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Critical Theory in a Digital Age, CCU, ENGL 483 2017Main MenuTheory, English 483, CCU, 2017Alisha Petrizzo, Reproducing a ClassicTaking a look at how film can enhance or distort the authenticity of its original literature formatJocie Scherkenbach, Real Identity in a Virtual World: How Social Media Affects IdentityUsing the idea of cyborgs, as defined by Donna Haraway's "Cyborg Manifesto" the comparison is made between these cyborgs and social media users and how the public and private space converge and diverge within these spaces in order to form new and differing identities than the real-world identity.Kaitlin Schell, Electracy in #BlackLivesMatter and #MeTooMainstream hashtags that represent a movement in the physical world are explored in terms of Gregory Ulmer's theory of electracy and connotations.Kayla Jessop, The Uncanny Valley: Observations on Cyborgs within the Film IndustryA scholarly observation on how film industries use Freud's idea of the uncanny and the uncanny valley within cyborgs and computer generated animation.Bilingualism Through An Electronic Hypertext and The Baroque Simulacrum it Creates By: Lindsey MorganBy: Lindsey MorganMarcus Kinley, The Uncanny in Flatliners (1990)Tiffany Hancock, The Panopticon of CommoditiesYaicha Ocampo - Marx's Favorite LatteThe relationship between the simulacrum and the fetish commodityLeila Hassak-Digital Labor Through The Dystopian Film Hunger GamesElizabeth Tabor, From 'Token Girl' To 'Leading Lady'How The Rise In Female Fans Affects Modern Popular CultureKyle Malanowski, The Uncanny WithinVictor Cocco , The Wonderfully Mysterious World of the UncannyIntroductionAriel Ellerson : The Public Sphere's Effect on Social Media and ChurchTiffany Whisenant, Cyborg ProsthesisLooking at how technology is used to augment ourselves and how technology becomes extensions of our body and soul.Jen Boyle54753b17178fb39025a916cc07e3cb6dd7dbaa99
Epoch III: Electracy
1media/electracy background image page 2.jpg2017-11-14T07:02:28-08:00Kaitlin Schellf5894eea10a50fa9cbed74088e86540e6fef01302602022A brief description of electracy, a theory proposed by Gregory Ulmer.plain2017-12-14T19:26:46-08:00Kaitlin Schellf5894eea10a50fa9cbed74088e86540e6fef0130Electracy is “to digital media what literacy is to alphabetic writing: an apparatus, or social machine, partly technological, partly institutional. We take for granted now the skill set that orients literate people to the collective mnemonics that confront anyone entering a library or classroom today” or, essentially, the skillset used to navigate technological hardwares and softwares, yet this is much more than just a skillset, it is an extension of literacy (Belanger). Electracy was first introduced by Gregory Ulmer, a University of Florida professor who studies the transition from literacy to electracy in terms of media studies. Literacy is the ability to read and write, but electracy encompasses the ability to read and write as well as the ability to use and understand technology. It includes both hardware and software, but understanding how to operate software and problem-solve in online spaces is a large proponent of electracy. Electracy “encompasses the broader cultural, institutional, pedagogical, and ideological implications inherent in the transition from a culture of print literacy to a culture saturated with electronic media” a culture that has swept the nation from the moment personal computers and internet connections became available to the average American (Wikipedia). It can be further understood by the apparatus created by Ulmer to show the purposes and functions of electracy.
Technology has progressed at rapid rates from that point on and has swept the consumer market with more and more devices such as smartphones, tablets, computers, laptops, gaming systems, televisions, and even watches and now virtual reality glasses. Hardware and software feed into each other similarly to how form follows function in human anatomy. Electracy has created a culture that functions and communicates not only through print anymore, but handheld devices. People check the weather on their iPhones, read the news on Twitter, and communicate via texts and video chats. Having these physical devices available creates a space for us to connect virtually. People can connect virtually from halfway across the world in a few seconds, and sometimes faster depending on processing speeds. Conversations are had by fingertips and not by face-to-face interaction or even in the form of writing, but by texting. Using the keyboard is a characteristic of how technologically fluent a person is--something indicative of the technology based culture we now live in. If something happens in the physical world, it is commonplace for this to be a topic for discussion in the virtual world as well, which is where hashtags come in.
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1media/Electracy Intro.jpg2017-11-14T06:55:47-08:00Kaitlin Schellf5894eea10a50fa9cbed74088e86540e6fef0130Kaitlin Schell, Electracy in #BlackLivesMatter and #MeTooKaitlin Schell20Mainstream hashtags that represent a movement in the physical world are explored in terms of Gregory Ulmer's theory of electracy and connotations.splash2017-12-11T13:17:30-08:00Kaitlin Schellf5894eea10a50fa9cbed74088e86540e6fef0130
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1media/hashtag page 3 header image.jpg2017-11-14T07:06:08-08:00Kaitlin Schellf5894eea10a50fa9cbed74088e86540e6fef0130Hashtag: The Virtual and Physical Worlds Collide26image_header2017-12-14T15:20:21-08:00Kaitlin Schellf5894eea10a50fa9cbed74088e86540e6fef0130
12017-12-14T15:30:59-08:00Arroyo Growing Up With Electracy1Revised version of #IDRS 2015 presentation, "Growing up with Electracy."plain2017-12-14T15:30:59-08:00
12017-11-29T21:33:05-08:00Ulmer on Electracy 02 041Greg Ulmer: On Electracy. From Ulmer Tapes, 2001, 02.04. By John Craig Freeman.plain2017-11-29T21:33:05-08:00