. Walter Gordon Collection # 14 Photo, Walter Gordon Collection, USC Department of Special Collections. CAPTION by WALTER GORDON: "Charlotta Bass, the owner and editor of the pioneering Black community newspaper The California Eagle, receives a congratulatory proclamation on August 27, 1949, from her former paperboy, attorney Walter Lear Gordon, Jr. Upon Gordon’s graduation from law school, Bass invited him to set up his practice in the front portion of the Eagle’s building on Central Avenue, where this photograph was taken."
17. Walter Gordon Collection # 18 Photo, Walter Gordon Collection, USC Department of Special Collections. CAPTION by WALTER GORDON: "Teachers gather at a backyard party held by Bessie Bruington Burke in the early 1950s. Burke was the first Black teacher and principal in Los Angeles. Her mother secured support for her daughter’s professional aspirations from the Forum, an African-American civic organization headquartered at the corner of Eighth and Wall Streets. Burke broke through the prevailing color barrier thanks to a combination of the Forum’s considerable influence and her own impeccable academic qualifications."
18. Walter Gordon Collection # 22 Photo, Walter Gordon Collection, USC Libraries, Department of Special Collections. CAPTION by WALTER GORDON: "Billie Holiday stands with LAPD Detective Gosline in front of a courtroom while awaiting trial in the early 1950s. Holiday was singing “Strange Fruit” (a song about the lynching of African-Americans) in a West Hollywood club, when a member of the audience proceeded to heckle her. She left the stage midway through the song, allegedly slashed the heckler with a knife, and resumed singing. She was charged with assault and battery but the case was dismissed when the victim, under cross-examination by Walter Gordon, refused to give his name and address."
19. Walter Gordon Collection # 24
20. Walter Gordon Collection # 26 Photo, Walter Gordon Collection, USC Libraries, Department of Special Collections. CAPTION by WALTER GORDON: "Valaida Snow, on the left in the front row, sits with friends at Wrigley Field, a baseball stadium formerly located at Avalon Boulevard and 42nd Street in Los Angeles. A remarkable trumpet player, Snow was captured by the Nazis in 1941 while entertaining in Copenhagen. Although threatened with execution during her eighteen months in incarceration, her life may have been spared due to her musical talent. This photograph is probably from the late 1940s, some time after her release. Behind her sits Honey Murphy, owner of the Last Chance Restaurant and Club situated at 108th Street and Central Avenue."
21. Walter Gordon Collection # 30
22. Walter Gordon Collection # 33 Photo, Walter Gordon Collection, USC Libraries, Department of Special Collections. CAPTION by WALTER GORDON: "Reverend Clayton Donovan Russell addresses an audience at the Peoples’ Independent Church of Christ at 18th and Paloma Streets in the early 1940s. Russell, who grew up in Boyle Heights and graduated from USC, embodied the church’s influence in the Los Angeles Black community. He began preaching at the age of seven, soon catching the attention of Reverend N. P. Greggs of the First African Methodist Episcopal Church. Greggs left First AME in 1915 to found the Peoples’ Church and took Russell with him. When Russell succeeded Greggs as pastor in 1935 he revitalized the church’s influence by introducing radio broadcasts of his sermons, joining the Sentinel’s Leon Washington in the “Don’t shop where you can’t work” movement, creating innovative community work programs during the Depression, and organizing the Los Angeles Negro Victory Committee to aid the cause in World War II. Russell’s progressive views earned him a loyal following until his death in 1981."
23. Walter Gordon Collection # 34 Photo, Walter Gordon Collection, USC Libraries, Department of Special Collections. CAPTION by WALTER GORDON: "An audience takes in a show at the Club Alabam at the height of its popularity in the 1940s. Some of the notable attendees include, from left to right: Tillie Euliss (wearing a mink coat), who was a popular waitress at the Dunbar Hotel; Clarence Moore, owner of the Mimo Club at 29th Street and Western Avenue; actress Lillian Randolph; Elihue “Black Dot” McGee, a well-known Central Avenue figure; Club Alabam singer Juliett Ball; and with his hand on his chin, Prince Spencer—one of the fill-ins for the Nicholas Brothers and later, a keno operator at the Sahara Hotel in Las Vegas."
24. Walter Gordon Collection # 38 Photo, Walter Gordon Collection, USC Libraries, Department of Special Collections. CAPTION by WALTER GORDON: "Dr. John Sommerville and his wife, Vada Watson, the first African-Americans to graduate from the USC School of Dentistry, opened the Dunbar Hotel in 1928. Located at 4225 S. Central Avenue, the establishment and its adjacent nightclub quickly became the focus of the area’s music scene. The manager of the hotel’s cocktail lounge may be seen in this photomontage from the 1940s."
