Critical Theory in a Digital Age, CCU, ENGL 483 2017
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Theory, English 483, CCU, 2017
Alisha Petrizzo, Reproducing a Classic
Taking a look at how film can enhance or distort the authenticity of its original literature format
Jocie Scherkenbach, Real Identity in a Virtual World: How Social Media Affects Identity
Using the idea of cyborgs, as defined by Donna Haraway's "Cyborg Manifesto" the comparison is made between these cyborgs and social media users and how the public and private space converge and diverge within these spaces in order to form new and differing identities than the real-world identity.
Kaitlin Schell, Electracy in #BlackLivesMatter and #MeToo
Mainstream hashtags that represent a movement in the physical world are explored in terms of Gregory Ulmer's theory of electracy and connotations.
Kayla Jessop, The Uncanny Valley: Observations on Cyborgs within the Film Industry
A scholarly observation on how film industries use Freud's idea of the uncanny and the uncanny valley within cyborgs and computer generated animation.
Bilingualism Through An Electronic Hypertext and The Baroque Simulacrum it Creates By: Lindsey Morgan
By: Lindsey Morgan
Marcus Kinley, The Uncanny in Flatliners (1990)
Tiffany Hancock, The Panopticon of Commodities
Yaicha Ocampo - Marx's Favorite Latte
The relationship between the simulacrum and the fetish commodity
Leila Hassak-Digital Labor Through The Dystopian Film Hunger Games
Elizabeth Tabor, From 'Token Girl' To 'Leading Lady'
How The Rise In Female Fans Affects Modern Popular Culture
Kyle Malanowski, The Uncanny Within
Victor Cocco , The Wonderfully Mysterious World of the Uncanny
Introduction
Ariel Ellerson : The Public Sphere's Effect on Social Media and Church
Tiffany Whisenant, Cyborg Prosthesis
Looking at how technology is used to augment ourselves and how technology becomes extensions of our body and soul.
Jen Boyle
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