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Practice-Based Research Resources is a group in Arts and Literature on Mendeley. Click the link to access the complete list.

Practice-Based Research Resources is a group in Arts and Literature on Mendeley. Click the link to access the complete list.

Practice-Based Research Resources is a group in Arts and Literature on Mendeley. Click the link to access the complete list.

Practice-Based Research Resources is a group in Arts and Literature on Mendeley. Click the link to access the complete list.

Practice-Based Research Resources is a group in Arts and Literature on Mendeley. Click the link to access the complete list.

Practice-Based Research Resources is a group in Arts and Literature on Mendeley. Click the link to access the complete list.

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Niedderer, K., and Roworth-Stokes, S., 2007. The Role and Use of Creative Practice in Research and Its Contribution to Knowledge. In: IASDR07: International Association of Societies of Design Research. [online] Hong Kong. Available at: <http://www.sd.polyu.edu.hk/iasdr/proceeding/papers/THE ROLE AND USE OF CREATIVE PRACTICE IN RESEARCH AND ITS CONTRIBUTION TO KNOWLEDGE.pdf>

O’Mahony, N., 2008. That Was the Answer: Now What Was the Question? The PhD in Creative and Critical Writing: A Case Study. In: G. Harper and J. Kroll, eds., Creative Writing Studies: Practice, Research and Pedagogy. Clevedon: Multilingual Matters, pp.36–47.

Perry, G., 2008. The Non-Verbal and the Verbal: Expanding Awareness of Practice-Led Research in Creative Writing. In: The Creativity and Uncertainty Papers: The Refereed Proceedings of the 13th Conference of the Australian Association of Writing Programs. [online] Available at: <http://aawp.org.au/files/Perry_2008.pdf>

Perry, S.K., 2001. Writing in Flow: Keys to Enhanced Creativity. First Edit ed. [online] Writer’s Digest Books. Available at: <http://www.amazon.com/dp/1582970866>

Pope, R., 2005. Creativity: Theory, History, Practice. London: Routledge.

Rawls, A., 2007. Harold Garfinkel. In: G. Ritzer, ed., The Blackwell Companion to Major Contemporary Social Theorists. Malden, MA: Blackwell Publishing, pp.122–153.

Riley, S.R. and Hunter, L. eds., 2009. Mapping Landscapes for Performance as Research: Scholarly Acts and Creative Cartographies. Basingstoke, Hampshire: Palgrave Macmillan.

Roozen, K., 2010. Tracing Trajectories of Practice: Repurposing in One Student’s Developing Disciplinary Writing Processes. Written Communication, [online] 27(3), pp.318–354. Available at: <http://wcx.sagepub.com/cgi/doi/10.1177/0741088310373529> [Accessed 13 Feb 2012].

Sloane, S., 2000. Digital Fictions: Storytelling in a Material World. Stamford, CT: Ablex Publishing Corporation.

Smith, H., and Dean, R.T., 2009. Practice-led Research, Research-led Practice in the Creative Arts. Edinburgh: Edinburgh University Press.

Stern, A., 2001. Deeper Conversations with Interactive Art: Or Why Artists Must Program. Convergence: The International Journal of Research into New Media Technologies, [online] 7(1), pp.17–24. Available at: <http://con.sagepub.com/cgi/doi/10.1177/135485650100700103> [Accessed 13 Feb 2012].

Stewart, R., 2006. Mindful Practice: Research and Interdisciplinary Dialogues in the Creative Industries. In: InSEA World Congress: Interdisciplinary Dialogues in Arts Education, 1-5 March 2006. [online] Viseu, Portugal: International Society for Education through Art, pp.1–10. Available at: <http://eprints.usq.edu.au/5356/1/Stewart_InSEA_2006_AV.pdf>

Sullivan, G., 2009. Making Space: The Purpose and Place of Practice-Led Research. In: H. Smith and R.T. Dean, eds., Practice-led Research, Research-led Practice in the Creative Arts. Edinburgh: Edinburgh University Press, pp.41–65.