25. Walter Gordon Collection # 39 Photo, Walter Gordon Collection, USC Libraries, Department of Special Collections. CAPTION by WALTER GORDON: "Entertainment celebrities pose at a home party in the early to mid-1940s. Standing from left to right are: Jennie S. Bruington, mother of Bessie Bruington Burke; actor Ben Carter, who played Ben Shadrack in Green Pastures; Jack Chase, a popular local prize fighter married to the woman standing next to him, actress Lillian Randolph; actress Hattie McDaniel, winner of an Academy Award for Gone With The Wind; C. W. Hill; tenor George Garner, who led the Southernaires; his wife; and finally, Lillian Cumber, the first Black entertainment agent in Southern California. Seated, from left to right are: Herman Spurlock, who was a colorful sportsman; actress Lillian Beavers; and society figure Naomi Green, pictured next to her husband Eddie Green, star of the long-running play Duffy’s Tavern."
26. Walter Gordon Collection # 41
27. Walter Gordon Collection # 42 Photo, Walter Gordon Collection, USC Libraries, Department of Special Collections. CAPTION by WALTER GORDON: "A group of journalists gather to discuss their work. Pictured from left to right are Joe Harris, author of the “Smoke Rings” column in the Los Angeles Sentinel; Walter Winchell, a nationally syndicated radio personality; Joe Adams, the first Black radio announcer in Los Angeles and manager of singer Ray Charles; and Leon Washington, founder of the Sentinel, which grew under his stewardship from a throwaway sheet to one of the leading African-American newspapers in the country. Washington began a desegregation effort on Central Avenue in the early 1930s, called “Don’t shop where you can’t work.”"
28. Walter Gordon Collection # 43 Photo, Walter Gordon Collection, USC Libraries, Department of Special Collections. CAPTION by WALTER GORDON: "Maceo Sheffield, seen here in the late 1930s, was one of the most colorful personalities in the African-American community that encompassed Central Avenue in the first half of the twentieth century. He was a veritable renaissance man whose resume included actor, producer, pilot, police officer, and photographer (with a few of his snapshots making their way into Walter Gordon’s collection)."
29. Walter Gordon Collection # 47
30. Walter Gordon Collection # 50
31. Walter Gordon Collection # 51
32. Walter Gordon Collection # 52 Photo, Walter Gordon Collection, USC Libraries, Department of Special Collections. CAPTION by WALTER GORDON: "The Saints, LAPD Newton Division’s baseball team, pose for a team photograph around 1945. Kneeling on the left are Sgts. Bob Green and Kinney Harris. Standing in back, third from left, is the former three-term mayor of Los Angeles, Tom Bradley. Third from right is Thomas “Red” Davis. Although they could be teammates in baseball, Black and White officers were not allowed to patrol together until 1961."
33. Walter Gordon Collection # 53 Photo, Walter Gordon Collection, USC Libraries, Department of Special Collections. CAPTION by WALTER GORDON: "A group of prominent politicians and community leaders meet at the Southern Pacific train station at 5th Street and Central Avenue in the late 1930s. Seen here, from left to right: Assemblyman Augustus Hawkins; Titus Alexander, a leading member of the Forum; Congressman Arthur Mitchell of Chicago and his wife; USC Law School graduate Bert McDonald, who was a member of the Los Angeles City Attorney’s office and the half-brother of Dunbar Hotel founder Vada Sommerville; and longtime local attorney Hugh Macbeth, who provided legal counsel for the Forum in the early twentieth century and promoted Black resorts like Val Verde and “Little Liberia”—a retreat in Baja California that operated from the 1920s through the 1940s."
34. Walter Gordon Collection # 54 Photo, Walter Gordon Collection, USC Libraries, Department of Special Collections. CAPTION by WALTER GORDON: "Louis Armstrong (center) celebrates with friends at Lovejoy’s, an after-hours club located at 42nd and Central Avenue, across the street from the Club Alabam where he had performed earlier in the evening. The proprietor of the establishment, Alex Lovejoy, is seated second from the left."
35. Walter Gordon Collection # 55 Photo, Walter Gordon Collection, USC Libraries, Department of Special Collections. CAPTION by WALTER GORDON: "Four distinguished men of the community pose for a photograph sometime in the late 1930s–early 1940s. From left to right are Norman Houston of the Golden State Mutual Life Insurance Company; boxing champion Joe Louis; attorney Charles Matthews, who worked for the Los Angeles County District Attorney’s Office; and Fred Roberts, who in 1918, became the first African-American elected to the State Assembly."
36. Walter Gordon Collection # 57
37. Walter Gordon Collection # 59
38. Walter Gordon Collection # 60 Photo, Walter Gordon Collection, USC Libraries, Department of Special Collections. CAPTION by WALTER GORDON: "Veteran attorney Curtis Caville Taylor (center, facing viewer) celebrates a birthday party in the mid-1950s with friends and colleagues. Taylor, who came to Los Angeles around 1915, was admired in the Black community for his affable nature as well as his deep roots in the city. The event was held in the Benedict Canyon home of retired Superior Court Judge Earl Broady, who employed clever subterfuge to buy a place in an area where Black people were not yet welcome. To see the inside of the house, Broady’s wife Maude posed as the maid of Jack Tenner, a white attorney. Tenner purchased the property and promptly transferred title to the Broadys. In the foreground with her back to the camera is current Los Angeles County Supervisor Yvonne Brathwaite Burke, with Walter Gordon standing to her right."

