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Exploding Tongues: Language, Art, and the Russian Avant-gardeMain MenuBack to Futurism: Russian Artist BooksIntroductory Page by Chris GilmanBookENDS: A Working Theory of Textuality as Cultural Dominant, 1912-An Introduction and Conclusion to a Semester's Investigation into the Book Arts as an Avant-garde PracticeBook Case StudiesCollaborative Research by Case StudiesBig Bang: Timeline of Russian Avant-Garde Book Arts and Their Cultural ImpactsA Timeline of Russian Avant-Garde Book Arts and Their Cultural ImpactsCoaRse CaLIBrationARTS 227 "Introduction to Letterpress Printing" (Pedersen) and CSLC134/RUSN334 "Exploding Tongues" (Gilman)NthOlogyA limited edition collaborative book arts project by students of ARTS 227 (Pedersen) and CSLC 134/RUSN 334 (Gilman), Spring, '17MANIFESTERS (AB & Kelly): A portfolio of process and productsAppendix: A Path Through Russian Avant-Garde BooksChristopher Gilman1985b99a2acd541caa12a10c3ebf6896565283abDexter Blackwell92e005ca94195f836c6089cf147faff4c74fa79eZoe Foster-La Duc1c8954189fb3ee4ab6e36bfb90fae86777eab97Stephen Heim7069d17c035042745c96bc6c7619096cd7b33da4Kelly Kirklande1805e502570d093d70f00df18f145c99290d0a3Ian Lehineb028c384a69e4b92166e7791b002fa3f2cee5818Timothy Lewis13880d3d99b4b71ce85be63e69a6d44e38853d68Jmedina29ac3fc10003fb639ac412984b59b01a5b826e161Taylor Robinsonaa08dd3939f1f1c6162c5518ae531385e51659afEvan Sarafian042e10782d9a6d3f0001a4b35abb02f58ad84684Craig Dietrich2d66800a3e5a1eaee3a9ca2f91f391c8a6893490ILiADS (Institute for Liberal Arts Digital Scholarship)
ISMISM Manifesto
12017-04-02T23:15:14-07:00Stephen Heim7069d17c035042745c96bc6c7619096cd7b33da4120412A manifesto detailing the principles of meaning in everything, something, and nothingplain2017-04-02T23:28:48-07:00Stephen Heim7069d17c035042745c96bc6c7619096cd7b33da4
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12017-05-11T12:36:10-07:00Christopher Gilman1985b99a2acd541caa12a10c3ebf6896565283abExploding Tongues: NthOlogy (pp. 1-2, by Kelly Kirkland and A.B. Choi)Christopher Gilman4A limited edition collaborative book arts project by students of ARTS 227 (Pedersen) and CSLC 134/RUSN 334 (Gilman), Spring, '17plain2017-05-24T07:02:01-07:00Christopher Gilman1985b99a2acd541caa12a10c3ebf6896565283ab
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12017-04-02T23:23:13-07:00Stephen Heim7069d17c035042745c96bc6c7619096cd7b33da4ISMISMStephen Heim3Finding and grouping meanings in something, nothing, and everythingplain2017-04-02T23:29:28-07:00Stephen Heim7069d17c035042745c96bc6c7619096cd7b33da4
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12017-04-03T06:43:55-07:00MANIFESTI on an ISM17Student Group Manifesti and Design Sketchgallery2017-05-26T08:17:04-07:00
Student Group Manifesti and Design Sketches
The Russian Avant-garde is renowned for its contribution to the intellectual history of Modernist art and literature. In many ways, the various, rapidly changing and proliferating ideas, pronounced in tumultuous lectures and demonstrations, and recorded in artistic manifesti, have outshone the artifacts they purportedly explained. A balanced account of the period would more likely place manifesti alongside other cultural products, as just another genre of creative and intellectual expression, rather than above, or prior to.
To ground their creative work in intentional and spontaneous ideas, students in CSLC 134 / RUSN 334 and ARTS 227 formed artistic groups based upon commonly-espoused values and principles. They named their collectives and articulated their thoughts in jointly-authored manifesti.