Sullivan, G., 2010. Art Practice as Research: Inquiry in Visual Arts. 2nd ed. London: Sage Publications.

Tracey, S., 2007. Creative Reflection, Creative Practice: Expressing the Inexpressible. In: Creativity or Conformity? Building Cultures of Creativity in Higher Education, 8-10 Jan 2007. Cardiff: University of Wales Institute, Cardiff; Higher Education Academy.

Viramontes, a., 2008. Toward Transcendence: A Creative Process of Performative Writing. Cultural Studies <=> Critical Methodologies, [online] 8(3), pp.337–352. Available at: <http://csc.sagepub.com/cgi/doi/10.1177/1532708608321505> [Accessed 13 Feb 2012].

Weight, J., 2006. I, Apparatus, You: A Technosocial Introduction to Creative Practice. Convergence: The International Journal of Research into New Media Technologies, [online] 12(4), pp.413–446. Available at: <http://con.sagepub.com/cgi/doi/10.1177/1354856506068367>

Woods, M., 2012. Serendipity as a Method for Creative Practice. [online] Serena Available at: <http://www.serena.ac.uk/2012/05/serendipity-as-a-method-for-creative-practice/>

Yates, S.G., 2011. User: Reflections on the Narrativization of Self within Social Networking Sites: A Presentation and Discussion of the Processes Involved in the Development of a Creative Work-in-Progress. Book 2.0, 1(1), pp.31–37.

Practice-Based Research Resources is a group in Arts and Literature on Mendeley.

Blue, T., 2006. A Creative Approach to the Research Paper: Combining Creative Writing with Academic Research. Teaching English in the TwoYear College, 34(2), pp.179–184.

Brandt, D., 1986. Toward an Understanding of Context in Composition. Written Communication, [online] 3(2), pp.139–157. Available at: <http://wcx.sagepub.com/cgi/doi/10.1177/0741088386003002001> [Accessed 13 Feb 2012].

Brandt, D., 1992. The Cognitive as the Social: An Ethnomethodological Approach to Writing Process Research. Written Communication, [online] 9(3), pp.315–355. Available at: <http://wcx.sagepub.com/cgi/doi/10.1177/0741088392009003001>

Brandt, D., 2011. Literacy as Involvement: The Acts of Writers, Readers, and Texts. [online] SIU Press. Available at: <http://books.google.com/books?hl=en&lr=&id=yCEP25UyzGUC&pgis=1> [Accessed 13 Feb 2012].

Brook, S., 2010. Managing Creativity: Practice-Led Research and Training the Person. Text Journal, [online] (8). Available at: <http://www.textjournal.com.au/speciss/issue8/Brook.pdf>

Brophy, P., 2009. Narrative-based Practice. Farnham, Surrey: Ashgate Publishing Limited.

Brown, A.R., and Sorensen, A., 2009. Integrating Creative Practice and Research in the Digital Media Arts. In: H. Smith and R.T. Dean, eds., Practice-led Research, Research-led Practice in the Creative Arts. Edinburgh: Edinbugh University Press, pp.153–165.

Candy, L., 2006. Practice Based Research: A Guide. Sydney: Creativity & Cognition Studios.

Carter, P., 2004. Material Thinking. Carlton: Melbourne University Press.

Collins, H., 2010. Creative Research: The Theory and Practice of Research for the Creative Industries. Lausanne: AVA Academia.

Edmonds, E.A., et al., 2005. The Studio as Laboratory: Combining Creative Practice and Digital Technology. International Journal of Human Computer Studies, [online] 63(4-5), pp.452–481. Available at: <http://research.it.uts.edu.au/creative/COSTART/pdfFiles/IJHCSSIpaper.pdf>

Evans, M., 2009. Creative Professional Practice in Methods and Methodology: Case Study Examples from Ph.D’s [sic] in Industrial Design. In: EKSIG 2009: Experiential Knowledge, Method & Methodology. [online] DRS Special Interest Group on Experiential Knowledge. Available at: <http://www.experientialknowledge.org.uk/proceedings_speakers_files/Evans.pdf>

Evans, M., 2010. Researcher Practice: Embedding Creative Practice within Doctoral Research in Industrial Design. Journal of Research Practice, 6(2).

