Critical Theory in a Digital Age, CCU, ENGL 483 2017 Main Menu Theory, English 483, CCU, 2017 Alisha Petrizzo, Reproducing a Classic Taking a look at how film can enhance or distort the authenticity of its original literature format Kaitlin Schell, Electracy in #BlackLivesMatter and #MeToo Mainstream hashtags that represent a movement in the physical world are explored in terms of Gregory Ulmer's theory of electracy and connotations. Kayla Jessop, The Uncanny Valley: Observations on Cyborgs within the Film Industry A scholarly observation on how film industries use Freud's idea of the uncanny and the uncanny valley within cyborgs and computer generated animation. Bilingualism Through An Electronic Hypertext and The Baroque Simulacrum it Creates By: Lindsey Morgan By: Lindsey Morgan Marcus Kinley, The Uncanny in Flatliners (1990) Tiffany Hancock, The Panopticon of Commodities Yaicha Ocampo - Marx's Favorite Latte The relationship between the simulacrum and the fetish commodity Leila Hassak-Digital Labor Through The Dystopian Film Hunger Games Elizabeth Tabor, From 'Token Girl' To 'Leading Lady' How The Rise In Female Fans Affects Modern Popular Culture Kyle Malanowski, The Uncanny Within Victor Cocco , The Wonderfully Mysterious World of the Uncanny Introduction Ariel Ellerson : The Public Sphere's Effect on Social Media and Church Tiffany Whisenant, Cyborg Prosthesis Looking at how technology is used to augment ourselves and how technology becomes extensions of our body and soul.

Jocie Scherkenbach, Real Identity in a Virtual World: How Social Media Affects Identity

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This page has paths:

  1. Conclusion Kayla Jessop

Contents of this path:

  1. Introduction: Social Media Users and Cyborgism
  2. Social Media: A Multi-user Virtual Environment
  3. Cyborgs in a Multi-user Virtual Environment
  4. A Spectrum of Social Media Interactions
  5. Naming Within Social Media: How Hashtags Play a Role in Convergence
  6. Conclusion

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