This page has tags:

Networks Phil Ethington
Contents of this tag:
1. Altar of Mars and Venus Photograph by Marie-Lan Nguyen (2006) National Museum of Rome – Palazzo Massimo alle Terme Representation of the lupercal: Romulus and Remus fed by a she-wolf, surrounded by representations of the Tiber and the Palatine. Panel from an altar dedicated to the divine couple of Mars and Venus. Marble, Roman artwork of the end of the reign of Trajan (98-117 CE), later re-used under the Hadrianic era (117-132 CE) as a base for a statue of Silvan. From the portico of the Piazzale dei Corporazioni in Ostia Antica. Caption text from Wikimedia Commons. https://en.wikipedia.org/wiki/File:Altar_Mars_Venus_Massimo.jpg
2. Eames House (1958)
3. Artes Populares, 1922 and 2006. Panoramic Montage by Phil Ethington (2006).
4. Walter Gordon Collection # 54 Photo, Walter Gordon Collection, USC Libraries, Department of Special Collections. CAPTION by WALTER GORDON: "Louis Armstrong (center) celebrates with friends at Lovejoy’s, an after-hours club located at 42nd and Central Avenue, across the street from the Club Alabam where he had performed earlier in the evening. The proprietor of the establishment, Alex Lovejoy, is seated second from the left."
5. Yaanga / El Pueblo de Nuestra Senora Reina de Los Angeles / San Rafael / San Antonio / East LA / Los Angeles, California, USA, 0 CE - 2000 CE
1950s Phil Ethington
Contents of this tag:
1. Love with Strangers: LA Countercultures, Rise of an Art Capital, and the Ends of Art, 1950s-1990s
2. The Mating Dance of LA Arts and Architecture: 1900s-1950s
3. Three Sisters of Mass Media: Cinema, Radio, Television, 1920s-1950s
4. Suburbia, Automobility, and Metropolitan Space, 1930s-1950s: FOOTNOTES
5. Beat Dada: Ed Kienholz (1927-1994)
6. Angelenos Fleeing Martian Invasion Across the Four-Level Interchange, 1953
7. White Shadows: Mass Media / Empire, 1920s-1950s
8. The Art of Rebellion in Cold War Los Angeles, 1950-1992
9. John Joseph Cantwell (1874-1948), Archbishop of the Roman Catholic Archdiocese of Los Angeles; Edward L. Doheny (1856-1935), and Carrie Estelle Doheny (1875-1958; Papal Countess 1939-), 1929
10. Manufacturing Mass Culture, 1895-1950s
11. The Tonight Show, 1954-Present
12. The Ed Sullivan Show, 1948-1971
13. Nuclear ICBM Atlas Missile Launch, Cape Canaveral Florida, 20 February 1958).
14. Checkers: Senator Richard M. Nixon, 1952
15. The Four-Level Interchange, 1954
16. Eames House (1958)
17. Former Nazi SS Major Wernher von Braun, Time Magazine, 17 February 1958
18. Galleries of La Cienaga, 1958-1969
19. Mark Rothko, No. 10,1950.
20. Operation Cue (1955)
21. Law and Order (Universal Pictures, 1953)
22. Dragnet, 1951-1959