Flower, L., and Hayes, J.R., 1981. A Cognitive Process Theory of Writing. College Composition and Communication, 32(4), pp.365–387.

Flower, L., and Hayes, J.R., 1984. Images, Plans, and Prose: The Representation of Meaning in Writing. Written Communication, [online] 1(1), pp.120–160. Available at: <http://wcx.sagepub.com/cgi/doi/10.1177/0741088384001001006>

Frayling, C., 1993. Research in Art and Design. Royal College of Art Research Papers, 1(1), pp.1–5.

Garfinkel, H., 1967. Studies in Ethnomethodology. Englewood Cliffs, NJ: Prentice-Hall, Inc.

Gauntlett, D., 2004. Using New Creative Visual Research Methods to Understand the Place of Popular Media in People’s Lives. In: Symposium A Quarterly Journal In Modern Foreign Literatures. IAMCR, pp.1–17.

Graham, S.S., and Whalen, B., 2008. Mode, Medium, and Genre: A Case Study of Decisions in New-Media Design. Journal of Business and Technical Communication, [online] 22(1), pp.65–91. Available at: <http://jbt.sagepub.com/cgi/doi/10.1177/1050651907307709>

Gray, C., and Malins, J., 2004. Visualizing Research: A Guide to the Research Process in Art and Design. Aldershot, Hants: Ashgate Publishing Limited.

Harper, G. and Kroll, J. eds., 2008. Creative Writing Studies: Practice, Research and Pedagogy. Clevedon: Multilingual Matters.

Harper, G., 2010. On Creative Writing. Bristol: Multilingual Matters.

Hartley, J., and Chesworth, K., 2000. Qualitative and Quantitative Methods in Research on Essay Writing: No One Way. Journal of Further and Higher Education, [online] 24(1), pp.15–24. Available at: <http://www.informaworld.com/openurl?genre=article&doi=10.1080/030987700112282&magic=crossref>

Hayes, J.R., and Flower, L.S., 1986. Writing Research and the Writer. American Psychologist, [online] 41(10), pp.1106–1113. Available at: <http://doi.apa.org/getdoi.cfm?doi=10.1037/0003-066X.41.10.1106>

Hayles, N.K., 2007. Electronic Literature: What Is It? electronic book review, [online] v1.0. Available at: <http://eliterature.org/pad/elp.html>

Kaufman, S.B. and Kaufman, J.C. eds., 2009. The Psychology of Creative Writing. New York: Cambridge University Press.

Kellogg, R.T., and Mueller, S., 1989. Cognitive Tools and Thinking Performance: The Case of Word Processors and Writing. [online] Available at: <http://www.eric.ed.gov/ERICWebPortal/contentdelivery/servlet/ERICServlet?accno=ED311455>

Kennedy, H., et al., 2014. Balancing the Potential and Problems of Digital Methods through Action Research: Methodological Reflections. Information, Communication & Society, [online] (September 2014), pp.1–15. Available at: <http://www.tandfonline.com/doi/abs/10.1080/1369118X.2014.946434> [Accessed 17 Sep 2014].

