Critical Theory in a Digital Age, CCU, ENGL 483 2017 Main Menu Theory, English 483, CCU, 2017 Alisha Petrizzo, Reproducing a Classic Taking a look at how film can enhance or distort the authenticity of its original literature format Jocie Scherkenbach, Real Identity in a Virtual World: How Social Media Affects Identity Using the idea of cyborgs, as defined by Donna Haraway's "Cyborg Manifesto" the comparison is made between these cyborgs and social media users and how the public and private space converge and diverge within these spaces in order to form new and differing identities than the real-world identity. Kayla Jessop, The Uncanny Valley: Observations on Cyborgs within the Film Industry A scholarly observation on how film industries use Freud's idea of the uncanny and the uncanny valley within cyborgs and computer generated animation. Bilingualism Through An Electronic Hypertext and The Baroque Simulacrum it Creates By: Lindsey Morgan By: Lindsey Morgan Marcus Kinley, The Uncanny in Flatliners (1990) Tiffany Hancock, The Panopticon of Commodities Yaicha Ocampo - Marx's Favorite Latte The relationship between the simulacrum and the fetish commodity Leila Hassak-Digital Labor Through The Dystopian Film Hunger Games Elizabeth Tabor, From 'Token Girl' To 'Leading Lady' How The Rise In Female Fans Affects Modern Popular Culture Kyle Malanowski, The Uncanny Within Victor Cocco , The Wonderfully Mysterious World of the Uncanny Introduction Ariel Ellerson : The Public Sphere's Effect on Social Media and Church Tiffany Whisenant, Cyborg Prosthesis Looking at how technology is used to augment ourselves and how technology becomes extensions of our body and soul.

Kaitlin Schell, Electracy in #BlackLivesMatter and #MeToo

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Contents of this path:

  1. Epoch III: Electracy
  2. Hashtag: The Virtual and Physical Worlds Collide
  3. Black Lives Matter