ARTH3810 2019F Class Projects (Publication) Main Menu The Tent Room at Rideau Hall Kyle Kreutner, Page 1 of 6 The Webley Shacks: Unconventional Furniture Use in the Context of Ceaseless Surveillance Jose Bawagan Imperial Theater By Munawar Mobin Keagan F - CSTM Sound History Introduction The Mayfair Theatre Simran S. An Investigation of Hospital Interiors Effect on Patients 144 Loretta Avenue North, Aidan MacNaull Aidan MacNaull 144 Loretta Avenue North West Block - Canada's New House of Commons by Devon Rudyk Rideau Street Chapel: The Effects of Relocation on the Experience of an Interior by Ty Follis The Church of St. Andrew's Ottawa David Bastien-Allard Making the Past Present: Union Station Restoration – A Political Facelift? by Vivian Astroff Delegation of the Ismali Imamat The National Arts Centre: Reflecting on its Past and Present Saint Paul University - A Shift in Values Reem Siage Film in Ottawa: The Mayfair theatre by Giovanna Maria Sang CGM -An Investigation of Hospital Interiors Effect on Patients The Chateau Laurier By Jessica El-Ghazal Reusable Space: The Senate of Canada Building by Syenne Holder National Gallery of Canada - Seeing the Colonnade Through a Semiological Lens by Ricky Tong Ricky THE OTTAWA STATION Ehidiamen Iyamabo, HomePage

The Incorporation of the Addition

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When entering the building from Kent street the visitors face a staircase leading to the second level of the building where the church hall and offices are located. The interior design of the addition is typical of offices from the 80’s and 90’s, suspended white ceiling, beige tiles and commercial carpet on the floor. Between the church and the new building, very little elements help transitioning from the formal office space to the Neo-Gothic church.

Some artwork and religious artefact are displayed in the corridor to make the space look like it is part of the church, however nothing in the design of the building was done to create a space devoted to secular activity, the church hall is hidden behind what looks like an office door. The simplicity of the transition feels temporary and could easily be criticized from a designer’s perspective. Nonetheless, after taking into consideration the mission of the church and the way they use their main income to help the community, it justifies why the visual perspective of the transition between the two buildings does not fall into their main priorities.




Source: Strasman Architects,
http://strasmanarch.com/wp-content/uploads/2016/05/St-Andrews-Court2.jpg
 

This page has paths:

  1. History of the site David Bastien-Allard
  2. Conclusion David Bastien-Allard
  3. The Incorporation of the Addition David Bastien-Allard
  4. The Incorporation of the Addition David Bastien-Allard
  5. The Interior Decor David Bastien-Allard
  6. The Configuration of the Church David Bastien-Allard
  7. The Church Addition David Bastien-Allard
  8. The Present Church David Bastien-Allard
  9. The Church of St. Andrew's Ottawa David Bastien-Allard
  10. The Incorporation of the Addition David Bastien-Allard

Contents of this path:

  1. The Church of St. Andrew's Ottawa
  2. History of the site
  3. The Present Church
  4. The Church Addition
  5. The Configuration of the Church
  6. The Interior Decor
  7. The Incorporation of the Addition
  8. Conclusion