Kerrigan, S., 2010. Creative Practice Research: Documentary Practice. Text Journal, [online] (8). Available at: <http://www.textjournal.com.au/speciss/issue8/Kerrigan.pdf>

Kress, G., 2005. Gains and Losses: New Forms of Texts, Knowledge, and Learning. Computers and Composition, [online] 22(1), pp.5–22. Available at: <http://linkinghub.elsevier.com/retrieve/pii/S8755461504000660>

Kroll, J., 2008. Creative Practice And/as/is/or Research: An Overview. In: The Creativity and Uncertainty Papers: The Refereed Proceedings of the 13th Conference of the Australian Association of Writing Programs. [online] Available at: <http://aawp.org.au/files/Kroll.pdf>

Leggett, M., 2006. Interdisciplinary Collaboration and Practice-Based Research. Convergence: The International Journal of Research into New Media Technologies, [online] 12(3), pp.263–269. Available at: <http://con.sagepub.com/content/12/3/263.short> [Accessed 13 Feb 2012].

Liikkanen, L.A.,, Laasko, M., and Björkland, T., 2011. Foundations for Studying Creative Design Practices. In: DESIRE ’11 Proceedings of the Second Conference on Creativity and Innovation in Design. [online] New York: ACM, pp.309–315. Available at: <http://i.org.helsinki.fi/lassial/files/publications/110816-Creative_design_practices.pdf>

Lubart, T., 2009. In Search of the Writer’s Creative Process. In: S.B. Kaufman and J.C. Kaufman, eds., The Psychology of Creative Writing. New York: Cambridge University Press, pp.149–165.

Macleod, K. and Holdridge, L. eds., 2006. Thinking Through Art: Reflections on Art as Research. Abingdon, Oxon: Routledge.

Makri, S., and Blandford, A., 2012a. Coming Across Information Serendipitously : Part 1 – A Process Model [Open Access Version]. Journal of Documentation, [online] 68(5), pp.684–705. Available at: <http://discovery.ucl.ac.uk/1309396/1/1309396_Makri & Blandford - Coming Across Information Serendipitously (Part 1).pdf>

Makri, S., and Blandford, A., 2012b. Coming Across Information Serendipitously : Part 2 - A Classification Framework [Open Access Version]. Journal of Documentation, [online] 68(5), pp.706–724. Available at: <http://discovery.ucl.ac.uk/1341009/1/1341009_Makri & Blandford - Coming Across Information Serendipitously (Part 2).pdf>

McIntyre, P., 2006. Creative Practice as Research: “Testing Out” the Systems Model of Creativity through Practitioner Based Enquiry. In: Speculation and Innovation: Applying Practice Led Research in the Creative Industries. [online] Brisbane. Available at: <http://arts.brighton.ac.uk/__data/assets/pdf_file/0019/43093/McintyreP.pdf>

McNiff, S., 1998. Art-Based Research. London: Jessica Kingsley Publishers, Ltd.

McNiff, S., 2013. Arts as Research: Opportunities and Challenges. Bristol: Intellect.

Meadows, D., 2003. Digital Storytelling: Research-Based Practice in New Media. Visual Communication, [online] 2(2), pp.189–193. Available at: <http://vcj.sagepub.com/cgi/doi/10.1177/1470357203002002004> [Accessed 10 Jan 2012].

Menary, R., 2007. Writing as Thinking. Language Sciences, [online] 29(5), pp.621–632. Available at: <http://dx.doi.org/10.1016/j.langsci.2007.01.005>

Moulthrop, S., 2011. For Thee: A Response to Alice Bell. electronic book review. [online] Available at: <http://www.electronicbookreview.com/thread/electropoetics/networked>

Murray, D.M., 1978. Write before Writing. College Composition and Communication, 29(4), pp.375–81.

Niedderer, K., and Roworth-Stokes, S., 2007. The Role and Use of Creative Practice in Research and Its Contribution to Knowledge. In: IASDR07: International Association of Societies of Design Research. [online] Hong Kong. Available at: <http://www.sd.polyu.edu.hk/iasdr/proceeding/papers/THE ROLE AND USE OF CREATIVE PRACTICE IN RESEARCH AND ITS CONTRIBUTION TO KNOWLEDGE.pdf>

O’Mahony, N., 2008. That Was the Answer: Now What Was the Question? The PhD in Creative and Critical Writing: A Case Study. In: G. Harper and J. Kroll, eds., Creative Writing Studies: Practice, Research and Pedagogy. Clevedon: Multilingual Matters, pp.36–47.

