Sign in or register
for additional privileges

MACHINE DREAMS

Alexei Taylor, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Alterity

Emmanuel Levinas first developed Alterity in a philosophical context, deigning it an element of contrast, perhaps an ‘anti-identity’ with respect to a given identity. However Michael Taussig applied this concept in a more cultural context, as a means to describe the interactions that occur between two quite different societies, ideals, peoples, races, or sets of values, when they come in metaphorical, and in some cases, physical contact. Modern and contemporary global history have offered ample opportunity to study this phenomenon, by way of a very recent colonial era (which essentially entailed the West’s contact with and conquest of what they considered a primitive Other), the proliferation of new technological media (which, to echo Taussig, have led to a re-invigoration of our innate mimetic faculties. These in turn, have provided a means to explore and understand ‘otherness’), and the reactions to the global adoption of a primarily western ‘popular culture’ and its varying implications in societies that are alien/Other to it.

Quoting Walter Benjamin, Taussig, in Mimesis and Alterity, declares that the mimetic faculty is influenced by humanity’s innate disposition to become ‘other’; to explore alterity. This strongly contrasts with the notion that our natural response to change or ‘other’ is one of opposition, which is clearly evident in humanity’s narrative. Encounters with “Another” have often resulted in conflict and violence throughout human history and prehistory. But what if this evidence is unwittingly relevant to Benjamin’s proclamation? In conquest, isn’t it common for the victim to adopt the culture of the alien victors; to explore their alterity?Definition: Alterity And did not the Spartan conquerors of Ancient Athens adopt their “host’s” characteristic love for luxury, in stark contrast to Spartan doctrines of austerity? Alterity in this respect is as sour as it is sweet. Like Morpheus in the Matrix, it offers us two pills; the satisfaction for our thirst for 'otherness', as well as the probability of conflict and a power-struggle with the 'Other'.
Comment on this page
 

Discussion of "Alterity"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Alterity, page 4 of 5 Next page on path

Related:  Andre Breton: The Leader of the SurrealistsDream Caused by the Flight of a Bee around a Pomegranate a Second before AwakeningFREUD'S IDEAS OF THE UNCONSCIOUSWORKS CITEDTHE UNCONSCIOUS IN DALI’S LA PERSISTENCIA DE LA MEMORIAHAND PAINTED DREAM PHOTOGRAPHY: DALI'S TECHNOLOGYthe thinkergreetingsEpistemologySUPERMAN'S JOURNEY TO STYLIN ONLINE"I'M PRETTY FLY"BIBLIOGRAPHYTHE UNCONSCIOUS MINDsubjective realityPOP-CULTURE THEMED T-SHIRTSpostmodern musicDAYDREAMING WITH THE SURREALISTSEssay Proposal: Salvador Dali's La Persistencia De La MemoriaNAPLA PERSISTENCIA DE LA MEMORIA: DALI'S DEPICTION OF THE UNCONSCIOUSIs the left ballerina rotating in the same direction as the middle one? Animated visual Illusion.THE UNCONSCIOUSthe observer?GenderLATCHING ONTO FREUDNAPTHE ROLE OF TECHNOLOGY IN LA PERSISTENCIA DE LA MEMORIAdifferent culturesWorld's Quickest Personality TestMY INTRODUCTORY PAGECOME. SLEEP.AuthenticityBIBLIOGRAPHYMetonymyTHE ORIGIN OF SUPERMANSNAPSHOTS OF THE DREAM WORLD: INVOKING THE POWERS OF THE CAMERAObserverPostmodernthe pillsLA PERSISTENCIA DE LA MEMORIA: A DREAMSCAPESLUMBERDali's Sketch of FreudSymbolicSNAPSHOTS OF THE DREAM WORLD: THE POWER OF THE CAMERAFreud's Mental MapepistemeMAN OF STEEL: AN ETHNOGRAPHYCREATING UNDER INFLUENCE: FREUD'S PROFOUND INFLUENCE ON THE SURREALISTSA Cross-section of the Surrealists: "Revolutionaries or Artists?"Profane IlluminationMumler's art