23. Walt Disney and Wernher von Braun, 1954 Walt Disney, left, and Wernher von Braun, right. Dr. Werhner von Braun, then Chief, Guided Missile Development Operation Division at Army Ballistic Missile Agency (ABMA) in Redstone Arsenal, Alabama, was visited by Walt Disney in 1954. In the 1950's, von Braun worked with Disney Studio as a technical director, making three films about space exploration for television. A model of the V-2 rocket is in background. Source: NASA
24. Race-Ethnic Majorities by Census Tract, 1950, Showing Pico-Whittier and Lakewood-Rosemead Transections
25. Edge of the City (1957)
26. Hellcats of the Navy (Columbia Pictures, 1957)
27. African American Globalism, 1950s-1960s
28. Richard Nixon ''Checkers'' Speech (23/September/1952)
29. Edward Kienholz in 1958. Image courtesy of Marvin Silver and Craig Krull Gallery. © Marvin Silver (Getty PST)
30. Nixon at Hungarian Border, 1956, by Ferenc Daday, 1971
31. Edward Kienholz, John Doe (1959)
32. Race-Ethnic Majority Map, Los Angeles County, 1950
33. "Theme Building," Los Aneles International Airport (architectural rendering, 1959)
34. T.V. Factbook, 1953 Report of the Radio Electronics Television Manufacturers Association (RETMA)
35. Desi Arnaz, Lucille Ball, Vivian Vance, and Willliam Frawley, in I Love Lucy, 1955
36. Shulman, Spencer House (1955)
37. Arts & Architecture (January 1951)
38. Untitled (1950), by Clay Spohn
39. Theodore Hall's Camera Stroll, 3rd Street Shopping District, Bunker HIll, 1954
40. Arts & Architecture (April 1953)
41. Stars and Stripes, 1952
42. Hellcats of the Navy (1957)
43. Pereira and Luckman's Master Plan fore Bunker Hill (1954)
44. Edmund Teske, Walter and Shirley Hopps at the Ice Cube, Malibu, 1955.
45. Walter Hopps Hopps Hopps, 1959, Edward Kienholz. Paint and resin on wood, printed color reproductions, ink on paper, vertebrae, telephone parts, candy, dental molds, metal, pencil, and leather. 87 x 42 x 21 in. The Menil Collection, Houston, Gift of Lanna Walter Hopps Hopps Hopps, 1959, Edward Kienholz. Paint and resin on wood, printed color reproductions, ink on paper, vertebrae, telephone parts, candy, dental molds, metal, pencil, and leather. 87 x 42 x 21 in. The Menil Collection, Houston, Gift of Lannan Foundation. © Nancy Reddin Kienholz. Photo: Susan Einstein - See more at: http://blogs.getty.edu/pacificstandardtime/explore-the-era/worksofart/walter-hopps-hopps-hopps/#sthash.JjbkMmMh.dpuf
46. Walter Hopps Hopps Hopps, 1959, Edward Kienholz. Paint and resin on wood, printed color reproductions, ink on paper, vertebrae, telephone parts, candy, dental molds, metal, pencil, and leather. 87 x 42 x 21 in. The Menil Collection, Houston, Gift of Lanna
47. The New Hollywood in the Old Hollywood, 1950s
48. Sidney Poitier, Harry Belafonte, and Charlton Heston at the Lincoln Memorial (with Dr. Martin Luther King) for the March on Washington, 28 August 1963
49. Phase I: Cinema's Civil Rights Leaders, 1950s-1960s
50. Shulman, Lovell House (1950)
51. Szarkowski (1956)
52. The Defiant Ones (1959)
53. Cold War Consumer Landscapes: Of Suburbs, Grocery Stores and Shopping Malls, 1930s-1950s

