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Exploding Tongues: Language, Art, and the Russian Avant-gardeMain MenuBack to Futurism: Russian Artist BooksIntroductory Page by Chris GilmanBookENDS: A Working Theory of Textuality as Cultural Dominant, 1912-An Introduction and Conclusion to a Semester's Investigation into the Book Arts as an Avant-garde PracticeBook Case StudiesCollaborative Research by Case StudiesBig Bang: Timeline of Russian Avant-Garde Book Arts and Their Cultural ImpactsA Timeline of Russian Avant-Garde Book Arts and Their Cultural ImpactsCoaRse CaLIBrationARTS 227 "Introduction to Letterpress Printing" (Pedersen) and CSLC134/RUSN334 "Exploding Tongues" (Gilman)NthOlogyA limited edition collaborative book arts project by students of ARTS 227 (Pedersen) and CSLC 134/RUSN 334 (Gilman), Spring, '17MANIFESTERS (AB & Kelly): A portfolio of process and productsAppendix: A Path Through Russian Avant-Garde BooksChristopher Gilman1985b99a2acd541caa12a10c3ebf6896565283abDexter Blackwell92e005ca94195f836c6089cf147faff4c74fa79eZoe Foster-La Duc1c8954189fb3ee4ab6e36bfb90fae86777eab97Stephen Heim7069d17c035042745c96bc6c7619096cd7b33da4Kelly Kirklande1805e502570d093d70f00df18f145c99290d0a3Ian Lehineb028c384a69e4b92166e7791b002fa3f2cee5818Timothy Lewis13880d3d99b4b71ce85be63e69a6d44e38853d68Jmedina29ac3fc10003fb639ac412984b59b01a5b826e161Taylor Robinsonaa08dd3939f1f1c6162c5518ae531385e51659afEvan Sarafian042e10782d9a6d3f0001a4b35abb02f58ad84684Craig Dietrich2d66800a3e5a1eaee3a9ca2f91f391c8a6893490ILiADS (Institute for Liberal Arts Digital Scholarship)
Kruchenykh, A, and Khlebnikov, V. MirsKONtsa (WorldBACKwards), 1912
12016-10-19T12:15:50-07:00Christopher Gilman1985b99a2acd541caa12a10c3ebf6896565283ab120418PDF from Getty Digital Collectionsplain2017-04-29T17:06:41-07:00Christopher Gilman1985b99a2acd541caa12a10c3ebf6896565283ab
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12016-10-19T12:15:50-07:00Christopher Gilman1985b99a2acd541caa12a10c3ebf6896565283abKruchenykh, A, and Khlebnikov, V. MirsKONtsa (WorldBACKwards), 1912Christopher Gilman8PDF from Getty Digital Collectionsplain2017-04-29T17:06:41-07:00Christopher Gilman1985b99a2acd541caa12a10c3ebf6896565283ab
12016-10-19T12:15:50-07:00Christopher Gilman1985b99a2acd541caa12a10c3ebf6896565283abKruchenykh, A, and Khlebnikov, V. MirsKONtsa (WorldBACKwards), 1912Christopher Gilman8PDF from Getty Digital Collectionsplain2017-04-29T17:06:41-07:00Christopher Gilman1985b99a2acd541caa12a10c3ebf6896565283ab
12017-04-29T16:59:20-07:00Christopher Gilman1985b99a2acd541caa12a10c3ebf6896565283abKruchenykh, A, and Khlebnikov, V. MirsKONtsa (WorldBACKwards), 1912 (cover)Christopher Gilman5Book-making collaboration between poets Kruchenykh and Khlebnikov, and artists Larionov and Goncharova, notable for its variations in cover design, mixed methods type, and reverse time-space philosophyplain2017-04-30T13:30:27-07:00Christopher Gilman1985b99a2acd541caa12a10c3ebf6896565283ab
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12016-10-19T12:15:50-07:00Christopher Gilman1985b99a2acd541caa12a10c3ebf6896565283abKruchenykh, A, and Khlebnikov, V. MirsKONtsa (WorldBACKwards), 19128PDF from Getty Digital Collectionsplain2017-04-29T17:06:41-07:00Christopher Gilman1985b99a2acd541caa12a10c3ebf6896565283ab
12017-02-15T13:40:33-08:00Christopher Gilman1985b99a2acd541caa12a10c3ebf6896565283abLarionov, Mikhail. Illustration from MirsKONtsa (WorldBACKwards), 19127An example of ambiguous "verbicovisual" phenomena: Cyrillic letters articulate the transrational utterance "ozz" and also visually represent emanating puff of soundmedia/Mikhail Larionov_Mirskontsa.pngplain2017-05-24T13:20:24-07:00Taylor Robinsonaa08dd3939f1f1c6162c5518ae531385e51659af
12016-11-15T09:14:59-08:00Christopher Gilman1985b99a2acd541caa12a10c3ebf6896565283abAngle of Orientation4Detail analysis of Kruchenykh "Mirskontsa"image_header2016-11-15T09:58:54-08:00Christopher Gilman1985b99a2acd541caa12a10c3ebf6896565283ab
12017-02-27T13:08:12-08:00Timothy Lewis13880d3d99b4b71ce85be63e69a6d44e38853d68Mirskontsa - Diana (page 36)31912 - Poets: Khelibnikov and Kruchenykh ; Painters: Goncharova and Larionovmedia/mirskontsa 36.jpgplain2017-03-27T14:58:52-07:00Timothy Lewis13880d3d99b4b71ce85be63e69a6d44e38853d68
12016-11-15T09:07:37-08:00Christopher Gilman1985b99a2acd541caa12a10c3ebf6896565283abDetail of "Poems of V. Khlebnikov" (page from Kruchenykh, A. Mirskontsa (Worldbackwards), 1912 (2Moskva : G.L. Kuzmin & S.D. Dolinskīĭ. Handwritten text reproduced lithographically, some stamping in green ink; cover collage by N. Goncharova; ill. by N. Goncharova, M. Larionov, V. Tatlin, N. Rogovin.media/Screen Shot 2016-11-15 at 9.05.21 AM.pngplain2016-11-15T11:42:15-08:00Christopher Gilman1985b99a2acd541caa12a10c3ebf6896565283ab
12016-11-15T08:59:10-08:00Christopher Gilman1985b99a2acd541caa12a10c3ebf6896565283ab"Poems of V. Khlebnikov" (page from MirsKONtsa (WorldBACKwards), 19122Hand-stamped title page in green ink, oriented at an oblique angle exemplifies "emancipation" from conventional orthogonal textuality described by Janecek as "contra-Gutenberg"media/mirskontsa detail.pngplain2017-04-30T08:08:28-07:00Christopher Gilman1985b99a2acd541caa12a10c3ebf6896565283ab
12017-02-27T13:07:47-08:00Timothy Lewis13880d3d99b4b71ce85be63e69a6d44e38853d68Mirskontsa - Nature (page 34)21912 - Poets: Khelibnikov and Kruchenykh ; Painters: Goncharova and Larionovmedia/mirskontsa 34.jpgplain2017-02-27T23:05:08-08:00Timothy Lewis13880d3d99b4b71ce85be63e69a6d44e38853d68
12017-02-27T13:06:30-08:00Timothy Lewis13880d3d99b4b71ce85be63e69a6d44e38853d68Mirskontsa - Nude (page 18)21912 - Poets: Khelibnikov and Kruchenykh ; Painters: Goncharova and Larionovmedia/mirskontsa 18.jpgplain2017-02-27T23:05:31-08:00Timothy Lewis13880d3d99b4b71ce85be63e69a6d44e38853d68