Perry, G., 2008. The Non-Verbal and the Verbal: Expanding Awareness of Practice-Led Research in Creative Writing. In: The Creativity and Uncertainty Papers: The Refereed Proceedings of the 13th Conference of the Australian Association of Writing Programs. [online] Available at: <http://aawp.org.au/files/Perry_2008.pdf>

Perry, S.K., 2001. Writing in Flow: Keys to Enhanced Creativity. First Edit ed. [online] Writer’s Digest Books. Available at: <http://www.amazon.com/dp/1582970866>

Pope, R., 2005. Creativity: Theory, History, Practice. London: Routledge.

Rawls, A., 2007. Harold Garfinkel. In: G. Ritzer, ed., The Blackwell Companion to Major Contemporary Social Theorists. Malden, MA: Blackwell Publishing, pp.122–153.

Riley, S.R. and Hunter, L. eds., 2009. Mapping Landscapes for Performance as Research: Scholarly Acts and Creative Cartographies. Basingstoke, Hampshire: Palgrave Macmillan.

Roozen, K., 2010. Tracing Trajectories of Practice: Repurposing in One Student’s Developing Disciplinary Writing Processes. Written Communication, [online] 27(3), pp.318–354. Available at: <http://wcx.sagepub.com/cgi/doi/10.1177/0741088310373529> [Accessed 13 Feb 2012].

Sloane, S., 2000. Digital Fictions: Storytelling in a Material World. Stamford, CT: Ablex Publishing Corporation.

Smith, H., and Dean, R.T., 2009. Practice-led Research, Research-led Practice in the Creative Arts. Edinburgh: Edinburgh University Press.

Stern, A., 2001. Deeper Conversations with Interactive Art: Or Why Artists Must Program. Convergence: The International Journal of Research into New Media Technologies, [online] 7(1), pp.17–24. Available at: <http://con.sagepub.com/cgi/doi/10.1177/135485650100700103> [Accessed 13 Feb 2012].

Stewart, R., 2006. Mindful Practice: Research and Interdisciplinary Dialogues in the Creative Industries. In: InSEA World Congress: Interdisciplinary Dialogues in Arts Education, 1-5 March 2006. [online] Viseu, Portugal: International Society for Education through Art, pp.1–10. Available at: <http://eprints.usq.edu.au/5356/1/Stewart_InSEA_2006_AV.pdf>

Sullivan, G., 2009. Making Space: The Purpose and Place of Practice-Led Research. In: H. Smith and R.T. Dean, eds., Practice-led Research, Research-led Practice in the Creative Arts. Edinburgh: Edinburgh University Press, pp.41–65.

Sullivan, G., 2010. Art Practice as Research: Inquiry in Visual Arts. 2nd ed. London: Sage Publications.

Tracey, S., 2007. Creative Reflection, Creative Practice: Expressing the Inexpressible. In: Creativity or Conformity? Building Cultures of Creativity in Higher Education, 8-10 Jan 2007. Cardiff: University of Wales Institute, Cardiff; Higher Education Academy.

Viramontes, a., 2008. Toward Transcendence: A Creative Process of Performative Writing. Cultural Studies <=> Critical Methodologies, [online] 8(3), pp.337–352. Available at: <http://csc.sagepub.com/cgi/doi/10.1177/1532708608321505> [Accessed 13 Feb 2012].

Weight, J., 2006. I, Apparatus, You: A Technosocial Introduction to Creative Practice. Convergence: The International Journal of Research into New Media Technologies, [online] 12(4), pp.413–446. Available at: <http://con.sagepub.com/cgi/doi/10.1177/1354856506068367>

Woods, M., 2012. Serendipity as a Method for Creative Practice. [online] Serena Available at: <http://www.serena.ac.uk/2012/05/serendipity-as-a-method-for-creative-practice/>

Yates, S.G., 2011. User: Reflections on the Narrativization of Self within Social Networking Sites: A Presentation and Discussion of the Processes Involved in the Development of a Creative Work-in-Progress. Book 2.0, 1(1), pp.31–37.

