Asia-Pacific in the Making of the Americas: Toward a Global HistoryMain MenuThe Spanish PacificThe China Trade Era19th-Century US PacificTimelineby Andrea LedesmaGalleryCollection of all images, documents, and photos featured on this site.AcknowledgementsCaroline Franka1a5e7e9a2c3dba76ecb2896a93bf66ac8d1635e
Detail, "Hong Bowl," porcelain, 1785-95, National Museum of American History
12019-08-11T10:42:41-07:00Caroline Franka1a5e7e9a2c3dba76ecb2896a93bf66ac8d1635e84011Painted on the bowl are the "hongs"—office, warehouse, and living spaces for foreign merchants in Canton, China.plain2019-08-11T10:42:42-07:002005-29042Richard StraussNational Museum of American History & Smithsonian Institution ArchivesThis image was obtained from the Smithsonian Institution. The image or its contents may be protected by international copyright laws.Punch bowl, porcelain, Chinese. Detail view, hongs. CE*61.8.20051006Ceramics and Glass
Home and Community LifeNational Museum of American History & Smithsonian Institution ArchivesCaroline Franka1a5e7e9a2c3dba76ecb2896a93bf66ac8d1635e
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1media/Corliss-Carrington_House,_Providence_RI_2012.jpg2016-05-04T15:30:50-07:00The Carrington House9plain2019-08-11T10:46:44-07:00Edward Carrington’s house is one example among many early republic homes exhibiting a seamless aesthetic blend of republican simplicity and global ambition—the “global” being typically manifest in specific design elements associated with a newly encountered tropical world. In the parlor visitors saw an assortment of East Asian furnishings amidst Grecian urns and the heavy broken-scroll pediments of the fireplace mantle. . Hand-painted Chinese wallpaper covers the walls with peacocks, a traditional Chinese motif as well as an element of the Carrington family’s European coat of arms. Stepping outside, we see how the very façade of the house interweaves these seemingly contradictory elements. Carrington’s custom two-story front porch exhibits the Ionic and Corinthian columns of the neoclassical fashion, yet the porch itself is totally unusual in New England, “exotic” even, mimicking French colonial homes in the West Indies or, more likely, the double balconies of the hong factories in Canton where Carrington had worked—the architecture of hot and humid places. Early republic Americans habitually conflated the Caribbean, South Seas, and Asian exotic into one sphere that included a so-called “East Indies.”