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Film Studies in Motion: From audiovisual essay to academic research videoMain MenuIntroductionChapter I: From Scribe to ScreenChapter II: Current PracticeChapter III: Closing the GapFinal RemarksReferencesThomas van den Berg05debbe0c938b9e7170e68167598b10193a9540eMiklos Kissbab68bf9457e82557cb440971c8c3307eac46327
Table of types and traits
12016-03-10T06:09:10-08:00Miklos Kissbab68bf9457e82557cb440971c8c3307eac4632781158plain2490992016-07-03T07:24:26-07:00Miklos Kissbab68bf9457e82557cb440971c8c3307eac46327LEGEND * one or the other, relative to the other asterisk in the same column Voice-over/On = voice-over (VO) and off-screen narration; narrator visible on screen (ON); no narration (NN). Without explicit mention of ON, narration is either not present or off-screen Annot. = annotational overlays on image, with the exception of main titles; can take the form of either text (TXT), graphics (G), or none (N) Thesis = designation of goal early on; can be implicit, explicated in accompanying text (Ext.) or in the video itself (IV) Accomp. text = accompanying text beyond a list of cited films, which can be in either the video description, a linked article or both NCSM media = non-case study media, for example inclusion of stills, excerpts or written works that are not featured in the film central to the video; alternate musical soundtracks excepted References: provided at the end of video (EV); in description (ID); in running video (IV) similar to footnote in text Works cited = full works cited list as one would offer with an academic article, paper, or essay. Should include films, video, literature, music, and other incorporated media
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12016-02-12T04:16:11-08:00Miklos Kissbab68bf9457e82557cb440971c8c3307eac46327Chapter II: Current PracticeMiklos Kiss14plain2339192016-07-01T04:43:04-07:00Miklos Kissbab68bf9457e82557cb440971c8c3307eac46327