Blue, T., 2006. A Creative Approach to the Research Paper: Combining Creative Writing with Academic Research. Teaching English in the TwoYear College, 34(2), pp.179–184.

Brandt, D., 1986. Toward an Understanding of Context in Composition. Written Communication, [online] 3(2), pp.139–157. Available at: <http://wcx.sagepub.com/cgi/doi/10.1177/0741088386003002001> [Accessed 13 Feb 2012].

Brandt, D., 1992. The Cognitive as the Social: An Ethnomethodological Approach to Writing Process Research. Written Communication, [online] 9(3), pp.315–355. Available at: <http://wcx.sagepub.com/cgi/doi/10.1177/0741088392009003001>

Brandt, D., 2011. Literacy as Involvement: The Acts of Writers, Readers, and Texts. [online] SIU Press. Available at: <http://books.google.com/books?hl=en&lr=&id=yCEP25UyzGUC&pgis=1> [Accessed 13 Feb 2012].

Brook, S., 2010. Managing Creativity: Practice-Led Research and Training the Person. Text Journal, [online] (8). Available at: <http://www.textjournal.com.au/speciss/issue8/Brook.pdf>

Brophy, P., 2009. Narrative-based Practice. Farnham, Surrey: Ashgate Publishing Limited.

Brown, A.R., and Sorensen, A., 2009. Integrating Creative Practice and Research in the Digital Media Arts. In: H. Smith and R.T. Dean, eds., Practice-led Research, Research-led Practice in the Creative Arts. Edinburgh: Edinbugh University Press, pp.153–165.

Candy, L., 2006. Practice Based Research: A Guide. Sydney: Creativity & Cognition Studios.

Carter, P., 2004. Material Thinking. Carlton: Melbourne University Press.

Collins, H., 2010. Creative Research: The Theory and Practice of Research for the Creative Industries. Lausanne: AVA Academia.

Edmonds, E.A., et al., 2005. The Studio as Laboratory: Combining Creative Practice and Digital Technology. International Journal of Human Computer Studies, [online] 63(4-5), pp.452–481. Available at: <http://research.it.uts.edu.au/creative/COSTART/pdfFiles/IJHCSSIpaper.pdf>

Evans, M., 2009. Creative Professional Practice in Methods and Methodology: Case Study Examples from Ph.D’s [sic] in Industrial Design. In: EKSIG 2009: Experiential Knowledge, Method & Methodology. [online] DRS Special Interest Group on Experiential Knowledge. Available at: <http://www.experientialknowledge.org.uk/proceedings_speakers_files/Evans.pdf>

Evans, M., 2010. Researcher Practice: Embedding Creative Practice within Doctoral Research in Industrial Design. Journal of Research Practice, 6(2).

Flower, L., and Hayes, J.R., 1981. A Cognitive Process Theory of Writing. College Composition and Communication, 32(4), pp.365–387.

Flower, L., and Hayes, J.R., 1984. Images, Plans, and Prose: The Representation of Meaning in Writing. Written Communication, [online] 1(1), pp.120–160. Available at: <http://wcx.sagepub.com/cgi/doi/10.1177/0741088384001001006>

Frayling, C., 1993. Research in Art and Design. Royal College of Art Research Papers, 1(1), pp.1–5.

Garfinkel, H., 1967. Studies in Ethnomethodology. Englewood Cliffs, NJ: Prentice-Hall, Inc.

Gauntlett, D., 2004. Using New Creative Visual Research Methods to Understand the Place of Popular Media in People’s Lives. In: Symposium A Quarterly Journal In Modern Foreign Literatures. IAMCR, pp.1–17.

