Ancient Leadership in the Era of Donald Trump

American Pie



I have put the main/required elements of the module in black and the recommended/deeper cut elements in blue. Please feel free to edit the narrative portions of the module as needed.

OBJECTIVES:

What does it take to be (or become) truly American?

The election of an American president is a unique opportunity every four years for a nation to reflect on its highest values and what it considers its best character. It's a chance to think about what makes a people, and their leader, "great." For some, like white-supremacist Richard Spencer and those who follow him, greatness is inextricably tied to the genetic makeup of some Americans and their supposedly all white Christian heritage. For others American greatness is embodied in sometimes specific, sometimes vaguer cultural norms that were felt to be slipping away, creating an anxiety for the future. For still others (though these groups probably overlap) greatness is tied inextricably to the cultural construct of "Western Civilization", which itself has a genetic underpinning.  While the use of classical images and texts to support narratives of white supremacy and racism has increased in its visibility in the last year, there has not been a time since the 19th century when this has not been happening. This has put increased pressure on many in the field of Classics to engage with the questions of race and ethnicity in the ancient sources as well as the reception of these topics in the modern world in a way they had not before.


Fortunately, ancient historians and archaeologists have spent the better part of the last few decades trying to understand how the ancient Greeks and Romans considered group identities. Modern societies have tended since the 18th century to focus on skin color as an indicator of something we call “race” and "ethnicity" thusly:

In antiquity, however, there seems to have been more fluidity in how groups of peoples were identified, at least in terms of the variety of terms used to talk about what we call race and ethnicity today. Terms like the Greek genos, ethnos, phyllae and the Latin gens, tribus, and natio can all actually be translated as either “race” or “ethnicity”. But what these terms mean is the focus of much discussion. Importantly, however, studying the ancient texts and archaeology makes it pretty clear that what we call “race” and “ethnicity” are not natural categories, but constructed. For the Greeks and Romans it was much the same.

How were "race" and "ethnicity" constructed in the ancient world?

For the Classical Greeks of the 5th century BCE, especially the Athenians and Spartans, one became Greek by being born Greek and also by sharing a language, religion, and cultural traditions. For the Hellenistic Greeks things were more flexible: as Alexander the Great and his armies conquered much of Asia, they established Greek cities throughout where the Greek language was spoken and Greek-style building were built. The Greeks themselves also adapted many traditions and practices of the peoples they conquered while also intermarrying. The Romans had an even more elastic definition of race/ethnicity. To be a Roman meant to be a Roman citizen, whether one was Roman, Sabine, Etruscan, Latin, Greek, Syrian, Egyptian, or one of the other myriads of peoples the Romans came into contact with and incorporated into their empire either through enslavement, territorial expansion, or military recruitment.

Rome covered three continents and imported slaves from all of them and from beyond their own borders. In fact, the children of freed slaves became Roman citizens making the population of Rome one of the most diverse ever. Additionally, over the centuries, Roman emperors made mass grants of citizenship to parts of its empire culminating in the grant of Roman citizenship to every free person in its entire empire in 212 CE. This decision came from the leader of the Roman world, sending a message that all peoples of the empire--regardless of their physical or cultural differences--were Roman.

 

Some big questions to consider: How do leaders in our society (political leaders, especially) shape the way we discuss or think about race and racism? How do appeals by our leaders to representations of foreigners in the Classical past impact the way Classics is perceived as part of white supremacy and racism? How can understanding the similarities and differences between how the ancients thought of human differences and how we construct them inform and even change the way we talk about race and racism today?

 

 

ASSIGNMENTS

 

1. Western civilization and Race:

 

What do we mean when we talk about “western civilization”? How are the ancient Greeks and Romans connected to it? How does the rhetoric of “western civilization” in our political discourse underscore race constructs and racism?

 

What is “western civilization”? Generally, western civilization is a term given to set of cultural norms and traditions of beliefs, political systems, and intellectual and artistic traditions of European origin that are practiced in Europe and other nation of European origin . It is highly likely that, if you went to school in the United States, you had textbooks in your history, literature, or art classes about “western civilization” or the “western canon” or “western traditions”. “Western civilization” is primarily linked by three elements: Christianity (though some say Judeo-Christian in order to recognize the Jewish origins of the “Old Testament”, an artistic and literary tradition claiming roots in Classical antiquity, and whiteness as a racial identifier. These elements are said to bind together nations in Europe, North America, and Australia and New Zealand, all of which claim their origins in European colonization.

 

The United States, in particular, has often also been called the “Leader of the West” or “Leader of the Free World”, in which “free” and “west” are used as synonyms, and this rhetoric of “the West” and “western civilization” permeate our political as well as popular culture, even in how we fantasize about other worlds--think of Aragon’s big speech in the fantasy Lord of the Rings: Return of the King (https://youtu.be/SwMUY5ro5Xo) where he refers to his troops as “Men of the West”. Throughout the Lord of the Rings (books and films), the Men of Gondor and those whom Aragorn and Gandalf and the Elves represent are structured as the West, with a specific set of traditions and beliefs, mirroring the cultural assumptions of its author, JRR Tolkien, and the filmmakers.