This page is referenced by:

Shulman on Shulman, 2005 (new) Julius Shulman talks about some of his most iconic images for an audio/photo installation in the Getty Research Institute Exhibit, "Julius Shulman: Modernity and the Metropolis" (October 11, 2005–January 22, 2006)," curated by Wim de Witt and Chris Alexander.

Phil Ethington interviewed Shulman in his 1949 Studio and Residence (Rafael Soriano, architect) in 2005, with the specific purpose of explicating these images. These brief audio files were edited by Ethington from much longer recordings, for the purposes of brevity and focus in the exhibit.

"I'll be happy to sit down and talk with you for a while.."
Julius Shulman practices his speech for the opening of the Getty Research Institute Exhibition on his 95th birthday, (born 10/10/1910), in 2005.

Lovell "Health" House (1929), Los Angeles. Richard Neutra, architect Gelatin silver print, 1950. Getty Research Institute. [Image] NOTE: THIS IS THE WRONG IMAGE. CORRECT ONE IS FROM ABOVE.

Academy Theater (1940), 3100 West Manchester Boulevard, Inglewood, California. S. Charles Lee, Architect
Job 5905: Academy Theater (Inglewood, Calif.), 1940. [Image] Julius Shulman photography archive, 1936-1997. Series II. architects, 1936-1997(http://hdl.handle.net/10020/cat657475).

Kaufmann House (1947), Palm Springs, California. Richard Neutra, architect Gelatin silver print, Getty Research Institute. [Image]

View of Downtown Los Angeles from the Pasadena Freeway (1949)
Gelatin silver print, Getty Research Institute. [Image]

Mutual Housing Association (1950), Los Angeles, California. Whitney R. Smith and A. Quincy Jones with Edgardo Contini, architects Gelatin silver print. Getty Research Institute. [Image]

Spencer House (1955). Malibu, California. Richard O. Spencer, architect.
Job 2168 [Image]

Eames House (1958), Pacific Palisades, California (1958) Charles and Ray Eames, architects.
Job 2717: Eames House (Los Angeles, Calif.), 1958 [Image] Getty Research Institute, Special Collections. Julius Shulman photography archive, 1936-1997. Series III. Projects, 1936-1997. Series III.A. Case Study Houses, 1945-2002(http://hdl.handle.net/10020/cat657475)

Case Study House #22 (1960), 1635 Woods Drive. Also known as Stahl House. Built 1959-1960. Pierre Koenig, Architect. [Image] Job 2980: Case Study House No. 22 (Los Angeles, Calif.), 1960. Julius Shulman photography archive, 1936-1997. Series III. Projects, 1936-1997. Series III.A. Case Study Houses, 1945-2002(http://hdl.handle.net/10020/cat657475)

Chemosphere House (1961), Also known as Malin House. 7776 Torreyson Drive (1961). John Lautner, architect
Job 3152: Chemosphere (Los Angeles, Calif.), 1961. [Photo] Julius Shulman photography archive, 1936-1997. Series II. Architects, 1936-1997(http://hdl.handle.net/10020/cat657475)

Duffield’s Lincoln-Mercury Showroom (1963), Long Beach, California, Killingsworth, Brady and Smith, Architects. [Photo]