Graham, S.S., and Whalen, B., 2008. Mode, Medium, and Genre: A Case Study of Decisions in New-Media Design. Journal of Business and Technical Communication, [online] 22(1), pp.65–91. Available at: <http://jbt.sagepub.com/cgi/doi/10.1177/1050651907307709>

Gray, C., and Malins, J., 2004. Visualizing Research: A Guide to the Research Process in Art and Design. Aldershot, Hants: Ashgate Publishing Limited.

Harper, G. and Kroll, J. eds., 2008. Creative Writing Studies: Practice, Research and Pedagogy. Clevedon: Multilingual Matters.

Harper, G., 2010. On Creative Writing. Bristol: Multilingual Matters.

Hartley, J., and Chesworth, K., 2000. Qualitative and Quantitative Methods in Research on Essay Writing: No One Way. Journal of Further and Higher Education, [online] 24(1), pp.15–24. Available at: <http://www.informaworld.com/openurl?genre=article&doi=10.1080/030987700112282&magic=crossref>

Hayes, J.R., and Flower, L.S., 1986. Writing Research and the Writer. American Psychologist, [online] 41(10), pp.1106–1113. Available at: <http://doi.apa.org/getdoi.cfm?doi=10.1037/0003-066X.41.10.1106>

Hayles, N.K., 2007. Electronic Literature: What Is It? electronic book review, [online] v1.0. Available at: <http://eliterature.org/pad/elp.html>

Kaufman, S.B. and Kaufman, J.C. eds., 2009. The Psychology of Creative Writing. New York: Cambridge University Press.

Kellogg, R.T., and Mueller, S., 1989. Cognitive Tools and Thinking Performance: The Case of Word Processors and Writing. [online] Available at: <http://www.eric.ed.gov/ERICWebPortal/contentdelivery/servlet/ERICServlet?accno=ED311455>

Kennedy, H., et al., 2014. Balancing the Potential and Problems of Digital Methods through Action Research: Methodological Reflections. Information, Communication & Society, [online] (September 2014), pp.1–15. Available at: <http://www.tandfonline.com/doi/abs/10.1080/1369118X.2014.946434> [Accessed 17 Sep 2014].

Kerrigan, S., 2010. Creative Practice Research: Documentary Practice. Text Journal, [online] (8). Available at: <http://www.textjournal.com.au/speciss/issue8/Kerrigan.pdf>

Kress, G., 2005. Gains and Losses: New Forms of Texts, Knowledge, and Learning. Computers and Composition, [online] 22(1), pp.5–22. Available at: <http://linkinghub.elsevier.com/retrieve/pii/S8755461504000660>

Kroll, J., 2008. Creative Practice And/as/is/or Research: An Overview. In: The Creativity and Uncertainty Papers: The Refereed Proceedings of the 13th Conference of the Australian Association of Writing Programs. [online] Available at: <http://aawp.org.au/files/Kroll.pdf>

Leggett, M., 2006. Interdisciplinary Collaboration and Practice-Based Research. Convergence: The International Journal of Research into New Media Technologies, [online] 12(3), pp.263–269. Available at: <http://con.sagepub.com/content/12/3/263.short> [Accessed 13 Feb 2012].

Liikkanen, L.A.,, Laasko, M., and Björkland, T., 2011. Foundations for Studying Creative Design Practices. In: DESIRE ’11 Proceedings of the Second Conference on Creativity and Innovation in Design. [online] New York: ACM, pp.309–315. Available at: <http://i.org.helsinki.fi/lassial/files/publications/110816-Creative_design_practices.pdf>

Lubart, T., 2009. In Search of the Writer’s Creative Process. In: S.B. Kaufman and J.C. Kaufman, eds., The Psychology of Creative Writing. New York: Cambridge University Press, pp.149–165.

