Exploding Tongues: Language, Art, and the Russian Avant-garde Main Menu Back to Futurism: Russian Artist Books Introductory Page by Chris Gilman BookENDS: A Working Theory of Textuality as Cultural Dominant, 1912- An Introduction and Conclusion to a Semester's Investigation into the Book Arts as an Avant-garde Practice Big Bang: Timeline of Russian Avant-Garde Book Arts and Their Cultural Impacts A Timeline of Russian Avant-Garde Book Arts and Their Cultural Impacts CoaRse CaLIBration ARTS 227 "Introduction to Letterpress Printing" (Pedersen) and CSLC134/RUSN334 "Exploding Tongues" (Gilman) NthOlogy A limited edition collaborative book arts project by students of ARTS 227 (Pedersen) and CSLC 134/RUSN 334 (Gilman), Spring, '17 MANIFESTERS (AB & Kelly): A portfolio of process and products Appendix: A Path Through Russian Avant-Garde Books ILiADS (Institute for Liberal Arts Digital Scholarship)

Book Case Studies

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This page has paths:

  1. Exploding Tongues Christopher Gilman

Contents of this path:

  1. (Hyper)cubism: Tracking the Fourth Dimension in the Russian Avant-garde to the Intersection of Verbal, Visual, and Beyond
  2. All's Well That Starts Well, It Never Ends
  3. Leftward-Leaning: The Diagonals of Communism
  4. Figuration:Collaboration
  5. Dyr bul shchyl and the Dominant
  6. Don't read this!
  7. Poetic Form: Suprematism as Jakobsonian Poetry
  8. Orientation (Proper)
  9. The Tool and the Hand: Linearity in Non-Art