Critical Theory in a Digital Age, CCU, ENGL 483 2017Main MenuTheory, English 483, CCU, 2017Alisha Petrizzo, Reproducing a ClassicTaking a look at how film can enhance or distort the authenticity of its original literature formatJocie Scherkenbach, Real Identity in a Virtual World: How Social Media Affects IdentityUsing the idea of cyborgs, as defined by Donna Haraway's "Cyborg Manifesto" the comparison is made between these cyborgs and social media users and how the public and private space converge and diverge within these spaces in order to form new and differing identities than the real-world identity.Kaitlin Schell, Electracy in #BlackLivesMatter and #MeTooMainstream hashtags that represent a movement in the physical world are explored in terms of Gregory Ulmer's theory of electracy and connotations.Kayla Jessop, The Uncanny Valley: Observations on Cyborgs within the Film IndustryA scholarly observation on how film industries use Freud's idea of the uncanny and the uncanny valley within cyborgs and computer generated animation.Bilingualism Through An Electronic Hypertext and The Baroque Simulacrum it Creates By: Lindsey MorganBy: Lindsey MorganMarcus Kinley, The Uncanny in Flatliners (1990)Tiffany Hancock, The Panopticon of CommoditiesYaicha Ocampo - Marx's Favorite LatteThe relationship between the simulacrum and the fetish commodityLeila Hassak-Digital Labor Through The Dystopian Film Hunger GamesElizabeth Tabor, From 'Token Girl' To 'Leading Lady'How The Rise In Female Fans Affects Modern Popular CultureKyle Malanowski, The Uncanny WithinVictor Cocco , The Wonderfully Mysterious World of the UncannyIntroductionAriel Ellerson : The Public Sphere's Effect on Social Media and ChurchTiffany Whisenant, Cyborg ProsthesisLooking at how technology is used to augment ourselves and how technology becomes extensions of our body and soul.Jen Boyle54753b17178fb39025a916cc07e3cb6dd7dbaa99
Pride and Prejudice and Zombies
12017-11-30T07:11:28-08:00Alisha Petrizzo4ead531fca2e86e7a3ed060cc12b0e218e1acf5d260203Trailer for Pride and Prejudice and Zombiesplain2017-11-30T07:20:29-08:00Alisha Petrizzo4ead531fca2e86e7a3ed060cc12b0e218e1acf5d
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1media/PPZDeluxe_Cover_72dpi copy.jpgmedia/zombie.jpg2017-11-16T07:27:52-08:00Alisha Petrizzo4ead531fca2e86e7a3ed060cc12b0e218e1acf5dThen There Were ZombiesAlisha Petrizzo35image_header2017-12-15T10:14:49-08:00Alisha Petrizzo4ead531fca2e86e7a3ed060cc12b0e218e1acf5d
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1media/PPZDeluxe_Cover_72dpi copy.jpgmedia/zombie.jpg2017-11-16T07:27:52-08:00Then There Were Zombies35image_header2017-12-15T10:14:49-08:00 Just as there are attempts at remaining true to the original work, there are also reproductions which alter the true meanings. This is seen by the 2016 film version of Pride and Prejudice and Zombies, originally a novel of the same name. Right from the beginning, it is clear that this movie edition will not be like the classic story. Incorporating zombies into this world distorts the authenticity of the piece because it essentially creates a new plot based off of the original. It is no longer the same especially when science fiction is introduced into a world of romance fiction. Not only is the "aura" disrupted but the "spirit" of the book is as well once the main character is changed. Elizabeth Bennet is still the honest and stubborn woman who keeps Mr. Darcy anxious, but this time her focus is not on finding a decent man. It is now on destroying the zombies who threaten the humans' existence.
One of the most prominent lines from the original book is, "It is a truth universally acknowledged that a single man in possession of good fortune, must be in want of a wife," but when it is showed in the Pride and Prejudice and Zombies version, it is altered to "It is a truth universally acknowledged that a zombie in possession of brains must be in want of brains." By playing off the original eight words, the movie tried to keep that original concept but the uniqueness can no longer be retained once it is changed into something completely different. In the novel and the 2005 movie version, this line refers to marriage and the intricacies of courtship, while the zombie rendition is a another concept all together.
To the left is a glimpse at the very first page of Pride and Prejudice and Zombies with a side by side comparison to the original. It is important to see the two texts next to each other because it highlights the differences. Although some of the wording is kept the same, there are inclusions that never existed before in the zombies rendition. This line, ""Woman, I am attending to my musket. Prattle on if you must, but leave me to the defense of my estate," is a clear example of this ability to alter the story but keeping the personality of Mr. Bennet in tact.
The quirks of the original novel are still present throughout. Mrs. Bennet is still attempting to get all of her daughters married off and Elizabeth is still adament to not marry. The present and still annoying Mr. Collins wants to marry Elizabeth and her personality is held true when she stubbornly refuses him again. One of the most important parts to the novel, is when Lizzie goes to see her ill-fallen sister Jane because it sets up the next chance encounter between Mr. Darcy and Elizabeth. Of course in the zombie edition, Jane has to be fighting zombies and is suspected to possibly have been bitten by one; thus, giving Elizabeth the reason to travel to Mr. Bingley's estate.
Despite the story line following the same pattern, this movie distracts from the authenticity. Although the zombies are used as secondary characters, they find their way into being the center of attention; therefore, the story is distorted by drawing the focus away from Mr. Darcy and Elizabeth. It seems as if the two main characters have become supporting players in a much larger story. The same ideas are there but the "aura" is missing leaving the viewers with a sense that this is an entirely different story resulting in a derivative of the original.