 

In the following to texts, see if you can’t discern what the writers/speakers consider the primary elements of “western civilization”? How are these primary elements constructed? Where do we see hint of the racial underpinnings of the idea? Where might we see this overlaying of “free” and “west”? If the “west” is “free”, what is the “east”?

 

The first article is an Opinion piece from the New York Times by writer David Brooks. Brooks is a long time proponent of classical education as the foundation of a strong, Enlightenment-based “western” society, a society he now sees “in crisis”. What has caused this “crisis”?

  

The language of “western civilization” has increased over the course of the last year, especially among the political leadership of the Republican party, including Rep. Steve King’s remarks about western civilization and immigration (http://www.cnn.com/2017/03/13/politics/steve-king-babies-tweet-cnntv/) and, most importantly, President Trump, who gave a speech in Warsaw, Poland ahead of the 2017 G-20 meeting in Hamburg, Germany which is being viewed by some as a triumph for “western civilization” as a concept and by others as a triumph of white supremacy.

 

 

2. West vs. East? Orientalism and Racism

 

If something called “western civilization” exits, is there also an “eastern civilization”? Interestingly, there does not seem to be a monolithic concept of “eastern civilization” to mirror “western civilization”, though there is a concept of “East” to go with “West”. Historically, this division between East and West has had a long and changing existence. We might see its genuine origins in the division of the Roman Empire into Eastern and Western halves in the 4th century CE, which the became a de facto division between two branches of Christianity--Catholic and Orthodox. Are East and West the same and “civilized” and “barbarian”?  

 

The East/West divide is often said to be found in the Persian Wars, a series of battles fought in 490 BCE and then in 480-479 BCE between an alliance of Greeks and the armies of Persia. Three particular battles--Marathon (490 BCE), Thermopylae (480 BCE), and Salamis (480 BCE)--are most often cited as representative of the conflict. Edward Said claims that the concept of Orientalism--the exoticization of non-European-American cultures in representations by European-Americans, linked frequently to colonialist or imperialist contexts--had its origins in ancient Greece.

 

Of course, the “Eastern” Persians were the imperialists, not the Greeks in the ancient context, and yet the use of the Persian Wars rhetoric of the classical Athenians in particular is clear in Orientalizing texts, images, and films. A clear example of this is the film 300, where the representation of Xerxes is fully exoticized and demonized. The author of the original graphic novel and the director both have suggested the representation is truthful to the ancient texts, but they are not. Such representations also underscore a notion that all non-European-American peoples or those who are not part of “western civilization” are “barbarians”, a term coined by the ancient Greeks to refer to any peoples who did not speak Greek and by Romans to refer to northern European peoples like the Gauls and Germans who did not live in settled cities or have extensive political or economic systems.

 

Modern associations with the term “barbarian” are more closely aligned with the Roman view, though those people designated barbarians by the Romans are, ironically, the ones who have most frequently used the Greek meaning of the term to designate anyone not “western”, i.e. white, Christian, and of European descent, as “barbaric”. In the 19th and early 20th centuries, even the Greeks themselves were depicted by northern European artists as an orientalized, eastern “other”--a projection onto another of negative stereotypes that one considers the opposite of what they themselves are or should be-- [http://www.metmuseum.org/toah/hd/euor/hd_euor.htm] . How then, could they be the foundation of a “western civilization”?

 

Below are readings from ancient Greek and Roman sources on the Persians (Greek) and Parthians (Roman). See if you can’t identify in each source where the dynamics of racism or ethnocentrism may be at play. If you can’t identify any explicitly racist elements, that is fine--sometimes the racism is in the interpretation and not in the actual source. If this is the case, see if you can’t identify how these sources might be or were used to construct this modern notion of the “barbarian” eastern other that underscores the concept of western civilization and white supremacy narratives.  

  

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Jean-Leon Gerome Greek Interior 1848. Orientalized Ancient Greeks https://www.wikiart.org/en/jean-leon-gerome/greek-interior-1848

 

2. The idea of “purity” in antiquity


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3.Whiteness and ancient ideas of race/ethnicity--

 

Did the ancients have a concept of connecting skin tone to racial/ethnic identity? Environmental determinism, which uses climate to account for differences in skin color, is the closest, but it doesn’t necessarily have the meaning that we attach to color--they associate whiteness with women and the feminine or with certain diseases. If skin color was not an indicator of “race” in antiquity, how did they differentiate peoples? And if skin color is not a historical way of differentiating peoples, why do American rely on it so heavily?

 

 

4. Visual images of race/ethnicity

 

Image Gallery (for use or nto as people want): https://docs.google.com/presentation/d/1QYJztiEc1VmW7YzWUqemnoLJD-__Zjh6V6a453wfINc/edit?usp=sharing

 

REQUIRED: Polychromy debate

 

REQUIRED: Connection between art and race/racism:

 

RECOMMENDED: Colonialism and art collection/representation

 

RECOMMENDED: Modern Color Obsessions

                  

Suggested Classroom Activities

 


 

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