Exploding Tongues: Language, Art, and the Russian Avant-gardeMain MenuBack to Futurism: Russian Artist BooksIntroductory Page by Chris GilmanBookENDS: A Working Theory of Textuality as Cultural Dominant, 1912-An Introduction and Conclusion to a Semester's Investigation into the Book Arts as an Avant-garde PracticeBook Case StudiesCollaborative Research by Case StudiesBig Bang: Timeline of Russian Avant-Garde Book Arts and Their Cultural ImpactsA Timeline of Russian Avant-Garde Book Arts and Their Cultural ImpactsCoaRse CaLIBrationARTS 227 "Introduction to Letterpress Printing" (Pedersen) and CSLC134/RUSN334 "Exploding Tongues" (Gilman)NthOlogyA limited edition collaborative book arts project by students of ARTS 227 (Pedersen) and CSLC 134/RUSN 334 (Gilman), Spring, '17MANIFESTERS (AB & Kelly): A portfolio of process and productsAppendix: A Path Through Russian Avant-Garde BooksChristopher Gilman1985b99a2acd541caa12a10c3ebf6896565283abDexter Blackwell92e005ca94195f836c6089cf147faff4c74fa79eZoe Foster-La Duc1c8954189fb3ee4ab6e36bfb90fae86777eab97Stephen Heim7069d17c035042745c96bc6c7619096cd7b33da4Kelly Kirklande1805e502570d093d70f00df18f145c99290d0a3Ian Lehineb028c384a69e4b92166e7791b002fa3f2cee5818Timothy Lewis13880d3d99b4b71ce85be63e69a6d44e38853d68Jmedina29ac3fc10003fb639ac412984b59b01a5b826e161Taylor Robinsonaa08dd3939f1f1c6162c5518ae531385e51659afEvan Sarafian042e10782d9a6d3f0001a4b35abb02f58ad84684Craig Dietrich2d66800a3e5a1eaee3a9ca2f91f391c8a6893490ILiADS (Institute for Liberal Arts Digital Scholarship)
The Tool and the Hand: Linearity in Non-Art
12017-04-13T11:07:32-07:00Taylor Robinsonaa08dd3939f1f1c6162c5518ae531385e51659af120414plain2017-04-27T11:35:05-07:00Taylor Robinsonaa08dd3939f1f1c6162c5518ae531385e51659afLines, so often, are metonymic with some greater form. Generally, lines signify something more abstracted, such as an image or a letter. Rarely are we confronted with a line, which is not a component of some greater form, but in fact exists by itself; the line as such. These lines as such are found throughout the many subversive new art forms, which precipitated during the explosive period preceding and immediately following the Russian Bolshevik revolution. The following text will concern itself with this line, specifically how it is portrayed in the Russian avant-garde of the early twentieth century, more specifically the the Russian Futurist neo-primitivist art books of the 1910s and the Russian Constructivist “non-art” of the 1920s and later. In the investigation of these lines a particular binary opposition emerges, concerning the way in which these lines were drawn, synthesis by hand or by intermediary mechanical tool.
how do they direct the viewer’s gaze?
binary opposition between mechanical and hand gutenberg mechanical, but regularized ~ the dominant
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1media/924a9ded79eeae57cad83b9b12c570cb.jpg2017-04-13T11:02:09-07:00Christopher Gilman1985b99a2acd541caa12a10c3ebf6896565283abBook Case StudiesChristopher Gilman6Collaborative Research by Case Studiessplash2017-05-02T08:51:07-07:00Christopher Gilman1985b99a2acd541caa12a10c3ebf6896565283ab