Macleod, K. and Holdridge, L. eds., 2006. Thinking Through Art: Reflections on Art as Research. Abingdon, Oxon: Routledge.

Makri, S., and Blandford, A., 2012a. Coming Across Information Serendipitously : Part 1 – A Process Model [Open Access Version]. Journal of Documentation, [online] 68(5), pp.684–705. Available at: <http://discovery.ucl.ac.uk/1309396/1/1309396_Makri & Blandford - Coming Across Information Serendipitously (Part 1).pdf>

Makri, S., and Blandford, A., 2012b. Coming Across Information Serendipitously : Part 2 - A Classification Framework [Open Access Version]. Journal of Documentation, [online] 68(5), pp.706–724. Available at: <http://discovery.ucl.ac.uk/1341009/1/1341009_Makri & Blandford - Coming Across Information Serendipitously (Part 2).pdf>

McIntyre, P., 2006. Creative Practice as Research: “Testing Out” the Systems Model of Creativity through Practitioner Based Enquiry. In: Speculation and Innovation: Applying Practice Led Research in the Creative Industries. [online] Brisbane. Available at: <http://arts.brighton.ac.uk/__data/assets/pdf_file/0019/43093/McintyreP.pdf>

McNiff, S., 1998. Art-Based Research. London: Jessica Kingsley Publishers, Ltd.

McNiff, S., 2013. Arts as Research: Opportunities and Challenges. Bristol: Intellect.

Meadows, D., 2003. Digital Storytelling: Research-Based Practice in New Media. Visual Communication, [online] 2(2), pp.189–193. Available at: <http://vcj.sagepub.com/cgi/doi/10.1177/1470357203002002004> [Accessed 10 Jan 2012].

Menary, R., 2007. Writing as Thinking. Language Sciences, [online] 29(5), pp.621–632. Available at: <http://dx.doi.org/10.1016/j.langsci.2007.01.005>

Moulthrop, S., 2011. For Thee: A Response to Alice Bell. electronic book review. [online] Available at: <http://www.electronicbookreview.com/thread/electropoetics/networked>

Murray, D.M., 1978. Write before Writing. College Composition and Communication, 29(4), pp.375–81.

Niedderer, K., and Roworth-Stokes, S., 2007. The Role and Use of Creative Practice in Research and Its Contribution to Knowledge. In: IASDR07: International Association of Societies of Design Research. [online] Hong Kong. Available at: <http://www.sd.polyu.edu.hk/iasdr/proceeding/papers/THE ROLE AND USE OF CREATIVE PRACTICE IN RESEARCH AND ITS CONTRIBUTION TO KNOWLEDGE.pdf>

O’Mahony, N., 2008. That Was the Answer: Now What Was the Question? The PhD in Creative and Critical Writing: A Case Study. In: G. Harper and J. Kroll, eds., Creative Writing Studies: Practice, Research and Pedagogy. Clevedon: Multilingual Matters, pp.36–47.

Perry, G., 2008. The Non-Verbal and the Verbal: Expanding Awareness of Practice-Led Research in Creative Writing. In: The Creativity and Uncertainty Papers: The Refereed Proceedings of the 13th Conference of the Australian Association of Writing Programs. [online] Available at: <http://aawp.org.au/files/Perry_2008.pdf>

Perry, S.K., 2001. Writing in Flow: Keys to Enhanced Creativity. First Edit ed. [online] Writer’s Digest Books. Available at: <http://www.amazon.com/dp/1582970866>

Pope, R., 2005. Creativity: Theory, History, Practice. London: Routledge.

Rawls, A., 2007. Harold Garfinkel. In: G. Ritzer, ed., The Blackwell Companion to Major Contemporary Social Theorists. Malden, MA: Blackwell Publishing, pp.122–153.

Riley, S.R. and Hunter, L. eds., 2009. Mapping Landscapes for Performance as Research: Scholarly Acts and Creative Cartographies. Basingstoke, Hampshire: Palgrave Macmillan.

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